Nativity Of The Virgin (Pietro Lorenzetti)
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Nativity Of The Virgin (Pietro Lorenzetti)
The ''Nativity of the Virgin'' is a painting by the Italian late medieval painter Pietro Lorenzetti, dating from around 1335–1342, now housed in the Museo dell'Opera del Duomo of Siena, Italy. History The painting originally decorated the altar of St. Sabinus in the Cathedral of Siena, and had been commissioned as part of a cycle of four altarpieces dedicated to the city's patrons saints ( St. Ansanus, St. Sabinus of Spoleto, St. Crescentius and St. Victor) during 1330–1350. These included the ''Annunciation with St. Margaret and St. Ansanus'' by Simone Martini and Lippo Memmi, the '' Presentation at the Temple'' by Ambrogio Lorenzetti (1342, altar of St. Crescentius), and a ''Nativity'', now disassembled, attributed to Bartolomeo Bulgarini from 1351 (altar of St. Victor). All the paintings should represent stories of the Life of the Madonna, and were crowned by Duccio di Buoninsegna's ''Maestà''. Description The work is a triptych A triptych ( ; from the Greek adjec ...
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Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he may ...
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Triptych
A triptych ( ; from the Greek language, Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three Wood carving, carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the easter ...
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Paintings In The Collection Of The Museo Dell'Opera Del Duomo (Siena)
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Gothic Paintings
Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken by the Crimean Goths, also extinct **Gothic alphabet, one of the alphabets used to write the Gothic language **Gothic (Unicode block), a collection of Unicode characters of the Gothic alphabet Art and architecture *Gothic art, a Medieval art movement *Gothic architecture *Gothic Revival architecture (Neo-Gothic) **Carpenter Gothic **Collegiate Gothic **High Victorian Gothic Romanticism *Gothic fiction or Gothic Romanticism, a literary genre Entertainment * ''Gothic'' (film), a 1986 film by Ken Russell * ''Gothic'' (series), a video game series originally developed by Piranha Bytes Game Studios ** ''Gothic'' (video game), a 2001 video game developed by Piranha Bytes Game Studios Modern culture and lifestyle *Goth subculture, a music-cultu ...
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Paintings By Pietro Lorenzetti
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1340s Paintings
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1330s Paintings
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Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ...
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Joachim
Joachim (; ''Yəhōyāqīm'', "he whom Yahweh has set up"; ; ) was, according to Christian tradition, the husband of Saint Anne and the father of Mary, the mother of Jesus. The story of Joachim and Anne first appears in the Biblical apocryphal Gospel of James. His feast day is 26 July, a date shared with Saint Anne. In Christian tradition The story of Joachim, his wife Anne (or Anna), and the miraculous birth of their child Mary, the mother of Jesus, was told for the first time in the 2nd-century apocryphal infancy-gospel the Gospel of James (also called Protoevangelium of James). Joachim was a rich and pious man, who regularly gave to the poor. However, Charles Souvay, writing in the ''Catholic Encyclopedia'', says that the idea that Joachim possessed large herds and flocks is doubtful. At the temple, Joachim's sacrifice was rejected, as the couple's childlessness was interpreted as a sign of divine displeasure. Joachim consequently withdrew to the desert, where he fasted and ...
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Geometrical Perspective
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Lu ...
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Maestà (Duccio Di Buoninsegna)
Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine Mosaics. ''Maria Regina'' is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child. In the West, the image seems to have developed, based perhaps on Byzantine precedents such as the coin of Constantine's Empress Fausta, crowned and with their sons on her lap and on literary examples, such as Flavius Cresconius Corippus's celebration of Justin II's coronation in 565. Paintings depicting the ''Maestà'' came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centu ...
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Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ...
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