Naïve (record Label)
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Naïve (record Label)
Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A ''naïve'' may be called a ''naïf''. Etymology In its early use, the word ''naïve'' meant "natural or innocent", and did not connote ineptitude. As a French adjective, it is spelled ''naïve'', for feminine nouns, and ''naïf'', for masculine nouns. As a French noun, it is spelled ''naïveté''. It is sometimes spelled "naïve" with a diaeresis, but as an unitalicized English word, "naive" is now the more usual spelling. "naïf" often represents the French masculine, but has a secondary meaning as an artistic style. “Naïve” is pronounced as two syllables, in the French manner, and with the stress on the second one. Culture The naïf appears as a cultural type in two main forms. On the one hand, there is 'the satirical naïf, such as Candid ...
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Experience
Experience refers to conscious events in general, more specifically to perceptions, or to the practical knowledge and familiarity that is produced by these conscious processes. Understood as a conscious event in the widest sense, experience involves a subject to which various items are presented. In this sense, seeing a yellow bird on a branch presents the subject with the objects "bird" and "branch", the relation between them and the property "yellow". Unreal items may be included as well, which happens when experiencing hallucinations or dreams. When understood in a more restricted sense, only sensory consciousness counts as experience. In this sense, experience is usually identified with perception and contrasted with other types of conscious events, like thinking or imagining. In a slightly different sense, experience refers not to the conscious events themselves but to the practical knowledge and familiarity they produce. In this sense, it is important that direct perceptual c ...
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Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly li ...
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The Idiot
''The Idiot'' ( pre-reform Russian: ; post-reform rus, Идиот, Idiót) is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal ''The Russian Messenger'' in 1868–69. The title is an ironic reference to the central character of the novel, Prince Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a singular individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. Joseph Frank describes ''The Idiot'' as "the most personal of all Dostoevsky's major works, the book in which he embodies his ...
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