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Navahodads
Navahodads were a roots rock band formed in 1995 by singer-songwriter and guitarist, Brendan Kibble, previously of The Bam Balams with Karl Bergersen on bass, Tim Denny on drums and Michael Maunsell on lead guitar. The Navahodads released two albums, ''Mumbo Gumbo'' (1995) and ''Madame Mojo's'' (1998). The band's sound was described as Texas R&B, swamp rock, soul, and rock.Encyclopedia of Australian Rock and Pop by Ian McFarlane Interest generated by their first album saw them tour Spain in 1996. For the tour they released a Spanish only single, "If It's Rockin' (Don't Bother Knockin')", on the Spanish label Louie Records. The band split up in 2003 when Kibble moved to the United States. The band had recorded an album's worth of new material in 2003, which to date remains unreleased. A critic summarised, "Imagine Buddy Guy on a road trip, swinging by Tony Joe White's place, calling on Doug Sahm, and they all go to party in New Orleans...that's the vibe of the Navahodads." Dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brendan Kibble
Brendan Kibble aka "Wig" (born 16 October 1963) is an Australian singer, songwriter, and guitarist. He is best known for his work with Australian bands The Bam Balams and Navahodads and the American bands The Texreys and The Go Wows. Musical history Kibble's first bands were the Brisbane punk rock outfits Alphabet Children (1979–80) (vocals), Flying Squad (1980–81) (vocals, guitar), Vampire Lovers (1981) (guitar) and The Horde (1982) (vocals, guitar). After playing in The Horde, in 1983 he briefly played guitar in a line up of the Brisbane band The Headstones.Who's Who of Australian Rock by Chris Spencer In 1984 Kibble left Brisbane for Sydney, where he formed the Bam Balams , who released an album, an EP, and six singles. The Bam Balams split in 1992. Over the next few years, he acted as producer for several Pyramidiacs records: the "Krunch!" EP (1993), the "Solo Una Vez" EP (1993) and the ''All You Want'' LP (1994) (which he also played guitar on). In 1994 he started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louie Louie
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a standard in pop and rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Afro-Cuban influence on American popular music. "Louie Louie" tells, in simple verse–chorus form, the first-person story of a Jamaican sailor returning to the island to see his lover. Historical significance The "remarkable historical impact" of "Louie Louie" has been recognized by organizations and publications worldwide for its influence on the history of rock and roll. A partial list (see #Recognition and rankings, Recognition and rankings table below) includes the Rock and Roll Hall of Fame, the Grammy Hall of Fame Award, Grammy Hall of Fame, National Public Radio, VH1, ''Rolling Stone'' Magazine, the National Endowment f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bam Balams
Bam Balams were an Australian rock band which formed in 1984 and disbanded in 1992. They were led by singer-songwriter and guitarist, Brendan "Wig" Kibble (ex- Vampire Lovers). The group issued one album, ''Genuine Rock & Roll Medicine Show'' (Green Fez, 1988), an EP and six singles. Their records did well in the Australian independent charts but they did not appear on the ARIA Charts. They toured nationally but did not perform overseas. History Bam Balams were formed in Sydney in April 1984 with the line-up of Brendan "Wig" Kibble (ex- Vampire Lovers) on lead vocals and guitar; Dave Stead on guitar and backing vocals; Steve Cole on bass guitar and backing vocals; and Matt Manchester on drums, backing vocals. Dave Stead left the band in 1985, and was replaced by Brad Fitzpatrick. The group got their name from a track on '' Supersnazz'' (1969) by the Flamin' Groovies, and are referred to as Bambas by fans. Their influences included Gene Vincent, Johnny Burnette, Tony Joe White, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Rock
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s, including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), p. 1327 Because ''roots music'' (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music. After a further decline, the 2000s saw a new interest in "roots" music. One proof of that is the specific Grammy Award given since 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swamp Rock
Swamp rock is a genre of rock music that originated in the mid-1960s as a fusion of rockabilly and soul music with swamp blues, country music and funk. The genre originated in Louisiana by artists such as Tony Joe White, but was subsequently popularized by California band Creedence Clearwater Revival. Characteristics Swamp rock fuses rockabilly and soul music with swamp blues, country music and funk. Swamp blues provided swamp rock with its defining guitar sound, which was low toned and often reverberated. The sound also frequently uses horns, due to its soul influence, although solos are more commonly performed on guitars. Also contributing influence to the sound of swamp rock was the hard, guitar-driven sound of British Invasion bands, as well as country blues, Cajun music and New Orleans rhythm and blues. The genre's lyrics are often "dark and menacing", drawing from young Americans' dissatisfaction with the political establishment, as well as environmentalist concerns. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Rock
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s, including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), p. 1327 Because ''roots music'' (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music. After a further decline, the 2000s saw a new interest in "roots" music. One proof of that is the specific Grammy Award given since 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swamp Rock
Swamp rock is a genre of rock music that originated in the mid-1960s as a fusion of rockabilly and soul music with swamp blues, country music and funk. The genre originated in Louisiana by artists such as Tony Joe White, but was subsequently popularized by California band Creedence Clearwater Revival. Characteristics Swamp rock fuses rockabilly and soul music with swamp blues, country music and funk. Swamp blues provided swamp rock with its defining guitar sound, which was low toned and often reverberated. The sound also frequently uses horns, due to its soul influence, although solos are more commonly performed on guitars. Also contributing influence to the sound of swamp rock was the hard, guitar-driven sound of British Invasion bands, as well as country blues, Cajun music and New Orleans rhythm and blues. The genre's lyrics are often "dark and menacing", drawing from young Americans' dissatisfaction with the political establishment, as well as environmentalist concerns. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Guy
George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a session guitarist at Chess Records and began a musical partnership with blues harp virtuoso Junior Wells. Guy has won eight Grammy Awards and a Lifetime Achievement Award, the National Medal of Arts, and the Kennedy Center Honors. Guy was ranked 23rd in ''Rolling Stone'' magazine's " 100 Greatest Guitarists of All Time". His song "Stone Crazy" was ranked 78th in the ''Rolling Stone'' list of the "100 Greatest Guitar Songs of All Time". Clapton once described him as "the best guitar player alive". In 1999, Guy wrote the book ''Damn Right I've Got the Blues'', with Donald Wilcock. His autobiography, ''When I Left Home: My Story'', was publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Joe White
Tony Joe White (July 23, 1943 – October 24, 2018), nicknamed the Swamp Fox, was an American singer-songwriter and guitarist, best known for his 1969 hit "Polk Salad Annie" and for "Rainy Night in Georgia", which he wrote but which was first made popular by Brook Benton in 1970. He also wrote "Steamy Windows" and "Undercover Agent for the Blues", both hits for Tina Turner in 1989; those two songs came by way of Turner's producer at the time, Mark Knopfler, who was a friend of White. "Polk Salad Annie" was also recorded by Joe Dassin, Elvis Presley, and Tom Jones. Biography Tony Joe White was the youngest of seven children who grew up on a cotton farm near Oak Grove, West Carroll Parish, Louisiana, United States. His song "Old Man Willis" takes place in West Carroll Parish. He first began performing music at school dances, and after graduating from high school he performed in night clubs in Texas and Louisiana. 1960s–1970s In 1967, White signed with Monument Records, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doug Sahm
Douglas Wayne Sahm (November 6, 1941 – November 18, 1999) was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with " She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s. Sahm began singing at age five and learned to play the steel guitar at age six. He was considered a child prodigy on the instrument. By the age of eight, he had appeared on the ''Louisiana Hayride''. He made his recording debut as "Little Doug" in 1955, and was influenced by rock and roll during his teenag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
