New Music Box
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New Music Box
''NewMusicBox'' is an e-zine launched by the American Music Center on May 1, 1999. The magazine includes interviews and articles concerning American contemporary music, composers, improvisers, and musicians. A few interviews include renowned American composers: John Luther Adams, Milton Babbitt, Steve Reich, John Eaton (composer), John Eaton, Annea Lockwood, Frederic Rzewski, George Crumb, Meredith Monk, Elliott Carter, La Monte Young, David Del Tredici, Terry Riley, Tod Machover, Alvin Lucier, Pauline Oliveros, and Peter Schickele. In 1999, ''NewMusicBox'' was awarded ASCAP's Deems Taylor Award. This was the first time an Internet site was awarded the prize. Since inception, founding editor Frank J. Oteri and contributing writers, have received several awards for their articles on ''NewMusicBox''. In March 2000, San Francisco Chronicle's Joshua Kosman hailed ''NewMusicBox'' as, "The Web's smartest and snazziest resource for news, features, reviews and interviews on contemporar ...
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Online Magazine
An online magazine is a magazine published on the Internet, through bulletin board systems and other forms of public computer networks. One of the first magazines to convert from a print magazine format to being online only was the computer magazine ''Datamation''. Some online magazines distributed through the World Wide Web call themselves webzines. An ezine (also spelled e-zine) is a more specialized term appropriately used for small magazines and newsletters distributed by any electronic method, for example, by electronic mail (e-mail/email, see Zine). Some social groups may use the terms cyberzine and hyperzine when referring to electronically distributed resources. Similarly, some online magazines may refer to themselves as "electronic magazines", "digital magazines", or "e-magazines" to reflect their readership demographics or to capture alternative terms and spellings in online searches. An online magazine shares some features with a blog and also with online newspapers, bu ...
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David Del Tredici
David Walter Del Tredici (born March 16, 1937) is an American composer. He has won a Pulitzer Prize for Music and is a former Guggenheim and Woodrow Wilson fellow. Del Tredici is considered a pioneer of the Neo-Romantic movement. He has also been described by the ''Los Angeles Times'' as "one of our most flamboyant outsider composers". Early life and education Del Tredici started his musical life as an aspiring pianist at the age of twelve, and has said that if he had not been a pianist, he would have become a florist. He attended the University of California, Berkeley, where he studied piano and played primarily Romantic works. At Berkeley, he attended the Aspen Music Festival and School. The pianist he was going to study with was "mean" to him, however, so Del Tredici tried his hand at composing music instead. He composed ''Opus 1'', his first composition, and was invited to perform it for Darius Milhaud. After Milhaud complimented him on the piece, Del Tredici went back to Be ...
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Online Music Magazines Published In The United States
In computer technology and telecommunications, online indicates a state of connectivity and offline indicates a disconnected state. In modern terminology, this usually refers to an Internet connection, but (especially when expressed "on line" or "on the line") could refer to any piece of equipment or functional unit that is connected to a larger system. Being online means that the equipment or subsystem is connected, or that it is ready for use. "Online" has come to describe activities performed on and data available on the Internet, for example: "online identity", "online predator", "online gambling", "online game", "online shopping", "online banking", and "online learning". Similar meaning is also given by the prefixes "cyber" and "e", as in the words "cyberspace", "cybercrime", "email", and "ecommerce". In contrast, "offline" can refer to either computing activities performed while disconnected from the Internet, or alternatives to Internet activities (such as shopping in bri ...
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Alex Ross (music Critic)
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. A staff member of ''The New Yorker'' magazine since 1996, his extensive writings include performance and record reviews, industry updates, cultural commentary and historical narratives in the realm of classical music. He has written three well-received books: '' The Rest Is Noise: Listening to the Twentieth Century'' (2007), ''Listen to This'' (2011), and ''Wagnerism: Art and Politics in the Shadow of Music'' (2020). A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for ''The New York Times''. He has received wide acclaim for his publications; ''The Rest Is Noise'' was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, ''The Rest is Noise''. Life and career Alex Ross w ...
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Anthony Tommasini
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", Tommasini was the chief classical music critic for ''The New York Times'' from 2000 to 2021. Also a pianist, he has released two CDS and two books on the music of his colleague and mentor, the composer and critic Virgil Thomson. A classical music enthusiast since his youth, Tommasini attended both Yale University and Boston University to study piano, and then taught music at Emerson College. In 1986 he left academia to write music criticism for ''The Boston Globe''. Tommasini joined the ''Times'' in 1996 and became their chief classical music critic in 2000 for over two decades. He traveled to cover important premieres of contemporary classical music, encouraged diversity in both classical repertoire and ensembles, and wrote books covering influential operas and ...
