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New Concepts Of Artistry In Rhythm
''New Concepts of Artistry in Rhythm'' is an album by Stan Kenton. "Invention for Guitar and Trumpet" features guitarist Sal Salvador. A ''New York Times'' writer commented in 2003 that composer Bill Russo's "Improvisation" piece was "among the highest achievements in orchestral jazz". Track listing Original 1953 LP Side A # "23°N — 82°W" (Bill Russo) # "Portrait of a Count" (Russo) # "Invention for Guitar and Trumpet" ( Bill Holman) # "My Lady" (Russo) # "Young Blood" (Gerry Mulligan) # "Frank Speaking" (Russo) Side B # "Prologue (This Is an Orchestra!)" (Credited to Stan Kenton, Johnny Richards) # "Improvisation" (Russo) 1989 CD Reissue # "Prologue (This Is an Orchestra!)" (Credited to Bill Russo) - 9:57 # "Portrait of a Count" (Russo) - # "Young Blood" (Gerry Mulligan) # "Frank Speaking" (Russo) # "23°N — 82°W" (Russo) # "Taboo"* (Margarita Lecuona, S.K. Russell) # "Lonesome Train"* (Gene Roland) # "Invention for Guitar and Trumpet" (Bill Holman) # "My Lady" (Russo) # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarita Lecuona
Margarita Lecuona (1910–1981) was a Cuban singer and composer who is remembered for composing Afro songs such as "Babalú" and "Tabú". Biography Born in Havana on 18 April 1910, Lecuona was the daughter of Eugenio Lecuona, the Cuban consul in New York. She attended the Colegio Nuestra Señora de las Mercedes and the Colegio Sepúlveda in Havana before embarking on her secondary education at the Instituto de La Habana which she left after her first two years. She studied singing under Julia Lucignani and the piano under Eulalia Santana before attending the Escuela de Guitarra de Pro-Arte Musical to study the guitar under Clara Romero de Nicola. She studied dance at the Escuela de Ballet under the ballet master Nikolai Yavorsky, performing in a number of his works. In 1930, while still studying, she wrote "Soñadora" which she sang playing the guitar. After performing in a number of stage productions, in 1942, she first created a duo with Olga Luque and then a group called the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Bagley
Donald Neff Bagley (July 18, 1927 – July 26, 2012) was an American jazz bassist. Career Bagley was born on July 18, 1927 in Salt Lake City, Utah. He received formal training on the double bass. He studied in Los Angeles and played in 1945 with Shorty Sherock and Wingy Manone, and in 1948 with Dick Pierce. From 1950 to 1953, and sporadically thereafter, Bagley played with Stan Kenton; during Bagley's time with Kenton, "A Study for Bass" by Bill Russo and "Bags" by Bill Holman were written to feature Bagley's playing. Beginning in 1954, he fronted his own ensembles. Between 1950 and 1952, he worked extensively as a session musician with Nat King Cole, Maynard Ferguson, and Dexter Gordon. In the middle of the 1950s, he played in Europe with Zoot Sims, Lars Gullin, Frank Rosolino, and Åke Persson. Between 1956 and 1967, he again worked with Kenton and with Les Brown; toward the end of the 1950s, he also played with Jimmie Rowles, Shelly Manne, and Phil Woods. In 1957 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richie Kamuca
Richie Kamuca (July 23, 1930 – July 22, 1977) was an American jazz tenor saxophonist. Musical career Kamuca was born in Philadelphia, Pennsylvania, United States, and, like many players associated with West Coast jazz, grew up in the East before moving West around the time that bebop changed the prevailing style of jazz. His early playing, in what is generally considered the Lester Young style, was done on tour with the big bands of Stan Kenton and Woody Herman, where he became a member of the later line-ups of Herman's ''Four Brothers'' saxophone section with Al Cohn and Bill Perkins. Kamuca stayed on the West Coast, playing with the smaller groups of Chet Baker, Maynard Ferguson, Shorty Rogers, and others. He was one of the Lighthouse All-Stars in 1957 and 1958, and recorded with Perkins, Art Pepper, Jimmy Rowles, Cy Touff and many others in those years, as well as leading recording sessions in his own right. Kamuca was a member of the group Shelly Manne and His Men from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease. Biography Early life Konitz was born on October 13, 1927, in Chicago. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Roberts (trombonist)
George Mortimer Roberts (March 22, 1928 – September 28, 2014) was an American trombonist. Career Born and raised in Des Moines, Iowa, Roberts began his career after service in the United States Navy. Career Roberts was a member of the Ray Robbins band, then quit to join Gene Krupa in 1947 when he was in the same section with Urbie Green. It was Urbie's lyric tenor trombone playing that inspired George to be an "Urbie" one octave lower. After the Krupa band broke up in 1949, Roberts was a freelance musician in Reno, Nevada, for a year before being hired by Stan Kenton to replace Bart Varsalona, who had left the band during its 1949–1950 hiatus. Roberts opted to stay in Los Angeles rather than go with Kenton on his 1953 European tour. Working freelance again, he was introduced to Nelson Riddle by Lee Gillette, one of the executives at Capitol Records who had produced Kenton's recordings. Roberts began recording with Riddle, Don Costa, Billy May, Axel Stordahl, Gordon Jenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Rosolino
