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New York Art Quartet
The New York Art Quartet was a free jazz ensemble, originally made up of saxophonist John Tchicai, trombonist Roswell Rudd, drummer Milford Graves and bassist Lewis Worrell, that came into existence in 1964 in New York City. Worrell was later replaced by various other bassists, including Reggie Workman, Finn Von Eyben, Harold Dodson, Eddie Gómez, Steve Swallow, and Buell Neidlinger. All About Jazz reviewer Clifford Allen wrote that the group "cut some of the most powerful music in the free jazz underground". In November 1962, Tchicai moved from his home country of Denmark to New York City at the suggestion of Archie Shepp and Bill Dixon, whom he had met at the Helsinki Jazz Festival earlier that year. Upon arriving in New York, Tchicai began playing with Dixon's group, which included Shepp and Roswell Rudd among others, and also sat in with Don Cherry and various other musicians. By the summer of 1963, Tchicai, Shepp, and Cherry had formed the New York Contemporary Five with bassi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Art Quartet (album)
''New York Art Quartet'' is the debut album by the group of the same name. It was recorded on November 26, 1964, at Bell Sound Studios in New York City, and was released in 1965 by ESP-Disk as the fourth item in their catalog, following Albert Ayler's '' Spiritual Unity'' and Pharoah Sanders's '' Pharoah's First''. It features John Tchicai on alto saxophone, Roswell Rudd on trombone, Lewis Worrell on bass, and Milford Graves on percussion. In addition, LeRoi Jones recites his controversial poem "Black Dada Nihilismus" on one track. The album was recorded roughly two months after the group, calling itself "The John Tchicai Quartet," participated in the " October Revolution in Jazz" festival organized by Bill Dixon, and roughly one month before they played in the "Four Days in December" festival, where, calling themselves the "Roswell Rudd - John Tchicai Quartet," they shared a bill with Sun Ra. Reception In a review for AllMusic, Al Campbell wrote: "The unique front-line horn arra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term " avant-garde jazz". Europeans tend to favor the term " free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Contemporary Five
The New York Contemporary Five was an avant-garde jazz ensemble active from the summer of 1963 to the spring of 1964. It has been described as "a particularly noteworthy group during its year of existence -- a pioneering avant-garde combo" and "a group which, despite its... short lease on life, has considerable historical significance." Author Bill Shoemaker wrote that the NYCF was "one of the more consequential ensembles of the early 1960s." John Garratt described them as "a meteor that streaked by too fast." Background In November 1962, alto saxophonist John Tchicai moved from his home country of Denmark to New York City at the suggestion of tenor saxophonist Archie Shepp and trumpeter/composer Bill Dixon, whom he had met at the Helsinki Jazz Festival earlier that year. Upon arriving in New York, Tchicai began playing with Shepp's and Dixon's group, which had recently recorded the album '' Archie Shepp – Bill Dixon Quartet'', and also sat in with trumpeter Don Cherry and variou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ESP Disk
ESP-Disk is a New York-based record company and label founded in 1963 by lawyer Bernard Stollman. History Though it originally existed to release Esperanto-based music, beginning with its second release (Albert Ayler's '' Spiritual Unity''), ESP became the most important exponent of what is commonly referred to as free jazz. Early releases included albums by Paul Bley, Pharoah Sanders and Sun Ra. ESP also released recordings by uncommercial underground rock acts including the Fugs, The Godz and Pearls Before Swine. The label's motto is "The artists alone decide what you will hear." Bernard Stollman faced allegations of not paying royalties to the artists that were signed to ESP-Disk. Tom Rapp of the band Pearls Before Swine claimed that: "We never got any money from ESP. Never, not even like a hundred dollars or something. My real sense is that he tollmanwas abducted by aliens, and when he was probed it erased his memory of where all the money was". Peter Stampfel of the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
October Revolution In Jazz
