Never Gonna Dance (song)
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Never Gonna Dance (song)
"Never Gonna Dance" is a song performed by Fred Astaire and danced with Ginger Rogers in their movie ''Swing Time''. The lyrics were written by Dorothy Fields and the music was by Jerome Kern. This dramatic dance was performed at the end of the movie after John 'Lucky' Garnett (Astaire) finds out Penelope 'Penny' Carroll (Rogers) is engaged to Ricardo 'Ricky' Romero (played by Georges Metaxa). This is a dance of desperation, despair and love. It starts slowly, Lucky not wanting Penny to leave. As she is walking up the stairs, he begins his serenade to her in hopes that she will understand how heartbroken he is over losing her. After he is done singing, he tries to win her back one more time dancing. So, elegantly and desperately, he pulls out all the stops, hoping to change her mind. At first, the dance is slow and somber, but eventually the pace and tempo pick up, and Lucky and Penny seem to be together again. However, in the final movement, Penny twirls out of the room and ...
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Chappell & Co
Chappell & Co. was an English company that published music and manufactured pianos. Founded by pianist Samuel Chappell, the company was one of the leading music publishers and piano manufacturers in Britain until 1980 when Chappell sold its retail activities to concentrate solely on music publishing. After some previous acquisitions by other companies, the ''Chappell'' brand name is currently owned by Warner Chappell Music (part of Warner Music Group, which acquired it for $200 million in 1987.Warner Reportedly Will Acquire Chappell : $200-Million Deal Would Merge 2 of 3 Biggest U.S. Music Publishers
by KATHRYN HARRIS on ''Los Angeles Times'', 12 May 1987


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The Way You Look Tonight
"The Way You Look To-night" is a song from the film ''Swing Time'' that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful." In the movie, Astaire sang "The Way You Look To-night" to Ginger Rogers while she was washing her hair in an adjacent room. Astaire's recording was a top seller in 1936. Other versions that year were by Guy Lombardo and Teddy Wilson with Billie Holiday. Composition and publication The song was sung by Fred Astaire in the 1936 film ''Swing Time'' in the key of D major, but it is typically performed in E-flat major with a modulation to G-flat major. It was first copyrighted on March 17, 1936 as "Way (The) you look to-night; song from I won't dance", and was unpublished ("I Won't Dance" was a ...
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Songs With Lyrics By Dorothy Fields
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ...
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Songs With Music By Jerome Kern
A song is a musical composition intended to be performed by the human voice. This is often done at melody, distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various song form, forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained clas ...
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Shep Fields
Shep may refer to: People Given name *Shep Fields, American band leader *Shep Goodman, American music producer and songwriter *Shep Gordon, American talent manager, Hollywood film agent, and producer * Shep Mayer, Canadian ice hockey player *Shep Messing (born 1949), American Olympic soccer goalkeeper and current broadcaster * Shep Meyers, American pianist, composer, arranger and conductor *Shep Pettibone (born 1959), American music producer, remixer, songwriter and club DJ * Shepard "Shep" Smith, American broadcast journalist Surname *David Shepherd (umpire), English cricket umpire *James Sheppard, lead singer of the Heartbeats and later Shep and the Limelites *Jean Shepherd (born 1921), American raconteur, radio and TV personality, writer and actor *Shep Shepherd, American jazz musician Dogs *Shep (American dog), a dog that lived in the Great Northern train station in Fort Benton, Montana, in the late 1930s *Shep (British dog), a Blue Peter dog, a border collie, remembered by B ...
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Ted Fio Rito
Theodore Salvatore Fiorito (December 20, 1900 – July 22, 1971),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. 95. known professionally as Ted Fio Rito, was an American composer, orchestra leader, and keyboardist, on both the piano and the Hammond organ, who was popular on national radio broadcasts in the 1920s and 1930s. His name is sometimes given as Ted Fiorito or Ted FioRito. Biography He was born Teodorico Salvatore Fiorito in Newark, New Jersey to an Italian immigrant couple, tailor Louis (Luigi) Fiorito and Eugenia Cantalupo Fiorito, when they were both 21 years old; and he was delivered by a midwife at their 293 15th Avenue residence. Ted Fiorito attended Barringer High School in Newark. In Italy, his mother had sung light opera. He was still in his teens when he landed a job in 1919 as a pianist at Columbia's New York City recording studio, working with the Harr ...
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Ginger Rogers
Ginger Rogers (born Virginia Katherine McMath; July 16, 1911 – April 25, 1995) was an American actress, dancer and singer during the Classical Hollywood cinema, Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (film), ''Kitty Foyle'' (1940), and performed during the 1930s in RKO Pictures, RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century. Rogers was born in Independence, Missouri, and raised in Kansas City, Missouri, Kansas City. She and her family moved to Fort Worth, Texas, when she was nine years old. In 1925, she won a Charleston dance contest that helped her launch a successful vaudeville career. After that, she gained recognition as a Broadway theatre, Broadway actress for her stage debut in ''Girl Crazy''. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film roles as a supporting ...
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They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ...
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Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ...
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Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Brunswick Records
Brunswick Records is an American record label founded in 1916. History From 1916 Records under the Brunswick label were first produced by the Brunswick-Balke-Collender Company, a company based in Dubuque, Iowa which had been manufacturing products ranging from pianos to sporting equipment since 1845. The company first began producing phonographs in 1916, then began marketing their own line of records as an afterthought. These first Brunswick records used the vertical cut system like Edison Disc Records, and were not sold in large numbers. They were recorded in the United States but sold only in Canada. 1920s In January 1920, a new line of Brunswick Records was introduced in the U.S. and Canada that employed the lateral cut system which was becoming the default cut for 78 discs. Brunswick started its standard popular series at 2000 and ended up in 1940 at 8517. However, when the series reached 4999, they skipped over the previous allocated 5000s and continued at 6000. When t ...
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