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New Orleans Suite
''New Orleans Suite'' is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970.A Duke Ellington Panorama accessed April 13, 2010 The album contains the final recordings of longtime Ellington saxophonist , who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atlantic Records Albums
The Atlantic Ocean is the second-largest of the world's five oceans, with an area of about . It covers approximately 20% of Earth's surface and about 29% of its water surface area. It is known to separate the "Old World" of Africa, Europe and Asia from the "New World" of the Americas in the European perception of the World. The Atlantic Ocean occupies an elongated, S-shaped basin extending longitudinally between Europe and Africa to the east, and North and South America to the west. As one component of the interconnected World Ocean, it is connected in the north to the Arctic Ocean, to the Pacific Ocean in the southwest, the Indian Ocean in the southeast, and the Southern Ocean in the south (other definitions describe the Atlantic as extending southward to Antarctica). The Atlantic Ocean is divided in two parts, by the Equatorial Counter Current, with the North(ern) Atlantic Ocean and the South(ern) Atlantic Ocean split at about 8°N. Scientific explorations of the Atlantic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1970 Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufus "Speedy" Jones
Rufus "Speedy" Jones (May 27, 1936 – April 25, 1990) was an American jazz drummer from Charleston, South Carolina. Starting out on trumpet, Jones switched to drums at the age of 13. He worked with Lionel Hampton in 1954 before being drafted. While stationed at Fort Jackson, Jones played in a quintet every Saturday night at the black United Service Organization clubhouse in Columbia. He later played with Red Allen and Maynard Ferguson's Orchestra (1959–1963). He led a quintet from 1963 to 1964, producing for Cameo Records his only album as a leader. Jones worked with Count Basie and Woody Herman in the mid-1960s and backed that up with Duke Ellington in the latter half of the decade. Rufus' son, Lebrew, was sentenced in 1989 to 22 years to life for the murder of Michaelanne Hall, a prostitute in New York City. He was released on parole on November 19, 2009 after significant doubts were raised about his guilt. Discography As leader * '' Five on Eight'' (Cameo, 1964) As side ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Benjamin
Joseph Rupert Benjamin (November 4, 1919 – January 26, 1974) was an American jazz bassist. Born in Atlantic City, New Jersey, Benjamin played with many jazz musicians in a variety of idioms. Early in his career he played in the big bands of Artie Shaw, Fletcher Henderson, Sy Oliver, and Duke Ellington. Later credits include work with Roland Kirk, Hank Garland, Dave Brubeck, Marian McPartland, Louis Armstrong (in his later years), Mal Waldron, Jo Jones, Gary Burton, Sarah Vaughan, Roy Haynes, Art Taylor, and Brother Jack McDuff. Benjamin never recorded as a leader. Partial discography As sideman With Bob Brookmeyer *''Traditionalism Revisited'' (World Pacific, 1957) With Kenny Burrell *''Weaver of Dreams'' (Columbia, 1960–61) *''Guitar Forms'' (Verve, 1964–65) With Dave Brubeck *''Jazz Impressions of Eurasia'' (Columbia, 1958) ;With Harry Edison *''The Swinger'' (Verve, 1958) *'' Mr. Swing'' (Verve, 1958 960 *''Harry Edison Swings Buck Clayton'' (Verve, 1958) with Buck Clay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Bill Davis
Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists. Biography Davis was born in Glasgow, Missouri and grew up in Parsons, Kansas. He first learned music from his father who was a professional singer. He received further musical training at the Tuskegee Institute (now Tuskegee University) in Alabama, and at Wiley College in Marshall, Texas. In his early career he took inspiration from Fats Waller and Art Tatum. Davis moved to Chicago, where he originally played guitar and wrote arrangements for Milt Larkin's big band from 1939 through 1942; a band which included Arnett Cobb, Illinoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Carney