The October Revolution in Jazz was a four-day festival of new jazz music which took place at the Cellar Café in New York City. It occurred from October 1–4, 1964, and was organized by composer and trumpeter Bill Dixon. The success of the festival was directly responsible for the formation of the Jazz Composers Guild. Background During a trip to Helsinki, Finland with Archie Shepp in the summer of 1962, Dixon began to develop embouchure difficulties. The situation deteriorated to the point where, by the following summer, Dixon stopped playing in public in order to focus on correcting the issue. He also began concentrating on writing and arranging. Shepp, meanwhile, began collaborating with John Tchicai, with whom he would soon form the New York Contemporary Five. Dixon composed and arranged a number of the pieces that would be performed and recorded by the NYCF, and also managed their weekly rehearsals. By early 1964, Dixon had recovered to the point where he was able to recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Eye And Ear Control
''New York Eye and Ear Control'' is an album of group improvisations recorded in July 1964 by an augmented version of Albert Ayler's group to provide the soundtrack for Michael Snow's film of the same name. Background ''New York Eye and Ear Control'' came about when artist, musician, and filmmaker Michael Snow received a commission from a Toronto-based organization called Ten Centuries Concerts for a film employing jazz. Snow had recently attended and enjoyed a concert by saxophonist Albert Ayler (he recalled "I was completely knocked out"), and had been making his studio on Chambers Street in lower Manhattan available to musicians such as Roswell Rudd, Archie Shepp, Paul Bley, and Milford Graves for rehearsals. He decided to hire Ayler and his quartet (which at the time included trumpeter Don Cherry, bassist Gary Peacock, and drummer Sunny Murray, and which had recently recorded the albums Prophecy and (without Cherry) Spiritual Unity), along with trombonist Rudd and saxophonist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunny Murray
James Marcellus Arthur "Sunny" Murray (September 21, 1936 – December 7, 2017) was an American musician, and was one of the pioneers of the free jazz style of drumming. Biography Murray was born in Idabel, Oklahoma, where he was raised by an uncle who later died after being refused treatment at a hospital because of his race. He began playing drums at the age of nine. As a teen, he lived in a rough part of Philadelphia, and spent two years in a reformatory. In 1956, he moved to New York City, where he worked in a car wash and as a building superintendent. During this time, he played with musicians such as trumpeters Red Allen and Ted Curson, pianist Willie "The Lion" Smith, and saxophonists Rocky Boyd and Jackie McLean. In 1959, he played for the first time with pianist Cecil Taylor and, according to Murray, " r six years all the other things were wiped from my mind..." "With Cecil, I had to originate a complete new direction on drums." Murray stated: "We played for about a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Peacock
Gary George Peacock (May 12, 1935September 4, 2020) was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense." Early life Peacock was born in Burley, Idaho, on May 12, 1935; his father worked as a business consultant for grocery stores, and his mother was a homemaker. He grew up in Yakima, Washington, where he attended Yakima Senior High School, now called A.C. Davis High School. His earliest musical experiences involved playing p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as '' Spiritual Unity'' and '' The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Tru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor '' Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppi Logan
Giuseppi Logan (May 22, 1935 – April 17, 2020) was a jazz musician, originally from Philadelphia, Pennsylvania, who taught himself to play piano and drums before switching to reeds at the age of 12. At the age of 15 he began playing with Earl Bostic and later studied at the New England Conservatory. In 1964 he relocated to New York and became active in the free jazz scene. Biography Logan played alto and tenor saxophone, bass clarinet, flute, piano and oboe. He collaborated with Archie Shepp, Pharoah Sanders and Bill Dixon before forming his own quartet made up of pianist Don Pullen, bassist Eddie Gómez and percussionist Milford Graves. After Pullen's departure, pianist Dave Burrell joined the group. Logan was a member of Byard Lancaster's band and toured with and appeared on records by Patty Waters. He recorded two albums for the ESP-Disk record label and later appeared on an album by Roswell Rudd on the Impulse! label. A 1965 press release from ESP-Disk indicates that a thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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