New Music America
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New Music America
New Music America was a nomadic American festival (held in Montreal during its last year) showcasing at its origins New York City's Downtown Music, but growing into one of the largest new music festivals ever held in North America, all in an attempt to try to bring out of the popular shadows the breadth and history of 20th Century composition and creation, as well as current trends. From 1979 to 1990, each New Music America (officially bilingualized into Montréal Musiques Actuelles in 1990) had a wealth of local, regional, national and world premieres, adding to its scope some music from around the world by the time of the Miami festival. History The original conference, named New Music New York, with concordant (and demonstrative) concerts was held at The Kitchen in New York City in 1979. One of the themes there was to break down barriers created by the segregation of genres, and breaking music journalist/critic-driven pigeonholing. The 12 years of the festival's existence was ...
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United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territories, nine Minor Outlying Islands, and 326 Indian reservations. The United States is also in free association with three Pacific Island sovereign states: the Federated States of Micronesia, the Marshall Islands, and the Republic of Palau. It is the world's third-largest country by both land and total area. It shares land borders with Canada to its north and with Mexico to its south and has maritime borders with the Bahamas, Cuba, Russia, and other nations. With a population of over 333 million, it is the most populous country in the Americas and the third most populous in the world. The national capital of the United States is Washington, D.C. and its most populous city and principal financial center is New York City. Paleo-Americ ...
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Pauline Oliveros
Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of post-war experimental and electronic music. She was a founding member of the San Francisco Tape Music Center in the 1960s, and served as its director. She taught music at Mills College, the University of California, San Diego (UCSD), Oberlin Conservatory of Music, and Rensselaer Polytechnic Institute. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" and "sonic awareness", drawing on metaphors from cybernetics. She was an Eyebeam resident. Early life and career Oliveros was born in Houston, Texas. She started to play music as early as kindergarten, and at nine years of age she began to play the accordion, received from her mother, a pianist, because of its popularity in the 1940s.Baker, Alan"An interview with Pauline Oliveros" January 2003. '' ...
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New Music America
New Music America was a nomadic American festival (held in Montreal during its last year) showcasing at its origins New York City's Downtown Music, but growing into one of the largest new music festivals ever held in North America, all in an attempt to try to bring out of the popular shadows the breadth and history of 20th Century composition and creation, as well as current trends. From 1979 to 1990, each New Music America (officially bilingualized into Montréal Musiques Actuelles in 1990) had a wealth of local, regional, national and world premieres, adding to its scope some music from around the world by the time of the Miami festival. History The original conference, named New Music New York, with concordant (and demonstrative) concerts was held at The Kitchen in New York City in 1979. One of the themes there was to break down barriers created by the segregation of genres, and breaking music journalist/critic-driven pigeonholing. The 12 years of the festival's existence was ...
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List Of Contemporary Classical Music Festivals
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ...
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List Of Experimental Music Festivals
The following is an incomplete list of experimental music festivals, which encapsulates music festivals focused on experimental music. Experimental music is a compositional tradition that arose in the mid-20th century, particularly in North America, of music composed in such a way that its outcome is unforeseeable. The Groupe de Recherches de Musique Concrète (GRMC), under the leadership of Pierre Schaeffer, organized the First International Decade of Experimental Music between 8 and 18 June 1953, and the phrase was used by musician John Cage as early as 1955. Afterwards saw the development of specific experimental musical instruments, which were featured at various music festivals. Musique concrète is an experimental form of electroacoustic music, and free improvisation or free music is improvised music without any rules beyond the taste or inclination of the musician(s) involved.Smith Brindle, Reginald. 1987. ''The New Music: The Avant-Garde Since 1945'', second edition. Oxfo ...
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World Music Day
In its most general sense, the term "world" refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a "plurality of worlds". Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In ''scientific cosmology'' the world or universe is commonly defined as " e totality of all space and time; all that is, has been, and will be". '' Theories of modality'', on the other hand, talk of possible worlds as complete and consistent ways how things could have been. ''Phenomenology'', starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the "horizon of all horizons". In ''philosophy of mind'', the world is commonly contrasted with the mind as that which is represented by the mind. ''Th ...
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Avant-Garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Milton Babbitt
Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, mathematician, and teacher. He is particularly noted for his Serialism, serial and electronic music. Biography Babbitt was born in Philadelphia to Albert E. Babbitt and Sarah Potamkin, who were Jewish. He was raised in Jackson, Mississippi, and began studying the violin when he was four but soon switched to clarinet and saxophone. Early in his life he was attracted to jazz and theater music, and "played in every pit-orchestra that came to town". Babbitt was making his own arrangements of popular songs by age 7, "wrote a lot of pop tunes for school productions", and won a local songwriting contest when he was 13. A Jackson newspaper called Babbitt a "whiz kid" and noted "that he had perfect pitch and could add up his family’s grocery bills in his head. In his teens he became a great fan of jazz cornet player Bix Beiderbecke." Babbitt's father was a mathematician, and Babbitt inten ...
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Earle Brown
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. Among his most famous works are ''December 1952'', an entirely graphic score, and the open form pieces ''Available Forms I & II'', ''Centering'', and ''Cross Sections and Color Fields''. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Life Brown was born in Lunenburg, Massachusetts, and first devoted himself to playing jazz. He initially considered a career in engineering, and enrolled for engineering and mathematics at Northeastern University (1944–45). He enlisted in the U.S. Air Force in 1945. However, the war ended while he was still in basic training, and he was assigned to the base band at Randolph Fi ...
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Rhys Chatham
Rhys Chatham (born September 19, 1952) is an American composer, guitarist, trumpet player, multi-instrumentalist (flutes in C, alto and bass, keyboard), primarily active in avant-garde and minimalism, minimalist music. He is best known for his "guitar orchestra" compositions. He has lived in France since 1987. Early years Chatham began his musical career as a piano tuner for avant-garde pioneer La Monte Young as well as harpsichord tuner for Gustav Leonhardt, Rosalyn Tureck and Glenn Gould. He studied flute under Sue Ann Kahn, with whom he first encountered contemporary music, and studied soon afterwards under electronic music pioneer Morton Subotnick and minimalist icon La Monte Young and was a member of Young's group, ''The Theater of Eternal Music'', during the early seventies; Chatham also played with Tony Conrad in an early version of Conrad's group, ''The Dream Syndicate''. In 1971, while still in his teens, Chatham became the first music director at the experimental art ...
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ...
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Terry Riley
Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his music became notable for its innovative use of repetition, tape music techniques, and delay systems. His best known works are the 1964 composition '' In C'' and the 1969 LP ''A Rainbow in Curved Air'', both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Raised in California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with the San Francisco Tape Music Center. A three-record deal with CBS in the late 1960s, resulting in an LP recording of ''In C'' (1968) and ''A Rainbow in Curved Air'' (1969), brought his work to wider audiences. In 1970, he began intensive studies under Hin ...
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