New Venice School
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New Venice School
The New Venice School is a movement in contemporary music in Venice from the 1970s to the present, made up of composers directly influenced from teachings at the Venice Conservatory (Conservatorio Benedetto Marcello) of the distinguished composer and pedagogue Baron Ernesto Rubin de Cervin (Albrizzi) (born 1936), who studied under Luigi Dallapiccola in Florence and Goffredo Petrassi in Rome. His many students include the composer and conductor Giuseppe Sinopoli (1946–2001); the composer and teacher Marino Baratello (born 1953); the composer Claudio Ambrosini (born 1948); and the Amsterdam-based, English composer Geoffrey King (born 1949). Although not directly influenced by the legacy of Rubin de Cervin and the above-listed lineage, other Venetian composers were influential in the development of new music in Venice, namely Bruno Maderna (1920–1973) and Luigi Nono(1924–1990). Style There is no specific musical style that characterizes the music of the New Venice movem ...
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Venice Conservatory
The Conservatorio di Musica Benedetto Marcello di Venezia is a conservatory in Venice, Italy named after composer Benedetto Marcello and established in 1876. History The conservatory was established in 1876 as ''Liceo e Società Musicale Benedetto Marcello'', became communal in 1895 under the name ''Liceo Civico Musicale "Benedetto Marcello"'', and attained conservatory status in 1915 as ''Liceo Civico Musicale Pareggiato Benedetto Marcello''. In 1940, under the directorship of Gian Francesco Malipiero, it became ''Conservatorio di Stato "Benedetto Marcello"''. The conservatory is housed in Palazzo Pisani a Santo Stefano - built between 1614 and 1615 -, located facing Campo Santo Stefano in the sestiere of San Marco. The building is owned by the municipality of Venice.Historical facts (Italian)


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Bruno Maderna
Bruno Maderna (21 April 1920 – 13 November 1973) was an Italian conductor and composer. Life Maderna was born Bruno Grossato in Venice but later decided to take the name of his mother, Caterina Carolina Maderna.Interview with Maderna‘s three children Caterina, Claudia and Andreas Maderna, Heidelberg 2019 At the age of four he began studying the violin with his grandfather. "My grandfather thought that if you could play the violin you could then do anything, even become the biggest gangster. If you play the violin you are always sure of a place in heaven." As a child he played several instruments (violin, drums and accordion) in his father's small variety band. A child prodigy, in the early thirties he was not only performing violin concertos, he was already conducting orchestral concerts: first with the orchestra of La Scala in Milan, then in Trieste, Venice, Padua and Verona. He was originally Jewish. Orphaned at the age of four,. Maderna was adopted by a wealthy woman fro ...
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Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Darmstädter Ferienkurse
Darmstädter Ferienkurse ("Darmstadt Summer Course") is a regular summer event of contemporary classical music in Darmstadt, Hesse, Germany. It was founded in 1946, under the name "Ferienkurse für Internationale Neue Musik Darmstadt" (Vacation Courses of International New Music in Darmstadt), as a gathering with lectures and concerts over several summer weeks. Composers, performers, theorists and philosophers of contemporary music met first annually until 1970, and then biannually. The event was organised by the Kranichsteiner Musikinstitut, which was renamed Internationales Musikinstitut Darmstadt (IMD). It is regarded as a leading international forum of contemporary and experimental music with a focus on composition. The festival awards the for performers and young composers. History Overview The Ferienkurse were initiated in 1946 by Wolfgang Steinecke, then responsible for culture in the municipal government of Darmstadt. He directed them until his death in 1961, succeeded by ...
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Second Viennese School
The Second Viennese School (german: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna. Their music was initially characterized by late- Romantic expanded tonality and later, a totally chromatic expressionism without firm tonal centre, often referred to as atonality; and later still, Schoenberg's serial twelve-tone technique. Adorno said that the twelve-tone method, when it had evolved into maturity, was a "veritable message in a bottle", addressed to an unknown and uncertain future. Though this common development took place, it neither followed a common time-line nor a cooperative path. Likewise, it was not a direct result of Schoenberg's teaching—which, as his various published textbooks demonstrate, was highly traditional and conservative. Schoenberg's textbooks also reveal that the Second Viennese School spawned not f ...
