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Neo-Grec Architecture
Néo-Grec was a Neoclassical Revival style of the mid-to-late 19th century that was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III (1852–1870). The Néo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum. The style mixed elements of the Graeco-Roman, Pompeian, Adam and Egyptian Revival styles into "a richly eclectic polychrome mélange."James Stevens Curl & Susan Wilson, eds., "Néo-Grec," ''The Oxford Dictionary of Architecture'' (Oxford University Press, 2015/ref> "The style enjoyed a vogue in the United States, and had a short-lived impact on interior design in England and elsewhere." Architecture In architecture, the Néo-Grec is not always clearly distinguishable from the Neoclassical designs of the earlier part of the century, in bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Levine (art Historian)
Neil Arthur Levine (born 1941) is an American art historian and educator, who is a specialist on Frank Lloyd Wright. Career Levine graduated with a Bachelor of Arts from Princeton University in 1963, and wrote a senior thesis on Beaux-Arts architecture in the United States, supervised by Robert Rosenblum. Levine then received a Master of Arts, studying Frank Heyling Furness, and a Doctor of Philosophy in Art History from Yale University in 1975. His dissertation was on the architect Henri Labrouste and the Sainte-Geneviève Library, supervised by Vincent Scully. In 1975, Levine began serving as Emmet Blakeney Gleason Professor of the History of Art and Architecture at Harvard University. During the 1994-1995 academic year, he was named Slade Professor of Fine Art at the University of Cambridge. In 2003, Levine was awarded a Guggenheim Fellowship. Seven years later, Levine was elected as Fellow of the American Academy of Arts and Sciences. In that same year, Levine's lectur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stencil
Stencilling produces an image or pattern on a surface, by applying pigment to a surface through an intermediate object, with designed holes in the intermediate object, to create a pattern or image on a surface, by allowing the pigment to reach only some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which ''stencil'' is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to repeatedly and rapidly produce the same letters or design. Although aerosol or painting stencils can be made for one-time use, typically they are made with the intention of being reused. To be reusable, they must remain int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (European Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XVI Style
Louis XVI style, also called ''Louis Seize'', is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1793), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow. Notable architects of the period included Victor Louis (1731–1811), who completed the theatre of Bordeaux (1780), The Odeon Theatre in Paris (1779–1782) was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meander (art)
__NOTOC__ A meander or meandros ( el, Μαίανδρος) is a decorative border constructed from a continuous line, shaped into a repeated motif. Among some Italians, these patterns are known as "Greek Lines". Such a design also may be called the Greek fret or Greek key design, although these terms are modern designations even though the decorative motif appears thousands of years before that culture, thousands of miles away from Greece, and among cultures that are continents away from it. Usually the term is used for motifs with straight lines and right angles and the many versions with rounded shapes are called running scrolls or, following the entomological origin of the term, may be identified as water wave motifs. On one hand, the name "meander" recalls the twisting and turning path of the Maeander River in Asia Minor (present day Turkey) that is typical of river pathways. On another hand, as Karl Kerenyi pointed out, "the meander is the figure of a labyrinth in linear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palmette
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his ''Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthemion
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his ''Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenox Library (New York City)
The Lenox Library was a library incorporated and endowed in 1870. It was both an architectural and intellectual landmark in Gilded Age–era New York City. It was founded by bibliophile and philanthropist James Lenox, and located on Fifth Avenue between 70th and 71st Streets on the Upper East Side of Manhattan. Renowned architect Richard Morris Hunt designed the building, which was considered one of the city's most notable buildings, until its destruction in 1912. The library's collection was unsurpassed in its collection of Bibles, and included the first Gutenberg Bible to cross the Atlantic. It was also known for its collection of Shakespeare, Milton, and early American literature. The library became a part of the founding collection of the New York Public Library (NYPL) in 1895, and opened to the public as part of the NYPL's Main Branch in 1911. Early history The Lenox Library began as the personal collection of James Lenox, and was housed in his home at 53 Fifth Avenue, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Sainte-Geneviève
A library is a collection of materials, books or media that are accessible for use and not just for display purposes. A library provides physical (hard copies) or digital access (soft copies) materials, and may be a physical location or a virtual space, or both. A library's collection can include printed materials and other physical resources in many formats such as DVD, CD and cassette as well as access to information, music or other content held on bibliographic databases. A library, which may vary widely in size, may be organized for use and maintained by a public body such as a government; an institution such as a school or museum; a corporation; or a private individual. In addition to providing materials, libraries also provide the services of librarians who are trained and experts at finding, selecting, circulating and organizing information and at interpreting information needs, navigating and analyzing very large amounts of information with a variety of resources. Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