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Wall Street Journal
''The Wall Street Journal'' is an American business-focused, international daily newspaper based in New York City, with international editions also available in Chinese and Japanese. The ''Journal'', along with its Asian editions, is published six days a week by Dow Jones & Company, a division of News Corp. The newspaper is published in the broadsheet format and online. The ''Journal'' has been printed continuously since its inception on July 8, 1889, by Charles Dow, Edward Jones, and Charles Bergstresser. The ''Journal'' is regarded as a newspaper of record, particularly in terms of business and financial news. The newspaper has won 38 Pulitzer Prizes, the most recent in 2019. ''The Wall Street Journal'' is one of the largest newspapers in the United States by circulation, with a circulation of about 2.834million copies (including nearly 1,829,000 digital sales) compared with ''USA Today''s 1.7million. The ''Journal'' publishes the luxury news and lifestyle magazine ' ...
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Barbara Jepson
Barbara may refer to: People * Barbara (given name) * Barbara (painter) (1915–2002), pseudonym of Olga Biglieri, Italian futurist painter * Barbara (singer) (1930–1997), French singer * Barbara Popović (born 2000), also known mononymously as Barbara, Macedonian singer * Bárbara (footballer) (born 1988), Brazilian footballer Film and television * ''Barbara'' (1961 film), a West German film * ''Bárbara'' (film), a 1980 Argentine film * ''Barbara'' (1997 film), a Danish film directed by Nils Malmros, based on Jacobsen's novel * ''Barbara'' (2012 film), a German film * ''Barbara'' (2017 film), a French film * ''Barbara'' (TV series), a British sitcom Places * Barbara (Paris Métro), a metro station in Montrouge and Bagneux, France * Barbaria (region), or al-Barbara, an ancient region in Northeast Africa * Barbara, Arkansas, U.S. * Barbara, Gaza, a former Palestinian village near Gaza * Barbara, Marche, a town in Italy * Berbara, or al-Barbara, Lebanon * Berbara, Akkar D ...
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Joshua Kosman
Joshua Kosman (born October 27, 1959) is an American music critic who specializes in classical music. The chief classical music critic of the ''San Francisco Chronicle'' since 1988, Kosman has a particular interest in contemporary classical music, championing composers such as John Adams and Aaron Jay Kernis. Described by the music critic Jayson Greene as having a "congenial, probing tone that blends a reporter’s instincts with a critic’s acumen," he has written for a variety of other publications. Life and career Joshua Kosman was born in Boston, Massachusetts on October 27, 1959. He attended Yale College, receiving a Bachelor of Arts, and the University of California, Berkeley for a Master of Arts. Since 1988, Kosman has been a music critic of the ''San Francisco Chronicle''. He was hand-picked in 1993 by the music critic Robert Commanday to succeed him as chief classical music critic for the ''Chronicle''. He frequently writes on contemporary classical music, promotin ...
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San Francisco Chronicle
The ''San Francisco Chronicle'' is a newspaper serving primarily the San Francisco Bay Area of Northern California. It was founded in 1865 as ''The Daily Dramatic Chronicle'' by teenage brothers Charles de Young and M. H. de Young, Michael H. de Young. The paper is owned by the Hearst Corporation, which bought it from the de Young family in 2000. It is the only major daily paper covering the city and county of San Francisco. The paper benefited from the growth of San Francisco and had the largest newspaper circulation on the West Coast of the United States by 1880. Like other newspapers, it experienced a rapid fall in circulation in the early 21st century and was ranked 18th nationally by circulation in the first quarter of 2021. In 1994, the newspaper launched the SFGATE website, with a soft launch in March and official launch November 3, 1994, including both content from the newspaper and other sources. "The Gate" as it was known at launch was the first large market newspaper ...
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ASCAP
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ...
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Peter Schickele
"Professor" Peter Schickele (; born July 17, 1935) is an American composer, musical educator, and parody, parodist, best known for comedy albums featuring his music, but which he presents as being composed by the fictional P. D. Q. Bach. He also hosted a long-running weekly radio program called ''Schickele Mix''. From 1990 to 1993, Schickele's P. D. Q. Bach recordings earned him four consecutive wins for the Grammy Award for Best Comedy Album. Early life Schickele was born in Ames, Iowa, United States, to Alsace, Alsatian immigrant parents. His father, Rainer Schickele (1905, Berlin – 1989, Berkeley, California), son of the writer René Schickele, was an agricultural economist teaching at Iowa State University. In 1945, Schickele's father took a position at George Washington University in Washington, D.C.; then, in 1946, became chairman of the Agricultural Sciences Department at North Dakota Agricultural College (now North Dakota State University) in Fargo, North Dakota. In ...
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Pauline Oliveros
Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident. Early life and career Oliveros was born in Houston, Texas. She started to play music as early as kindergarten, and at nine years of age she began to play the accordion, received from her mother, a pianist, because of its popularity in the 1940s.Baker, Alan"An interview with Pauline Oliveros" January 2003. '' ...
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