Nazi Control Of Music
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Nazi Control Of Music
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" ('' Gleichschaltung'') by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles. The primary concerns of these organizations was to exclude Jewish composers and musicians from publishing and performing music, and to prevent the public exhibition of music considered to be "Jewish", "anti-German", or otherwise "degenerate", while at the same time promoting the work of favored "Germanic" composers, such as Richard Wagner and Anton Bruckner. These works were believed to be positive contributions to the ''Volksgemeinschaft'', or German folk community. The Nazis promoted Aryan ideologies through heavy censorship and cultural control, blacklisting Jewish compositions, banning specific concert hall performances, and controlling radio content in order to pro ...
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Richard Strauss (1864–1949) Um 1914 © Wilhelm Willinger (1879–1943)
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben'', ''Symphonia Domestica'', and ''An Alpine Symphony''. His first opera to achieve international fame was '' Salome'' which used a ...
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