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New Grass
''New Grass'' is a 1968 album by jazz saxophonist Albert Ayler released on Impulse! Records. The album mixed Ayler's familiar tenor saxophone playing with elements from R&B and other genres, including a soul horn section, backing singers, and rock electric bass. There are even some tracks where Ayler sings. The album was remastered and re-released by Third Man Records in 2020. Reception It met a hostile reception from fans and critics alike on its release, with many accusing Ayler of "selling out". Larry Neal wrote: "lately Albert's music seems to be motivated by forces that are not at all compatible with his genius. There is even a strong hint that the brother is being manipulated by Impulse records. Or is it merely the selfish desire for popularity in the american sense?... At any rate, this album is a failure... the direct confrontation with experience as ''lived'' by the artist himself is not there." AllMusic Guide's Al Campbell nevertheless calls the album "misunderstood" ...
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Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as ''Spiritual Unity'' and ''The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Truth ...
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The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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Call Cobbs
Harvey Call Cobbs Jr. (January 30, 1911 – September 21, 1971)''U.S., Social Security Applications and Claims Index, 1936-2007'' was an American jazz pianist, electric harpsichordist, and organist. He is remembered for his work with saxophonist Albert Ayler in the mid- and late-1960s. Early life Cobbs was born in Urbana, Ohio, to Harvey Call Cobbs Sr. and Ethel Hill Cobbs. His father, known as Harry Cobbs, was a church janitor. In his youth, Cobbs served as companion and guide to the pianist Art Tatum and later accompanied Billie Holiday and replaced Hampton Hawes in the band of Wardell Gray. Career Cobbs worked and recorded with the alto saxophonist Johnny Hodges in 1954, when Hodges' band included John Coltrane. He studied the Schillinger System of musical composition. He is best remembered for his work with the free jazz saxophonist Albert Ayler from 1964 through 1970, playing piano, rocksichord, and electronic organ in live performances and recordings. He also acted as Ay ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Garnett Brown
Garnett Brown (January 31, 1936 – October 9, 2021) was a jazz trombonist who worked with The Crusaders, Herbie Hancock, Lionel Hampton, Earth Wind and Fire and others. Born in Memphis, Tennessee, he graduated from the University of Arkansas at Pine Bluff and later studied film scoring and electronic music at UCLA. In 1974 he won the ''Down Beat'' Reader's poll for trombonist, and appears on the classic 1976 recording '' Bobby Bland and B.B. King Together Again...Live''. He did some work in film and television composition due to his training in the field. In 1989 he was the conductor and orchestrator for ''Harlem Nights''. Coincident with Kenny Burrell joining UCLA as Director of Jazz Studies in 1996, Brown co-led UCLA Jazz Ensemble I with John Clayton. Married Anna Brown with two children Ariana Brown and Miranda Brown-Muir and three grandchildren Luca Muir, Francesca Muir and Alessandra Muir. At the time of his death, he was retired and had been diagnosed with dementia ...
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Whistling
Whistling without the use of an artificial whistle is achieved by creating a small opening with one's lips, usually after applying moisture (licking one's lips or placing water upon them) and then blowing or sucking air through the space. The air is moderated by the lips, curled tongue, teeth or fingers (placed over the mouth or in various areas between pursed lips) to create turbulence, and the curled tongue acts as a resonant chamber to enhance the resulting sound by acting as a type of Helmholtz resonator. By moving the various parts of the lips, fingers, tongue and epiglottis, one can then manipulate the types of whistles produced. Techniques Pucker whistling is the most common form in much Western music. Typically, the tongue tip is lowered, often placed behind the lower teeth, and pitch altered by varying the position of the tongue. Although varying the degree of pucker will change the pitch of a pucker whistle, expert pucker whistlers will generally only make small varia ...
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Human Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Recitation
A recitation in a general sense is the act of reciting from memory, or a formal reading of verse or other writing before an audience. Public recitation is the act of reciting a work of writing before an audience. Academic recitation In academia, recitation is a presentation made by a student to demonstrate knowledge of a subject or to provide instruction to others. In some academic institutions the term is used for a presentation by a teaching assistant or instructor, under the guidance of a senior faculty member, that supplements course materials. In recitations that supplement lectures, the leader will often review the lecture, expand on the concepts, and carry on a discussion with the students. In its most basic form, a student would recite verbatim poems or essays of others, either to the teacher or tutor directly, or in front of a class or body of assembled students. In classes involving mathematics and engineering, a recitation is often used as the vehicle to perf ...
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Rose Marie McCoy
Rose Marie McCoy (April 19, 1922 – January 20, 2015) was an American songwriter. She began her career as an aspiring singer before becoming a prolific songwriter during the 1950s and 1960s. Many artists have recorded some of the over 800 songs she published, including Big Maybelle, James Brown, Ruth Brown, Nat King Cole, Aretha Franklin, Elvis Presley, and Ike & Tina Turner. Life and career Early life McCoy was born Rose Marie Hinton to Levi and Celetia Brazil Hinton in Oneida, Arkansas, on April 19, 1922. Her father was a farmer. She later married James McCoy and moved to New York City with $6 in her pocket to pursue a singing career in 1942. Living in Harlem, she supported herself by working at a Chinese laundry and performing at nightclubs on the weekends. McCoy eventually booked gigs at famous venues such as the Baby Grand in Harlem, the Flame Show Bar in Detroit, the Sportsmen's Club in Cincinnati and Basin Street in Toronto. She he opened for performers like Ruth Brow ...
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Serpent's Tail
Serpent's Tail is London-based independent publishing firm founded in 1986 by Pete Ayrton. It specialises in publishing work in translation, particularly European crime fiction. In January 2007, it was bought by a British publisher Profile Books. Publications The firm publishes both fiction and non-fiction books. Boyd Tonkin, writing for The Independent, has described the publisher's list: "from hard-boiled noir to gems in translation and left-field cultural reportage – often defines the meaning of 'cool'." Noted writers * Derek Raymond * Elfriede Jelinek * Elizabeth Young * Herta Müller * Jonathan Trigell * Kathy Acker * Kenzaburō Ōe * Lionel Shriver * Nicholas Royle * Stella Duffy Noted debut novels * ''Nineteen Seventy-Four'' by David Peace * '' The South'' by Colm Tóibín * ''Whatever'' by Michel Houellebecq High Risk Books High Risk Books was an imprint of Serpent's Tail that existed from 1993-1997. It was founded by Ira Silverberg and Amy Scholder and aimed t ...
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Gary Giddins
Gary Giddins is an American jazz critic and author. He wrote for ''The Village Voice'' from 1973; his "Weather Bird" column ended in 2003. In 1986 Gary Giddins and John Lewis created the American Jazz Orchestra which presented concerts using a jazz repertory with musicians such as Tony Bennett. For five years, Giddins was the executive director of the Leon Levy Center for Biography at the Graduate Center of the City University of New York. Selected works Books *''Riding on a Blue Note'' (1981) *''Rhythm-a-ning'' (1985) *''Celebrating Bird'' (1987) *''Satchmo'' (1988) *''Faces in the Crowd'' (1992) *''Visions of Jazz: The First Century'' (1998) *''Bing Crosby: A Pocketful of Dreams - The Early Years, 1903-1940'' (2001) *''Weather Bird'' (2004) *''Natural Selection'' (2006) *''Jazz'' (2009) *''Warning Shadows: Home Alone with Classic Cinema'' (2010) *''Bing Crosby: Swinging on a Star - The War Years, 1940-1946'' (2018) Films *1987 ''Celebrating Bird: The Triumph of Charlie Parker ...
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