Harry Howell Carney (April 1, 1910 – October 8, 1974) was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. He played a variety of instruments but primarily used the baritone saxophone, being a critical influence on the instrument in jazz. Early life Carney was born on April 1, 1910, in Boston, Massachusetts. In Boston, he grew up close to future bandmate Johnny Hodges. Carney began by playing the piano at age seven, moved to the clarinet at 14, and added the alto saxophone a year later. He first played professionally in clubs in Boston. Early influences on Carney's playing included Buster Bailey, Sidney Bechet, and Don Murray. Carney also reported that, for his baritone saxophone playing, he "tried to make the upper register sound like Coleman Hawkins and the lower register like Adrian Rollini". Later life and career After playing a variety of gigs in New York City at the age of 17, Carney was invited to join the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gonsalves
Paul Gonsalves ( – ) was an American jazz tenor saxophonist best known for his association with Duke Ellington. At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue," a performance credited with revitalizing Ellington's waning career in the 1950s. Biography Born in Brockton, Massachusetts, to Cape Verdean parents, Gonsalves' first instrument was the guitar, and as a child he was regularly asked to play Cape Verdean folk songs for his family. He grew up in New Bedford, Massachusetts, and played as a member of the Sabby Lewis Orchestra. His first professional engagement in Boston was with the same group on tenor saxophone, in which he played before and after his military service during World War II. He also played with fellow Cape Verdean Americans in Phil Edmund's band in the 1940s. Before joining Duke Ellington's orchestra in 1950, he also played in big bands led by Count Basie (1947–1949) and Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Ashby
Harold Ashby (March 27, 1925, in Kansas City, Missouri, United States – June 13, 2003, in New York City) was an American jazz tenor saxophonist. He worked with Duke Ellington's band, replacing Jimmy Hamilton in 1968. In 1959, he recorded backing Willie Dixon on the latter's first album, ''Willie's Blues''. After leaving the Duke Ellington Orchestra in 1975, Ashby worked as a freelance musician and took part in various reunions of Ellington alumni, as well as recording and gigging with his own bands. Ashby suffered a heart attack in May 2003, and was hospitalized before dying at the age of 78, on June 13 that year. Discography As leader * ''Born to Swing: Introducing The Compulsive Tenor Saxophone of Harold Ashby'' (Columbia, 1960) * '' Tenor Stuff'' with Paul Gonsalves (Metronome, 1961) * ''Scufflin (Black and Blue, 1978) * ''Presenting Harold Ashby'' (Progressive, 1981) * ''I'm Old Fashioned'' (Stash, 1991) * ''What Am I Here For?'' with Mulgrew Miller, Rufus Reid, Ben Riley ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russell Procope
Russell Keith Procope (August 11, 1908 – January 21, 1981) was an American clarinetist and alto saxophonist who was a member of the Duke Ellington orchestra. Before Ellington Procope was born in New York City, United States, and grew up in San Juan Hill, where he attended school with Benny Carter. His first instrument was the violin, but he switched to clarinet and alto saxophone. He began his professional career in 1926 as a member of Billy Freeman's orchestra. He recorded with Jelly Roll Morton at the age of 20, and played with bands led by Benny Carter, Chick Webb (1929–30), Fletcher Henderson (spring of 1931 to 1934), Tiny Bradshaw, Teddy Hill, King Oliver, and Willie Bryant. Fletcher Henderson's band dissolved in 1934. Along with several other ex-Henderson musicians, Procope joined Benny Carter's orchestra. He also worked for a time with the Tiny Bradshaw and Willie Bryant bands before joining Teddy Hill in 1935. During his stay with Teddy Hill's orchestra the trumpet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Priester
Julian Priester (born June 29, 1935) is an American jazz trombonist and occasional euphoniumist. He is sometimes credited "Julian Priester Pepo Mtoto". He has played with Sun Ra, Max Roach, Duke Ellington, John Coltrane, and Herbie Hancock. Biography He was born in Chicago, Illinois, United States. Priester attended Chicago's DuSable High School, where he studied under Walter Dyett. In his teens he played with blues and R&B artists such as Muddy Waters, and Bo Diddley, and had the opportunity to jam with jazz players such as the saxophonist Sonny Stitt. In the early 1950s, Priester was a member of Sun Ra's big band, recording several albums with the group, before leaving Chicago in 1956 to tour with Lionel Hampton, and he then joined Dinah Washington in 1958. The following year he settled in New York and joined the group led by drummer Max Roach, who heard him playing on the Philly Joe Jones album, "Blues for Dracula" (1958). While playing in Roach's group, Priester also record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
