New Harp Of Columbia
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New Harp Of Columbia
The ''New Harp of Columbia'' is a seven-shape shape note tune book first published in 1867 in Knoxville, Tennessee by Marcus Lafayette Swan. A successor to ''The Harp of Columbia'' published by Swan and his father, W.H. Swan, in 1848,''An Encyclopedia of East Tennessee'' (Oak Ridge, Tenn.: Children's Museum of Oak Ridge, 1981), pp. 366-367. ''The New Harp'' includes a mixture of hymn tunes, folk hymns, fuguing pieces, and anthems, along with several of Swan's original compositions.Dorothy Horn, "The New Harp of Columbia and Its Music in the Singing-School Tradition," Introduction to the 1978 reprinting of ''The New Harp of Columbia'' (Knoxville, Tenn.: University of Tennessee Press, 1978), pp. vii-xvii. The book maintains popularity in East Tennessee, with about 20 singings in 2004. Publication background Marcus Lafayette Swan was born in Knoxville in 1827, the son of prominent lawyer William H. Swan, Jr. (1798–1859).Ron Petersen and Candra Phillips, "East Tennessee Harp Si ...
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Shape Note
Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the noteheads in written music to help singers find pitches within major and minor scales without the use of more complex information found in key signatures on the staff. Shape notes of various kinds have been used for over two centuries in a variety of music traditions, mostly sacred music but also secular, originating in New England, practiced primarily in the Southern United States for many years, and now experiencing a renaissance in other locations as well. Nomenclature Shape notes have also been called character notes and patent notes, respectfully, and buckwheat notes and dunce notes, pejoratively. Overview The idea behind shape notes is that the parts of a vocal work can be learned more quickly and easily if the music is printed i ...
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John Liptrot Hatton
John Liptrot Hatton (12 October 1809 – 10 September 1886) was an English musical composer, conductor, pianist, accompanist and singer. Early career Hatton was born in Liverpool to a musical family, for both his father John and grandfather were violinists. Although largely self-taught as a musician, he became a pupil of Michael Maybrick (uncle of the singer and composer Michael Maybrick, Stephen Adams), who was also the teacher of Charles Santley's father, and also studied in the academy of a Mr. Molyneux. By the age of 16 he had become organist in the churches of Woolton and Childwall and at the Roman Catholic church in Liverpool. (Auditioning for Woolton, he played a voluntary upon the street-song "All round my Hat", hinting at his own name.) A man of many-sided talents and a broad humour attending them, he appeared as an actor on the Liverpool stage. Subsequently, he found his way to London as a member of William Macready, Macready's company at Theatre Royal, Drury Lane, Drur ...
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Christian Music
Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence, and lament, and its forms vary widely around the world. Church music, hymnals, gospel and worship music are a part of Christian media, and also include contemporary Christian music which itself supports numerous Christian styles of music, including hip hop, rock, contemporary worship, and urban contemporary gospel. Like other forms of music the creation, performance, significance, and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or with a positive message as an entertainment product for the marketplace. Worship services Among the most prevalent uses of Christian music are in church worship or other gathering ...
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Hymnals
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). Hymnals are used in congregational singing. A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided. Hymnals are omnipresent in churches but they are not often discussed; nevertheless, liturgical scholar Massey H. Shepherd once observed: "in all periods of the Church’s history, the theology of the people has been chiefly molded by their hymns." Elements and Format Since the twentieth century, singer-songwriter hymns have become common, but in previous centuries, generally poets wrote the words, and musicians wrote the tunes; the texts are known and indexed by their first lines ("incipits") and the hymn tunes are given names, sometimes geographical (the tune "New Britain" for the incipit "Amazing Grace, how sweet the sound"). The hym ...
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Shape Note
Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the noteheads in written music to help singers find pitches within major and minor scales without the use of more complex information found in key signatures on the staff. Shape notes of various kinds have been used for over two centuries in a variety of music traditions, mostly sacred music but also secular, originating in New England, practiced primarily in the Southern United States for many years, and now experiencing a renaissance in other locations as well. Nomenclature Shape notes have also been called character notes and patent notes, respectfully, and buckwheat notes and dunce notes, pejoratively. Overview The idea behind shape notes is that the parts of a vocal work can be learned more quickly and easily if the music is printed i ...
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Music Books
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz th ...
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Culture Of Knoxville, Tennessee
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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List Of Shape-note Tunebooks
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size books with texts only. Tune books were large oblong-shaped books with hard covers (nine inches by six inches was a typical size), often running to over four hundred pages. They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two main systems of shape notes—four-shape vs. seven-shape—and within these two categories is sorted chronologically. For full information ...
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Farmer In The Dell
"The Farmer in the Dell" is a singing game, nursery rhyme, and children's song. It probably originated in Germany and was brought to America by immigrants.I. Opie and P. Opie, ''The Singing Game'' (Oxford: Oxford University Press, 1985), pp. 183–189. From there, it spread to many other nations and is popular in a number of languages. It is Roud Folk Song Index number 6306. Lyrics Lyrics vary even within the same country. The following is a common version in the United States: One UK variant has "The nurse takes a dog"; it ends by clapping attingthe dog. Origin and dissemination The rhyme was first recorded in Germany in 1826, as "Es fuhr ein Bau'r ins Holz". It was more clearly a courtship game, with a farmer choosing a wife, then selecting a child, maid, and serving man who leaves the maid after kissing her. This was probably taken to America by German immigrants, where it next surfaced in New York City in 1883, in its modern form and using a melody similar to "A-Hunting We ...
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Scots Wha Hae
"Scots Wha Hae" (English: ''Scots Who Have''; gd, Brosnachadh Bhruis) is a patriotic song of Scotland written using both words of the Scots language and English, which served for centuries as an unofficial national anthem of the country, but has lately been largely supplanted by "Scotland the Brave" and "Flower of Scotland". Background The lyrics were written by Robert Burns in 1793, in the form of a speech given by Robert the Bruce before the Battle of Bannockburn in 1314, where Scotland maintained its sovereignty from the Kingdom of England. Although the lyrics are by Burns, he wrote them to the traditional Scottish tune " Hey Tuttie Tatie", which according to tradition, was played by Bruce's army at the Battle of Bannockburn. According to tradition, the same theme was played in 1429 by the Franco-Scots army at the Siege of Orleans in front of Jeanne d'Arc. The song, called "Marche des soldats de Robert Bruce" in France, belongs to the traditional list of military music, a ...
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Auld Lang Syne
"Auld Lang Syne" (: note "s" rather than "z") is a popular song, particularly in the English-speaking world. Traditionally, it is sung to bid farewell to the old year at the stroke of midnight on New Year's Eve. By extension, it is also often heard at funerals, graduations, and as a farewell or ending to other occasions; for instance, many branches of the Scouting movement use it to close jamborees and other functions. The text is a Scots-language poem written by Robert Burns in 1788 but based on an older Scottish folk song. In 1799, it was set to a traditional tune, which has since become standard. "Auld Lang Syne" is listed as numbers 6294 and 13892 in the Roud Folk Song Index. The poem's Scots title may be translated into standard English as "old long since" or, less literally, "long long ago", This book was purchased at Burns Cottage, and was reprinted in 1967, and 1973. "days gone by", "times long past" or "old times". Consequently, "For auld lang syne", as it appear ...
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Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ...
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