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Neoist Alliance
Kevin Llewellyn Callan (born 24 March 1962), better known as Stewart Home, is an English artist, filmmaker, writer, pamphleteer, art historian, and activist. His novels include the non-narrative ''69 Things to Do with a Dead Princess'' (2002), and the re-imagining of the 1960s in ''Tainted Love'' (2005). Earlier parodistic pulp fictions work includes ''Pure Mania'', ''Red London'', ''No Pity'', ''Cunt'', and ''Defiant Pose'' which pastiche the work of 1970s British skinhead pulp novel writer Richard Allen and combine it with pornography, political agit-prop, and historical references to punk rock and avant-garde art. Life and work Home was born in South London. His mother, Julia Callan-Thompson, was a model who was associated with the radical arts scene in Notting Hill Gate. In the 1980s and 1990s, he exhibited art and also wrote a number of non-fiction pamphlets, magazines, and books, and edited anthologies. They chiefly reflected the politics of the radical left, punk cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
69 Things To Do With A Dead Princess
''69 Things to Do with a Dead Princess'' is an experimental novel by the British writer Stewart Home, first published by Canongate in 2002. It tells the story of a suicidal man investigating a conspiracy theory about the death of Diana, Princess of Wales, with much explicit sex and philosophical discussions, and was positively reviewed by ''The Times'' and the ''London Review of Books''. Plot Following epigraphs from Karl Marx and Samuel Taylor Coleridge, the novel tells the story of a man, variously called Callum or Alan, who is planning to kill himself. He has relocated to Aberdeen in the northeast of Scotland, where he befriends Anna Noon, a female student at Aberdeen University who also acts as the novel's narrator. They discuss literature and philosophy. Callum/Alan has a large collection of books he is attempting to read, including the fictional ''69 Things to Do with a Dead Princess'' by the fictional cult writer K.L. Callan, which contains a conspiracy theory about the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Communism
Communism (from Latin la, communis, lit=common, universal, label=none) is a far-left sociopolitical, philosophical, and economic ideology and current within the socialist movement whose goal is the establishment of a communist society, a socioeconomic order centered around common ownership of the means of production, distribution, and exchange which allocates products to everyone in the society.: "One widespread distinction was that socialism socialised production only while communism socialised production and consumption." Communist society also involves the absence of private property, social classes, money, and the state. Communists often seek a voluntary state of self-governance, but disagree on the means to this end. This reflects a distinction between a more libertarian approach of communization, revolutionary spontaneity, and workers' self-management, and a more vanguardist or communist party-driven approach through the development of a constitutional socialist st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival Of Plagiarism
A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival constitutes typical cases of glocalization, as well as the high culture-low culture interrelationship. Next to religion and folklore, a significant origin is agricultural. Food is such a vital resource that many festivals are associated with harvest time. Religious commemoration and thanksgiving for good harvests are blended in events that take place in autumn, such as Halloween in the northern hemisphere and Easter in the southern. Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanking to the gods, goddesses or saints: they are called patronal festivals. They may also provide entertainment, which was particularly important to local communities before the advent of mass-produced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appropriation Art
Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the Readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change. Definition Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate Gall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art In Ruins
Art in Ruins was formed in 1984 as a collaborative interventionist practice in art and architecture, staging exhibitions and publishing texts, by Hannah Vowles and Glyn Banks. Alex Coles. ''Appearances are Against Us'', Art and Text, Los Angeles, July 2000. History and practiceArt in Ruins based in Bloomsbury, London, uses 1960s conceptual art strategies utilized by Art & Language and Gilbert and George. Works include ''Trust Us'' (1997) and ''We Like You'' (1995). Their reaction to current art is ''"iconoclastic"'' with ''"a sort of supersensitivity to the politics of art."'' They curated the exhibition ''Our Wonderful Culture'' (St George's Crypt, Bloomsbury 1995) and collaborated with Stewart Home, Ed Baxter, and others on ''Ruins of Glamour, Glamour of Ruins'' ( Chisenhale Gallery 1986) and ''Desire in Ruins'' (Transmission Gallery, Glasgow 1987). Since the early 1990s, Art in Ruins have been satirising self-expression and focusing on art's economic basis. Like General Ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Flynt
Henry Flynt (born 1940 in Greensboro, North Carolina) is an American philosopher, musician, writer, activist, and artist connected to the 1960s New York avant-garde. He coined the term "concept art" in the early 1960s, during which time he was associated with figures in the Fluxus scene. He later received attention for his anti-art demonstrations against New York cultural institutions in 1963 and 1964. Since 1983, he has focused on philosophical writing related to nihilism, science, mathematical logic, post-capitalist economics, and personhood. A number of his archival musical recordings, which fuse hillbilly music with avant-garde techniques, were released in the 2000s. He has collaborated with artists such as C.C. Hennix, La Monte Young, George Maciunas, and John Berndt. Background Henry Flynt was born and raised in North Carolina where he first studied classical violin. He became interested in logical positivism as a teenager, and later attended Harvard University on a schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Metzger
Gustav Metzger (10 April 1926, Nuremberg – 1 March 2017, London) was a German artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966. Metzger was recognised for his protests in the political and artistic realms. Early life and education Metzger was born to Polish Jewish parents in Nuremberg, Germany, in 1926 and came to Britain in 1939 as a refugee under the auspices of the Refugee Children Movement. He lost his Polish citizenship and was stateless since the late 1940s. He received a grant from the UK Jewish community to study at the Royal Academy of Fine Arts in Antwerp between 1948 and 1949. It is with an experience of twentieth century society's destructive capabilities that led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.'Pioneers in Art and Science: Metzger (film), Ken McMullen (film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mail Art
Mail art, also known as postal art and correspondence art, is an artistic movement centered on sending small-scale works through the postal service. It initially developed out of what eventually became Ray Johnson's New York Correspondence School and the Fluxus movements of the 1960s, though it has since developed into a global movement that continues to the present. Characteristics Media commonly used in mail art include postcards, paper, a collage of found or recycled images and objects, rubber stamps, artist-created stamps (called artistamps), and paint, but can also include music, sound art, poetry, or anything that can be put in an envelope and sent via post. Mail art is considered art once it is dispatched. Mail artists regularly call for thematic or topical mail art for use in (often unjuried) exhibition. Mail artists appreciate interconnection with other artists. The artform promotes an egalitarian way of creating that frequently circumvents official art distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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