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New Wave Cinema
New Wave may refer to various artistic movements in film, music and literature. These include: Movements in film * The New Wave, French New Wave, or Nouvelle Vague, the inaugural New Wave cinema movement * Australian New Wave * Indian New Wave, or Parallel cinema * Japanese New Wave, or Nuberu Bagu, which also developed around the same time as the French ''Nouvelle Vague'' * Persian New Wave, or Iranian New Wave, started in the 1960s * New German Cinema, new wave of German cinema * New Nigerian Cinema, also known as Nigerian New Wave * Czechoslovak New Wave * Cinema Novo or Novo Cinema, a movement in Brazilian and Portuguese film * Hong Kong New Wave, a movement in Hong Kong film led by Tsui Hark * Philippine New Wave, also known as Filipino New Wave or Contemporary Philippine Cinema * Romanian New Wave * British New Wave * Taiwan New Wave * Thai New Wave * Toronto New Wave * New Hollywood, also known as the American New Wave * New generation (Malayalam film movement), new wave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toronto New Wave
The Toronto New Wave refers to a loose-knit group of filmmakers from Toronto who came of age during the 1980s and early 1990s. History Atom Egoyan, John Greyson, Ron Mann, Bruce McDonald, Don McKellar, Peter Mettler, Jeremy Podeswa and Patricia Rozema, along with producers Camelia Frieberg, Alexandra Raffé, Colin Brunton, Janis Lundman and others came bursting on to the Canadian movie scene in the 1980s with fresh, original films that rejected not only Hollywood's formulaic dramas, but also the legacy of earlier English-Canadian cinéastes (such as Don Shebib and Don Owen) who had made downbeat films about heartbreak and loss. Feature filmmaking in Ontario in the 1980s may stand as one of the most significant developments in the history of this country's cinema. Leading the way into features was Peter Mettler (whose 1982 film ''Scissere'' became the first student feature programmed by the Toronto Festival of Festivals, now the Toronto International Film Festival) and Mann (w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Science Fiction
The New Wave was a science fiction (SF) style of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, greater imitation of the styles of trendy non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which many of the writers involved considered irrelevant or unambitious. The most prominent source of New Wave science fiction was the British magazine ''New Worlds'', edited by Michael Moorcock, who became editor during 1964. In the United States, Harlan Ellison's 1967 anthology '' Dangerous Visions'' is often considered as the best early representation of the genre. Ursula K. Le Guin, J. G. Ballard, Samuel R. Delany, Roger Zelazny, Joanna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldemaro Romero
Aldemaro Romero (March 12, 1928 – September 15, 2007) was a Venezuelan pianist, composer, arranger and orchestral conductor. He was born in Valencia, Carabobo State. Biography Romero was a prolific composer, creating a wide range of music, such as Caribbean, Jazz, Venezuelan waltzes, including works for orchestra, orchestra and soloist, orchestra and choir, chamber music, and symphonic works. He began his musical studies with his father, Rafael Romero. In 1941, he moved to Caracas and worked as pianist in nocturnal saloons and dance orchestras. In 1949, he toured in Cuba, and then went to New York. In 1952, he returned to Caracas and established his own dance orchestra. In 1951, Romero became an arranger at RCA Victor in New York. As a part of this contract, he released his record-breaking '' Dinner in Caracas'' album, the first of his ''Dinner In...'' series featuring popular Latin American music. In the United States, he collaborated with many musicians, including Dean Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; hr, Novi val; sl, Novi val; mk, Нов бран) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a " buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Deutsche Welle
Neue Deutsche Welle (NDW, , "New German Wave") is a genre of West German rock music originally derived from post-punk and new wave music with electronic influences. The term was first coined by Dutch radio DJ Frits Spits on the popular nationwide radio station Hilversum 3, which was very popular among German listeners. Soon after that, the term was used in a record-shop advertisement by Burkhardt Seiler in an August 1979 issue of the West German magazine ''Sounds''. It was then used by journalist Alfred Hilsberg in an article about the movement titled ("New German Wave — From Grey Cities' Walls") in ''Sounds'' in October 1979. History The history of the Neue Deutsche Welle consists of two major parts. From its beginnings to 1981, the genre was mostly an underground movement with roots in British punk and new wave music. It quickly developed into an original and distinct style, influenced in no small part by the different sound and rhythm of the German language, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Of American Heavy Metal
The new wave of American heavy metal (also known as NWOAHM and new wave of American metal) was a heavy metal music movement that originated in the United States during the early–mid 1990s and expanded most in the early to mid-2000s. Some of the bands considered part of the movement had formed as early as the late 1980s, but did not become influential or reach popular standing until the following decade. The term itself borrows from the new wave of British heavy metal dating to 1979. NWOAHM includes a wide variety of styles, including alternative metal, groove metal, industrial metal, nu metal and metalcore. Although the term is used by the media with increasing frequency, the definition has not been finished completely. This is due in part to the growing addition of bands that assimilate to common styles in NWOAHM (as defined below), yet have not differentiated greatly enough as to garner a new genre moniker. One description by longtime metal author Garry Sharpe-Young helps classi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Of British Heavy Metal
The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Journalist Geoff Barton coined the term in a May 1979 issue of the British music newspaper ''Sounds'' to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music. Although encompassing diverse mainstream and underground styles, the music of the NWOBHM is best remembered for drawing on the heavy metal of the 1970s and infusing it with the intensity of punk rock to produce fast and aggressive songs. The DIY attitude of the new metal bands led to the spread of raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapist themes, such as mythology, fantasy, horror and the rock lifestyle. The NWOBHM began as an underground ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Generation (Malayalam Film Movement)
New generation films is a Malayalam film movement developed in the early 2010s, characterized by fresh and unusual themes and new narrative techniques. Films of the new wave differ from conventional themes of the past two decades and introduced several new trends and techniques to the Malayalam film industry. While the new generation formats and styles are deeply influenced by global trends, their thematics are firmly rooted in Malayalee life and mindscapes. The new generation also helped to revive the Malayalam film industry in the early 2020s when the industry was hit with the effects of COVID-19 pandemic. Beginning The rise of new generation movement can be traced back to the films such as ''Traffic'' (2011), ''City of God'' (2011), ''Salt N' Pepper'' (2011) and ''Chaappa Kurishu'' (2011), which helped define the movement. A few young writers and directors successfully brought new trends in fields such as acting, cinematography, editing, scripting and music; and the indus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
