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Naziploitation
Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title (which set the standards of the genre) is a Canadian production, ''Ilsa, She Wolf of the SS'' (1974). Its surprise success and that of ''Salon Kitty'' and ''The Night Porter'' led European filmmakers, mostly in Italy, to produce similar films, with just over a dozen being released over the next few years. Globally exported to both cinema and VHS, the films were critically attacked and heavily censored, and the sub-genre all but vanished by the end of the seventies. In Italy, these films are known as part of the "il sadiconazista" cycle, which were inspired by such art- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bestia In Calore
''La Bestia in calore'' () is a 1977 Italian exploitation film starring Macha Magall, and directed, written, and edited by Luigi Batzella. Plot A beautiful yet nefarious female SS officer/doctor, Ellen Kratsch (Magall), creates a genetic, incubus-like mutant human beast (Baccaro) in a castle in occupied Europe. The beast is a rapacious, squat sex fiend, which she uses to torture and molest female prisoners as part of a new medical experiment. The dwarfish beast is kept on a diet of mega-aphrodisiacs. In addition to the beast, as the Nazis battle a local insurgency, male and female captives are stripped naked and forced to endure various torture and interrogation, including electric shocks, systematic rape by the beast, finger-nail pulling, castration, and beatings. During the film's climax, the partisans attack the castle, and Kratsch is given to the beast in revenge. Cast * Macha Magall as Dr. Ellen Kratsch * Gino Turini as Drago (as John Brawn) * Edilio Kim as Capt. Hardin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Orgy Of The Third Reich
''Gestapo's Last Orgy'' ( it, 'L'ultima orgia del III Reich, lit=Last Orgy of the Third Reich) is an Italian Nazi exploitation film directed and co-written by Cesare Canevari and starring Daniela Poggi. Plot The film begins with a man named Conrad von Starke driving down a road, listening to a war crimes trial on the radio. He stops the car and exits at the ruins of an old death camp. There he meets Lise Cohen. It is revealed that Lise is a former prisoner of the camp and that the man, Conrad, is the former Commandant who has arranged to meet her several years after the end of World War II. He thanks her for the testimony that she provided at his war crimes trial, which saved him from certain death and helped him integrate into the new West Germany. After touring the ruins of the camp, Lise and von Starke make love. Lise has a flashback to the time she spent at the camp during the war. A shipment of female prisoners arrives. Some are immediately sent to the gas chamber and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lebensborn (film)
Lebensborn e.V. (literally: "Fount of Life") was an SS-initiated, state-supported, registered association in Nazi Germany with the stated goal of increasing the number of children born who met the Nazi standards of "racially pure" and "healthy" Aryans, based on Nazi eugenics (also called "racial hygiene" by some eugenicists). Lebensborn was established by Heinrich Himmler, and provided welfare to its mostly unmarried mothers, encouraged anonymous births by unmarried women at their maternity homes, and mediated adoption of children by likewise "racially pure" and "healthy" parents, particularly SS members and their families. The Cross of Honour of the German Mother was given to the women who bore the most Aryan children. Abortion was legalised (and, more commonly, endorsed) by the Nazis for disabled and non-Germanic children, but strictly punished otherwise. Initially set up in Germany in 1935, ''Lebensborn'' expanded into several occupied European countries with Germanic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Käutner
Helmut Käutner (25 March 1908 – 20 April 1980) was a German film director active mainly in the 1940s and 1950s. He entered the film industry at the end of the Weimar Republic and released his first films as a director in Nazi Germany. Käutner is relatively unknown outside of Germany, although he is considered one of the best filmmakers in German film history. He was one of the most influential film directors of German post-war cinema and became known for his sophisticated literary adaptations. He was born in Düsseldorf, Germany. Käutner started out as a director in the Nazi era, but his films remained largely free of Nationalsocialist propaganda. One of his early successes was ''Romanze in Moll'' (1943), an adaptation of Guy du Maupassant’s short story “Les Bijoux". Other remarkable films were '' Große Freiheit Nr. 7'' and ''Under the Bridges''. His 1956 film '' Der Hauptmann von Köpenick'' was nominated for the Best Foreign Language Film at the 29th Academy Award ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Des Teufels General