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Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ...
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Serialism
In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of atonality, post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a tone row, row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variation (music), variations. Other types of serialism also work with set (music), sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameter (music), parameters"), such as duration (music), duration, Dynamics (music), dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architectu ...
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Luigi Nono (composer)
Luigi Nono (; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. Biography Early years Nono, born in Venice, was a member of a wealthy artistic family; his grandfather was a notable painter. Nono began music lessons with Gian Francesco Malipiero at the Venice Conservatory in 1941, where he acquired knowledge of the Renaissance madrigal tradition, amongst other styles. After graduating with a degree in law from the University of Padua, he was given encouragement in composition by Bruno Maderna. Through Maderna, he became acquainted with Hermann Scherchen—then Maderna's conducting teacher—who gave Nono further tutelage and was an early mentor and advocate of his music. Scherchen presented Nono's first acknowledged work, the ''Variazioni canoniche sulla serie dell'op. 41 di A. Schönberg'' in 1950, at the Internationale Ferienkurse für Neue Musik Darmstadt. The ''Variazioni canoniche'', based on the twelve-tone series of Arnold Sc ...
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Geoffrey King (composer)
Geoffrey King (born 1949) is a British composer and teacher. Biography Born in Croydon, England Croydon is a large town in South London, south London, England, south of Charing Cross. Part of the London Borough of Croydon, a Districts of England, local government district of Greater London. It is one of the largest commercial districts i ..., King's first musical studies were at the Royal School of Church Music at Addington Palace. Later, at the Royal College of Music, he studied with Humphrey Searle, Justin Connolly and Alexander Goehr. As a postgraduate, he undertook further work with Alexander Goehr at University of Southampton and also with Jonathan Harvey. With an Italian government scholarship, he went to study with Ernesto Rubin de Cervin at the Conservatorio di Musica Benedetto Marcello di Venezia, Conservatorio "Benedetto Marcello" in Venice. In 1976, King moved to Edinburgh to work at St Mary's Music School and during this time, together with Peter Nelson, he for ...
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Ernesto Rubin De Cervin (Albrizzi)
Ernesto Rubin de Cervin Albrizzi (5 July 1936 – 29 March 2013) was an Italian composer and teacher. Biography He was born in Venice in 1936. As a child he studied violin with Gian Francesco Malipiero at the Venice Conservatory, who suggested that he should start composition classes. He studied solfege with Bruno Maderna. After high school, he studied composition at the Florence Conservatory under Roberto Lupi and Luigi Dallapiccola. Rubin de Cervin went to Rome in 1957 where he studied with Virgilio Mortari and Goffredo Petrassi. He got his composition diploma in 1960. From 1965 to 1985 he taught, first solfege at the ''Liceo musicale'' in Udine, then didactic, analysis and composition at the Venice Conservatory. His teachings there established the New Venice School. His disciples include Giuseppe Sinopoli Giuseppe Sinopoli (; 2 November 1946 – 21 April 2001) was an Italian conductor and composer. Biography Sinopoli was born in Venice, Italy, and later stu ...
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Claudio Ambrosini
Claudio Ambrosini (born 9 April 1948) is an Italian composer and conductor. Biography He studied foreign languages and literature at the Università di Milano graduating with an MA in 1972. Afterwards, he studied electronic music with Alvise Vidolin at the Venice Conservatory from 1972 to 1975. He also studied early instruments there from 1975 to 1978 and music history at the Università di Venezia, where he received an MA in 1978. He was influenced in his compositions by his encounters with Bruno Maderna and Luigi Nono. He won the Prix de Rome in 1985. In 1986, he represented Italy at the UNESCO International Rostrum of Composers. In 2007, he received the Leone d'Oro per la Musica at the Biennale di Venezia. He has received commissions from RAI, WDR, the French government, the Teatro La Fenice, the Accademia Filarmonica Romana and from other institutions. He has worked for the ''Centro per la Sonologia Computazionale'' in Padova since 1976. He is a professor with the d ...
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