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Never Let You Go (Third Eye Blind Song)
"Never Let You Go" is a song by American rock band Third Eye Blind. It was released on January 4, 2000, as the second single from their second album, ''Blue''. The song peaked at number 14 on the US ''Billboard'' Hot 100 and spent three weeks at number one in Canada. It also reached number 26 in Iceland, number 15 in New Zealand, and number six on the UK Rock Chart. Content Jenkins commented in the liner notes of the band's compilation album, '' A Collection'', that it was written about a muse of his at the time (allegedly Charlize Theron), and it was written to "freak her out" when she heard it on the radio. The writing credits of the song are a subject of debate among frontman Stephan Jenkins and former bassist Arion Salazar. Despite Jenkins being credited as the sole writer of the song, Salazar claims to have written the bass melodies, bridge, and chord progressions. In an interview with ''RIFF Magazine'', Salazar claimed that Jenkins approached him, stating, "I really want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third Eye Blind
Third Eye Blind is an American rock band formed in San Francisco, California, in 1993. After years of lineup changes in the early and mid-1990s, the songwriting duo of Stephan Jenkins and Kevin Cadogan signed the band's first major-label recording contract with Elektra Records in 1996. The band released their self-titled debut album in 1997, with the band largely consisting of Jenkins (vocals, rhythm guitar), Cadogan (lead guitar), Arion Salazar (bass guitar), and Brad Hargreaves (drums). Shortly after the release of the band's second album in 1999, ''Blue'', with the same line-up, Cadogan was released from the band under controversial circumstances. The band continued, but with many line-up changes and long gaps between album releases for the next 15 years. The band released '' Out of the Vein'' in 2003 and ''Ursa Major'' in 2009 with guitarist Tony Fredianelli, but parted ways with him shortly afterwards, leaving only Jenkins and Hargreaves as the remaining core members. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Top 40
Pop Airplay (also called Mainstream Top 40, Pop Songs, and Top 40/contemporary hit radio, CHR) is a 40-song music chart published weekly by Billboard (magazine), ''Billboard'' Magazine that ranks the most popular songs of pop music being played on a panel of Top 40 radio stations in the United States. The rankings are based on radio airplay detections as measured by Nielsen Broadcast Data Systems (Nielsen BDS), a subsidiary of the U.S.' leading marketing research company. Consumer researchers, Nielsen Audio (formerly ''Arbitron''), refers to the format as contemporary hit radio (CHR). The current number-one song as of the chart dated December 24, 2022 is "Anti-Hero (song), Anti-Hero" by Taylor Swift. History The chart debuted in Billboard (magazine), ''Billboard'' Magazine in its issued date October 3, 1992, with the introduction of two Top 40 airplay charts, Mainstream and Rhythmic (chart), Rhythm-Crossover. Both Top 40 charts measured "actual monitored airplay" from data compile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Rock Tracks
Alternative Airplay (formerly known as Modern Rock Tracks (1988–2009) and Alternative Songs (2009–2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Alternative Airplay
Adult Alternative Airplay (also known as Triple A or Triple A Airplay, and formerly Adult Alternative Songs and Triple A Songs) is a record chart currently published by ''Billboard'' that ranks the most popular songs on adult album alternative radio stations. The 40-position chart is formulated based on each song's weekly radio spins, as measured by Nielsen Broadcast Data Systems. The earliest incarnation of the chart was first published on January 20, 1996, as a feature in ''Billboard'' sister publication ''Airplay Monitor''. In 2006, ''Airplay Monitor'' ceased publication after ''Billboard'' parent company VNU Media's acquisition of rival radio trade magazine ''Radio & Records'', which then subsequently incorporated ''Airplay Monitor''s Nielsen-based Triple A chart. ''Billboard'' itself began publishing the Triple A chart in the issue dated July 5, 2008 through their Billboard.biz website, appropriating the same airplay data as ''Radio & Records''. ''Radio & Records'' closed in J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Top 40
The Adult Pop Airplay (formerly known as Adult Pop Songs and Adult Top 40) chart is published weekly by ''Billboard'' magazine and ranks "the most popular adult top 40 as based on radio airplay detections measured by Nielsen Broadcast Data Systems." It is a format in which the genre is geared more towards an adult audience who are not into hard rock, hip hop, or adult contemporary fare. The main genres within this format are alternative rock and mainstream pop that is more adult-oriented. It is not to be confused with adult contemporary where rather lesser-known and more ballad-driven songs are played. The current number one song on the chart is "Anti-Hero" by Taylor Swift. History The chart was first published in the March 16, 1996, issue of ''Billboard''; however, historically, the chart's introduction was in October 1995, when it began as a test chart. The Adult Top 40 chart was formed following a split of the "Hot Adult Contemporary" chart due to the growing emergence of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The A
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be something as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Thomas Erlewine
Stephen Thomas Erlewine (; born June 18, 1973) is an American music critic and senior editor for the online music database AllMusic. He is the author of many artist biographies and record reviews for AllMusic, as well as a freelance writer, occasionally contributing liner notes. Erlewine was born in Ann Arbor, Michigan, and is a nephew of the former musician and AllMusic founder Michael Erlewine. He studied at the University of Michigan, where he majored in English, and was a music editor (1993–94) and then arts editor (1994–1995) of the school's paper ''The Michigan Daily'', and DJ'd at the campus radio station, WCBN. He has contributed to many books, including ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'' and ''All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-Hop''. References External linksErlewine's pageat Pitchfork.comContributionsto ''Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-Charmed Life
"Semi-Charmed Life" is a song by American rock band Third Eye Blind from their eponymous debut studio album (1997). It was released to radio as the lead single from the album on February 18, 1997, by Elektra Records. Frontman Stephan Jenkins is credited as the sole writer of the song, although guitarist Kevin Cadogan has disputed the song's authorship through litigation. Production on the song was helmed by Jenkins and Eric Valentine. According to Jenkins, the song is about a crystal meth addiction and the feeling that "your life is always about to change and never be reliable." The song was recorded and mixed in and around San Francisco at Toast Studios, Skywalker Ranch, H.O.S., and The Site by Valentine. "Semi-Charmed Life" was one of the first demos recorded for ''Third Eye Blind'' and the song went through five iterations before the band settled on its final version. An alternative rock and power pop song with a rap-influenced singing style, the song's "doo, doo, doot" refr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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