Neidhart Von Reuental
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Neidhart Von Reuental
Neidhart (Middle High German ) (later often called Neidhart von Reuental) was one of the most famous . With around 1500 documented strophes of his songs surviving, Neidhart has the largest corpus of surviving lyrics of any , suggesting the great popularity of the songs. In addition, and quite unlike any of his contemporaries, many melodies to his songs have been preserved: manuscripts have almost 70 melodies to 55 of his songs. Neidhart's lyrics are highly innovative: into the courtly genre of Minnesang, he introduced peasant characters, who are often shown in conflict with the knightly class. Both classes are sometimes treated as objects of satire. His songs are traditionally divided into summer and winter songs (), each group opening with a piece of seasonal description of nature. But there are also songs which fall outside these categories and which in the past were often regarded as the work of later imitators. Neidhart's works continued to enjoy great popularity long after ...
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Codex Manesse Neidhart
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the Ancient history, ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded ...
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Louis I, Duke Of Bavaria
Louis I (german: Ludwig; 23 December 1173 – 15 September 1231), called the Kelheimer or of Kelheim, since he was born and died at Kelheim, was the Duke of Bavaria from 1183 and Count Palatine of the Rhine from 1214. He was a son of Otto I and his wife Agnes of Loon. Louis was married to Ludmilla, a daughter of Duke Frederick of Bohemia. Life Early years Soon after his father's death in 1183, Louis was appointed under the guardianship of his uncle Conrad of Wittelsbach and Emperor Frederick Barbarossa. His mother, Agnes, an energetic and enterprising leader, had taken over the regency of Bavaria in the meantime, securing her son's inheritance. Upon his coming-of-age, in 1189, at sixteen years old, at the beginning of his reign, he had already fallen in the midst of a conflict which triggered the nearly simultaneous extinction of the Burgrave of Regensburg and the Count of Sulzbach in the years 1188 and 1189. This allowed Barbarossa to expand his royal domains within the Emp ...
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ...
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Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ...
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Neume
A neume (; sometimes spelled neum) is the basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation. The earliest neumes were inflective marks that indicated the general shape but not necessarily the exact notes or rhythms to be sung. Later developments included the use of heightened neumes that showed the relative pitches between neumes, and the creation of a four-line musical staff that identified particular pitches. Neumes do not generally indicate rhythm, but additional symbols were sometimes juxtaposed with neumes to indicate changes in articulation, duration, or tempo. Neumatic notation was later used in medieval music to indicate certain patterns of rhythm called rhythmic modes, and eventually evolved into modern musical notation. Neumatic notation remains standard in modern editions of plainchant. Etymology The word "neume" entered the English language in the Middle English forms "newme", "nevme", "neme" in the ...
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Monodic
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of " concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) Histor ...
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Musicologists
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, a ...
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Melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coheren ...
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Neidhart MS C Fol 31r
Neidhart is both a surname and a given name. Notable people with the name include: *Christian Neidhart, German football manager *Jim Neidhart, Canadian professional wrestler *Natalya Neidhart, Canadian professional wrestler (daughter of Jim) *Neidhart von Reuental Neidhart (Middle High German ) (later often called Neidhart von Reuental) was one of the most famous . With around 1500 documented strophes of his songs surviving, Neidhart has the largest corpus of surviving lyrics of any , suggesting the great ..., a 13th-century German minnesinger * Nico Neidhart, German footballer {{given name, type=both ...
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Canzone
Literally "song" in Italian, a ''canzone'' (, plural: ''canzoni''; cognate with English ''to chant'') is an Italian or Provençal song or ballad. It is also used to describe a type of lyric which resembles a madrigal. Sometimes a composition which is simple and songlike is designated as a canzone, especially if it is by a non-Italian; a good example is the aria "Voi che sapete" from Mozart's Marriage of Figaro. The term canzone is also used interchangeably with canzona, an important Italian instrumental form of the late 16th and early 17th century. Often works designated as such are ''canzoni da sonar''; these pieces are an important precursor to the sonata. Terminology was lax in the late Renaissance and early Baroque music periods, and what one composer might call "canzoni da sonar" might be termed "canzona" by another, or even "fantasia". In the work of some composers, such as Paolo Quagliati, the terms seem to have had no formal implication at all. Derived from the Pro ...
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Medieval Dance
Sources for an understanding of dance in Europe in the Middle Ages are limited and fragmentary, being composed of some interesting depictions in paintings and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts. The first detailed descriptions of dancing only date from 1451 in Italy, which is after the start of the Renaissance in Western Europe. Carole The most documented form of secular dance during the Middle Ages is the carol also called the "carole" or "carola" and known from the 12th and 13th centuries in Western Europe in rural and court settings."Carole" in It consisted of a group of dancers holding hands usually in a circle, with the dancers singing in a leader and refrain style while dancing. No surviving lyrics or music for the carol have been identified. In northern France, other terms for this type of dance included "ronde" and its diminutives "rondet", "rondel", and "rondelet" from which the more modern music term " ...
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Circle Dance
Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation. Being probably the oldest known dance formation, circle dancing is an ancient tradition common to many cultures for marking special occasions, rituals, strengthening community and encouraging togetherness. Circle dances are choreographed to many different styles of music and rhythms. Modern circle dance mixes traditional folk dances, mainly from European or Near Eastern sources, with recently choreographed ones to a va ...
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