Frank Rosolino (August 20, 1926 – November 26, 1978) was an American jazz trombonist. Biography Rosolino was born in Detroit, Michigan, United States, He performed with the big bands of Bob Chester, Glen Gray, Tony Pastor, Herbie Fields, Gene Krupa, and Stan Kenton. After a period with Kenton he settled in Los Angeles, where he performed with Howard Rumsey's Lighthouse All-Stars (1954–1960) in Hermosa Beach. Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Tormé, Michel Legrand, and Quincy Jones. In the mid-to-late 1960s he and fellow trombonist Mike Barone, billed as "Trombones Unlimited," recorded for Liberty Records several albums of pop-style arrangements of current hits, such as the 1968 album ''Grazing in the Grass.'' He can also be seen performing with Shelly Manne's group in the film ''I Want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruben McFall
Reuben McFall ''(aka'' Ruben and Rubin and Ruban; born 1 Feb 1931 Los Angeles) is an American trumpeter and jazz arranger who performed as a sideman with Freddie Slack, Vido Musso, Floyd Ray, Roy Porter (from 1949 to 1950), Glen Henry, Lalo Guerrero, Stan Kenton (from 1952 to 1953), Gerry Mulligan, Woody Herman (from 1953 to 1955), Teddi King, and Gerald Wilson. Career ; As sideman, performed with * Freddie Slack * Vido Musso * Floyd Ray ''(né'' Floyd Edward Ray; 1909–1985) * Roy Porter from 1949 to 1950 * Glen Henry ''(né'' Glenn Alba Henry, Jr. 1915–1993) Band in 1950, with Joe Maini on saxophone, Jimmy Knepper on trombone, and Bill Trujillo ''(né'' William Lee Trujillo; born 1930) on saxophone * Lalo Guerrero — toured with his band from 1951 to 1952, with Lennie Niehaus on alto sax, Bill Trujillo on tenor, Frank Quijada (1917–1953) on drums, and Al León on piano * Stan Kenton from 1952 to 1953 — McFall was a member of the band during a milestone in jazz, when K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Childers
Marion "Buddy" Childers (February 12, 1926 – May 24, 2007) was an American jazz trumpeter, composer and ensemble leader. Childers became famous in 1942 at the age of 16, when Stan Kenton hired him to be the lead trumpet in his band. Biography As Childers later told Steve Voce: At the rehearsal he sat me down in the first trumpet chair, had the first trumpet player sit out. I played about eight or nine things in a row and the adrenalin was really flying that day. I was 16 I probably looked about 13, but I played considerably more maturely than that. 'Well, what do you want to do?' he said after that was over. 'I want to join your band.' 'But you're so young.' 'I gotta join your band,' I said. I had this thing in my mind that I had to join a name band at 16 or I'd never be able to make it as a musician. I was thinking of Harry James so young with Ben Pollack and then with Benny Goodman, and Corky Corcoran who joined Sonny Dunham when he was 16 and then became Harry James's lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conte Candoli
Secondo "Conte" Candoli (July 12, 1927 – December 14, 2001) was an American jazz trumpeter based on the West Coast. He played in the big bands of Woody Herman, Stan Kenton, Benny Goodman, and Dizzy Gillespie, and in Doc Severinsen's NBC Orchestra on ''The Tonight Show Starring Johnny Carson''. He played with Gerry Mulligan, and on Frank Sinatra's TV specials. He also recorded with Supersax, a Charlie Parker tribute band that consisted of a saxophone quintet, the rhythm section, and either a trumpet or trombone. Music career Conte was the younger brother of trumpeter Pete Candoli. He was born in Mishawaka, Indiana, United States. During the summer of 1943, while at Mishawaka High School, Secondo "Conte" Candoli sat in with Woody Herman's First Herd. After graduating in 1945, he joined the band full-time, where he sat side by side with his brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Herman, Stan Kenton, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haven Gillespie
James Lamont Gillespie (February 6, 1888 – March 14, 1975) pen name Haven Gillespie, was an American Tin Pan Alley composer and lyricist. He was the writer of "You Go to My Head", "Honey", "By the Sycamore Tree", "That Lucky Old Sun", " Breezin' Along With The Breeze", " Right or Wrong," " Beautiful Love", "Drifting and Dreaming", and "Louisiana Fairy Tale" (Fats Waller's recording of which was used as the first theme song in the PBS Production of ''This Old House''), each song in collaboration with other people such as Beasley Smith, Ervin R. Schmidt, Richard A. Whiting, Wayne King, and Loyal Curtis. He also wrote the seasonal standard "Santa Claus Is Comin' to Town". Life and career Gillespie was one of nine children of Anna (Reilley) and William F. Gillespie. The family was poor and lived in the basement of a house on Third Street between Madison Avenue and Russell Street in Covington, Kentucky. Gillespie dropped out of school in grade four and could not find a job. His ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
