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Neogeo (art)
Neo-geo or Neo-Geometric Conceptualism was an art movement from the 1980s that utilizes geometric abstraction and criticizes the industrialism and consumerism of modern society. The usage of the term neo-geo began when it was first used in reference to a 1986 exhibition at the Sonnabend Gallery in SoHo that included the artwork of Ashley Bickerton, Jeff Koons, Peter Halley and Meyer Vaisman. According to artist Michael Young, Neo-geo artwork recognizes technology as both a promise and a threat. Naming Curators, acquisitors, and artists within the movement could not come to an agreement on the name of the movement, leaving the world with more than one name for the art movement. A pair of curators and writers, Tricia Collins and Richard Milazzo working together to create many Collins & Milazzo exhibitions felt that Post-Conceptualism was the best fitting term, as it highlighted the magnification of ideas. Many artists within the movement, such as Peter Halley, rejected the name “ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometric Abstraction
Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times. History Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school. Aligned with and often used in the architecture of Islamic civilations spanning the 7th century-20th century, geometric patterns were used to visually connect spirituality with science and art, both of which were key to Islamic thought of the time. Scholarly analysis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalism
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haim Steinbach
Haim Steinbach (born Rehovot, Israel, 1944) is an Israeli-American artist, based in New York City. His work consists of arrangements of everyday objects, presented in “Displays” and shelves of his own making. Life and work Since the late 1970s Steinbach's art has been focused on the selection and arrangement of objects, above all everyday objects. In order to bring them to light, he has been conceiving structures and framing devices for their presentation. Steinbach presents objects, ranging from the natural to the ordinary, the artistic to the ethnographic, giving form to art works that underscore their identity and inherent meanings. Exploring the psychological, aesthetic, cultural and ritualistic aspects of objects as well as their context, Steinbach has redefined the status of the object in art. He lives and works in New York with his partner, Gwen Smith and son. Exhibitions After his 1979 and 1980 solo shows at Artists Space and Fashion Moda in the New York, Steinbach's i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan McCollum
Allan McCollum (born 1944) is a contemporary American artist who lives and works in New York City. In 1975, his work was included in the Whitney Biennial, and he moved to New York City the same year. In the late 1970s he became especially well known for his series, ''Surrogate Paintings''. He has spent over fifty years exploring how objects achieve public and personal meaning in a world caught up in the contradictions made between unique handmade artworks and objects of mass production, and in the early 1990s, he began focusing most on collaborations with small regional communities and historical society museums in different parts of the world. His first solo exhibition was in 1970 and his first New York showing was in a group exhibition at the Sidney Janis Gallery in 1972. Early life McCollum was born in The California Hospital in Los Angeles on August 4, 1944. In 1946, his family moved to Redondo Beach, California, where his three siblings were born, and where he lived until 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ross Bleckner
Ross Bleckner (born May 12, 1949) is an American artist. He currently lives and works in New York City. His artistic focus is on painting, and he held his first solo exhibition in 1975. Some of his art work reflected on the AIDS epidemic. Early life and education Bleckner was born on May 12, 1949 in Brooklyn, New York and he grew up Jewish. In an interview, Bleckner commented that he was fortunate to have supportive parents. In 1961, Bleckner and his family moved to a more affluent town in Hewlett, New York, where he attended George W. Hewlett High School. In 1965, Bleckner saw his first art exhibition, '' The Responsive Eye'', at the Museum of Modern Art, which went on to have a huge impact on his artwork. Eventually, this was a time when he realized that he wanted to become an artist. Bleckner went on to study at New York University, where he studied alongside fellow artist Sol LeWitt and Chuck Close. During college, Bleckner worked in an art supply store and drove a taxi. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Baudrillard
Jean Baudrillard ( , , ; 27 July 1929 – 6 March 2007) was a French sociologist, philosopher and poet with interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as simulation and hyperreality. Baudrillard wrote about diverse subjects, including consumerism, gender relations, critique of economy, economics, social history, art, Western foreign policy, and popular culture. Among his best known works are ''Seduction'' (1978), ''Simulacra and Simulation'' (1981), ''America'' (1986), and '' The Gulf War Did Not Take Place'' (1991). His work is frequently associated with postmodernism and specifically post-structuralism. Baudrillard: "I have nothing to do with postmodernism."MLA Brennan, Eugene. Review of Pourquoi la guerre aujourd’hui?, by Jean Baudrillard, Jacques Derrida. French Studies: A Quarterly Review, vol. 71 no. 3, 2017, p. 449-449. Project MUSE mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperreality
Described by Jean Baudrillard, the concept of hyperreality captures the inability to distinguish "The Real" (a term borrowed from Jacques Lacan) from the signifier of it. This is more prominent in technologically advanced societies. Hyperreality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins. It allows the merging of physical reality with virtual reality (VR) or augmented reality (AR), and human intelligence with artificial intelligence (AI). Jean Baudrillard is a French cultural theorist, sociologist and philosopher. His most notable work consists of establishing the concept of hyperreality and the simulacra. Some of Baudrillard's most influential theorists consist of Karl Marx, Freud, Levi Strauss, Nietzsche, etc. Baudrillard's work stems around his interest in the theories of post-structuralism and post-modernism. Some famous theorists who contribu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Op Art
Op art, short for optical art, is a style of visual art that uses optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping. History The antecedents of op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. László Moholy-Nagy produced photographic op art and taught the subject in the Bauhaus. One of his lessons consisted of making his students produce holes in cards and then photographing them. ''Time'' magazine coined the term ''op art'' in 1964, in response to Julian Stanczak's show ''Optical Paintings at the Martha Jackson Gallery'', to mean a form of abstract art (specifically non-objective art) that uses optical illusions. Works now described as "op art" had been produced for several years before ''Time's'' 1964 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalism
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictures Generation
''The Pictures Generation, 1974–1984'' was an exhibition at The Metropolitan Museum of Art (The Met) in New York City that ran from April 29 – August 2, 2009. The exhibition took its name from ''Pictures'', a 1977 group show organized by art historian and critic Douglas Crimp (1944–2019) at New York City's Artists Space gallery. Artists in the Met exhibition included art stars of the 1980s such as Cindy Sherman, Barbara Kruger, Louise Lawler, Robert Longo, David Salle, Richard Prince, Jack Goldstein and Sherrie Levine, together with lesser-known contemporaries such as Troy Brauntuch and Michael Zwack. It also featured some of the group's artistic predecessors including John Baldessari and Allan McCollum.Eklund, ''The Pictures Generation'', pp. 320-329. Precursors In his catalogue essay for the 1977 show and a 1979 expansion of the essay published in the journal ''October'', Crimp outlined a framework to describe shared themes in the work of the five artists he presented. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