''The Devil's General'' (german: Des Teufels General) is a 1955 black and white West German film based on the play of the same title by Carl Zuckmayer. The film features Curd Jürgens as General Harras, Marianne Koch, Viktor de Kowa, Karl John, Eva Ingeborg Scholz, and Harry Meyen. It was shot at the Wandsbek Studios in Hamburg. The film's sets were designed by the art directors Albrecht Becker and Herbert Kirchhoff. Plot Nazi Germany in 1941. The title character is ''Luftwaffe'' General Harras, a highly decorated World War I veteran contemptuous of the Third Reich and the World War II attempt to conquer Europe. Initially courted by '' SS'' officials, he continually mocks the Nazi leadership, which leads to friends turning into enemies and suspicion from ''SS'' and Gestapo of what may be treason. He is temporarily arrested by order of Heinrich Himmler and, after his release, is determined to break his deal with the devil. He backs the sabotage action of his flight engineer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, '' Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Damned (1969 Film)
german: Die Verdammten , image_size = , alt = , caption = American film poster , director = Luchino Visconti , producer = Ever HaggiagAlfred Levy , writer = Nicola BadaluccoEnrico MedioliLuchino Visconti , screenplay = , story = , based_on = , starring = , narrator = , music = Maurice Jarre , cinematography = Pasqualino De SantisArmando Nannuzzi , editing = Ruggero Mastroianni , studio = PraesidensPegaso CinematograficaItal-Noleggio CinematograficoEichberg-Film , distributor = Ital-Noleggio Cinematografico Warner Bros.-Seven Arts , released = , runtime = 154 minutes , country = ItalyWest Germany , language = EnglishGerman , budget = $2 million , gross = 2,638,507 admissions (France)$1.2 million ''The Damned''; german: Die Verdammten, lit=The Damned. The Italian title ''La caduta degli dei'' is the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedophilia
Pedophilia ( alternatively spelt paedophilia) is a psychiatric disorder in which an adult or older adolescent experiences a primary or exclusive sexual attraction to prepubescent children. Although girls typically begin the process of puberty at age 10 or 11, and boys at age 11 or 12, criteria for pedophilia extend the cut-off point for prepubescence to age 13. According to DSM-5-TR, a person must be at least 16 years old, and at least five years older than the prepubescent child, for the attraction to be diagnosed as pedophilic disorder. Pedophilia is distinguished from pedophilic disorder in the current version of the ''Diagnostic and Statistical Manual of Mental Disorders'' (DSM-5-TR) . The DSM-5-TR defines it as a paraphilic disorder involving intense and recurrent sexual urges, fantasies or behaviors about prepubescent children that have either been acted upon or which cause the person with the attraction distress or interpersonal difficulty. Similar to DSM-5-TR, the IC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germany, Year Zero
''Germany, Year Zero'' ( it, Germania anno zero) is a 1948 film directed by Roberto Rossellini, and is the final film in Rossellini's unofficial war film trilogy, following ''Rome, Open City'' and ''Paisà''. ''Germany Year Zero'' takes place in Allied-occupied Germany, unlike the others, which take place in German-occupied Rome and during the Allied invasion of Italy, respectively. As in many neorealist films, Rossellini used mainly local, non-professional actors. He filmed on locations in Berlin and intended to convey the reality in Germany the year after its near total destruction in World War II. It contains dramatic images of bombed out Berlin and of the human struggle for survival following the destruction of Nazi Germany. When explaining his ideas about realism in an interview, he said, "realism is nothing other than the artistic form of truth." Plot Twelve-year-old Edmund Köhler lives in devastated, Allied-occupied Berlin with his ailing, bedridden father and his ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Rossellini
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, producer, and screenwriter. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as '' Rome, Open City'' (1945), ''Paisan'' (1946), and ''Germany, Year Zero'' (1948). Early life Rossellini was born in Rome. His mother, Elettra ( née Bellan), was a housewife born in Rovigo, Veneto, and his father, Angiolo Giuseppe "Peppino" Rossellini, who owned a construction firm, was born in Rome from a family originally from Pisa, Tuscany. His mother was of partial French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy. Rossellini's father built the first cinema in Rome, the "Barberini", a theatre where movies could be projected, granting his son an unlimited free pass; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome, Open City
''Rome, Open City'' ( it, Roma città aperta, also released as ''Open City'') is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei, Celeste Negarville and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini's "Neorealist Trilogy", followed by '' Paisan'' (1946) and '' Germany, Year Zero'' (1948). ''Open City'' is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d'Or at the 1946 Cannes Film Festival and being nominat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
