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Neo-Brâncovenesc
Romanian Revival architecture ( Romanian National Style, Neo-Romanian, or Neo- Brâncovenesc; ro, stilul național român, arhitectura neoromânească, neobrâncovenească) is an architectural style that has appeared in late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, , Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Brâncoveanu
Constantin Brâncoveanu (; 1654 – August 15, 1714) was Prince of Wallachia between 1688 and 1714. Biography Ascension A descendant of the Craiovești boyar family and heir through his grandfather Preda of a considerable part of Matei Basarab′s fortune, Brâncoveanu was born on the estate of Brâncoveni and raised in the house of his uncle, ''stolnic'' Constantin Cantacuzino. He rose to the throne after the death of his uncle, prince Şerban Cantacuzino. He was initially supported by his maternal uncles Constantin and Mihai Cantacuzino, but grew increasingly independent from them in the course of his reign. Constantin Cantacuzino retreated to one of his estates and began advocating his son Ștefan's candidacy to the throne. Policies The prince took steps in negotiating anti-Ottoman alliances first with the Habsburg monarchy, and then with Peter the Great's Russia (''see Russo-Turkish War, 1710-1711''): upon the 1710 Russian intervention in Moldavia, the prince contac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Nănescu
Constantin is an Aromanian, Megleno-Romanian and Romanian male given name. It can also be a surname. For a list of notable people called Constantin, see Constantine (name). See also * Constantine (name) * Konstantin The first name Konstantin () is a derivation from the Latin name ''Constantinus'' (Constantine) in some European languages, such as Russian and German. As a Christian given name, it refers to the memory of the Roman emperor Constantine the Great. ... References {{Reflist Aromanian masculine given names Megleno-Romanian masculine given names Romanian masculine given names Romanian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (art)
In architecture and decorative art, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlace (art)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motif (visual arts), motifs are looped, braided, and knotted in complex geometry, geometric patterns, often to fill a space. Interlacing is common in the Migration period art of Northern Europe, in the early medieval Insular art of Ireland and the British Isles, and Norse art of the Early Middle Ages, and in Islamic interlace patterns, Islamic art. Intricate braided and interlaced patterns, called ''plaits'' in British usage, first appeared in late Roman art in various parts of Europe, in mosaic floors and other media. Coptic art, Coptic manuscripts and textiles of 5th- and 6th-century Christian Egypt are decorated with broad-strand ribbon interlace ornament bearing a "striking resemblance" to the earliest types of knotwork found in the Insular art manuscripts of Ireland and the British Isles.Mitchell et al. 1977, p. 59 History and application Northern Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokoshnik (architecture)
The kokoshnik ( rus, коко́шник, p=kɐˈkoʂnʲɪk) is a traditional Russian headdress worn by women and girls to accompany the sarafan. The kokoshnik tradition has existed since the 10th century in the ancient Russian city Veliky Novgorod. It spread primarily in the northern regions of Russia and was very popular from 16th to 19th century. It is still to this day an important feature of Russian dance ensembles and folk culture and inspired the Kokoshnik style of architecture. Overview Historically a kokoshnik is a headdress worn by married women, though maidens also wore a headdress very similar to a kokoshnik, but open in the back, named a ''povyazka''. The word ''kokoshnik'' describes a great variety of headdresses worn throughout Russia, including the cylindrical hats of Veliky Novgorod, two-pointed nimbus ''kika'' of Vladimir, triangular ''kika'' of Kostroma, small pearl hats of Kargopol, and scarlet kokoshniks of Moscow. While in the past kokoshnik styles varied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallachia
Wallachia or Walachia (; ro, Țara Românească, lit=The Romanian Land' or 'The Romanian Country, ; archaic: ', Romanian Cyrillic alphabet: ) is a historical and geographical region of Romania. It is situated north of the Lower Danube and south of the Southern Carpathians. Wallachia is traditionally divided into two sections, Muntenia (Greater Wallachia) and Oltenia (Lesser Wallachia). Dobruja could sometimes be considered a third section due to its proximity and Dobruja#Wallachian rule, brief rule over it. Wallachia as a whole is sometimes referred to as Muntenia through identification with the larger of the two traditional sections. Wallachia was founded as a principality in the early 14th century by Basarab I of Wallachia, Basarab I after a rebellion against Charles I of Hungary, although the first mention of the territory of Wallachia west of the river Olt River, Olt dates to a charter given to the voivode Seneslau in 1246 by Béla IV of Hungary. In 1417, Wallachia was fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mogoșoaia
Mogoșoaia is a commune in the west of Ilfov County, Muntenia, Romania, composed of a single village, Mogoșoaia. In late 17th century, Constantin Brâncoveanu bought land here, and, between 1698 and 1702, he built the Mogoșoaia Palace Mogoșoaia Palace ( ro, Palatul Mogoșoaia, ) is situated about from Bucharest, Romania. It was built between 1698 and 1702 by Constantin Brâncoveanu in what is called the Romanian Renaissance style or Brâncovenesc style. The palace bears the .... Natives * Raul Costin References Communes in Ilfov County Localities in Muntenia {{Ilfov-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mogoșoaia Palace
Mogoșoaia Palace ( ro, Palatul Mogoșoaia, ) is situated about from Bucharest, Romania. It was built between 1698 and 1702 by Constantin Brâncoveanu in what is called the Romanian Renaissance style or Brâncovenesc style. The palace bears the name of the widow of the Romanian boyar Mogoș, who owned the land it was built on. History After 1714, when Constantin Brâncoveanu was executed with his entire family in Constantinople, all the family's wealth was confiscated by the Ottomans and the palace was converted into an inn. Rebought by Prince Ștefan Cantacuzino, he returned it to Brâncoveanu's grandson Constantin, and remained with the family until the early nineteenth century. The palace was devastated by the Ottoman Empire, Ottomans during the Russo-Turkish War (1768–1774), Russo-Turkish War of 1768–1774. It was later granted by prince Grigore to his daughter, Zoe Mavrocordat, who had married George D. Bibescu, sovereign Prince of Wallachia. The palace remained within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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