Nativity (Lanfranco)
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Nativity (Lanfranco)
The ''Nativity'' or ''Adoration of the Shepherds'') is an oil on canvas painting created around 1606-1607 by the Italian painter Giovanni Lanfranco. It is now in Alnwick Castle, England. Description The Nativity painting illustrates a nocturnal scene, wherein the splendorous newborn Jesus lies in his mother's arms, and illuminates up the surrounding faces of adoring shepherds, men and women, and children. The elder man at the right base is presumed to be Joseph, the husband of Mary. Similar luministic arrangements of this or a similar subject had been painted previously by Correggio and Barocci. It is likely the painting was acquired as part of the ‘Camuccini Collection’, 74 paintings acquired by Algernon Percy, 4th Duke of Northumberland, from Rome in 1856. References Paintings by Giovanni Lanfranco 1600s paintings Lanfranco Lanfranco (active in Modena from c. 1099 to 1110) was an Italian architect. His only known work is the Modena Cathedral. Record of his w ...
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Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia
Vol. 8. New York: Robert Appleton Co ...
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Alnwick
Alnwick ( ) is a market town in Northumberland, England, of which it is the traditional county town. The population at the 2011 Census was 8,116. The town is on the south bank of the River Aln, south of Berwick-upon-Tweed and the Scottish border, inland from the North Sea at Alnmouth and north of Newcastle upon Tyne. The town dates to about AD 600 and thrived as an agricultural centre. Alnwick Castle was the home of the most powerful medieval northern baronial family, the Earls of Northumberland. It was a staging post on the Great North Road between Edinburgh and London. The town centre has changed relatively little, but the town has seen some growth, with several housing estates covering what had been pasture and new factory and trading estate developments along the roads to the south. History The name ''Alnwick'' comes from the Old English ''wic'' ('dairy farm, settlement') and the name of the river Aln. The history of Alnwick is the history of the castle and its ...
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Alnwick Castle
Alnwick Castle () is a castle and country house in Alnwick in the English county of Northumberland. It is the seat of the 12th Duke of Northumberland, built following the Norman conquest and renovated and remodelled a number of times. It is a Grade I listed building now the home of Ralph Percy, 12th Duke of Northumberland and his family. In 2016, the castle received over 600,000 visitors per year when combined with adjacent attraction the Alnwick Garden. History Alnwick Castle guards a road crossing the River Aln. Ivo de Vesci, Baron of Alnwick, erected the first parts of the castle in about 1096. Beatrix de Vesci, the daughter of Yves de Vescy, married the Constable of Chestershire and Knaresborough, Eustace fitz John. By his marriage to Beatrix de Vesci he gained the baronies of Malton and Alnwick. The castle was first mentioned in 1136 when it was captured by King David I of Scotland. At this point it was described as "very strong". It was besieged in 1172 and again i ...
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Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pictoria ...
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Nativity (Correggio)
The ''Nativity'' (also known as ''The Holy Night'' (or La Notte) or as ''Adoration of the Shepherds'') is a painting finished around 1529–1530 by the Italian painter Antonio da Correggio. It is housed in the Gemäldegalerie Alte Meister, Dresden. The work was commissioned from Correggio in October 1522 by Alberto Pratoneri for the family chapel in the church of San Prospero of Reggio Emilia: completed at the end of the decade, it was placed in the chapel in 1530. In a what was considered a minor sacrilege, the painting was absconded in 1640 by duke Francesco I d'Este and taken to his private gallery, it was moved to Dresden in 1746. The artist, following the trail blazed by a number of celebrated works by Titian, interpreted a scene that is fully 'à la chandell' ("of the candle") and produced an outstanding result in the Chiaroscuro treatment of light. The scene pivots around the Child, surrounded by Mary's arms, with a group of shepherds on the left, of which the bearded figu ...
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Federico Barocci
Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' execu ...
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Algernon Percy, 4th Duke Of Northumberland
Admiral Algernon Percy, 4th Duke of Northumberland, (15 December 1792 – 12 February 1865), styled Lord Algernon Percy from birth until 1816 and known as The Lord Prudhoe between 1816 and 1847, was a British naval commander, explorer and Conservative politician. Early life Northumberland was the second son of General Hugh Percy, 2nd Duke of Northumberland, and his second wife Frances Julia, daughter of Peter Burrell. He was educated at Eton and St John's College, Cambridge. Naval career Northumberland entered the Royal Navy in March 1805, aged 12, on board HMS ''Tribune'' and served in the Napoleonic Wars.''Sussex Advertiser'', 14 February 1865, page 4 In 1815, when only 22, he was promoted to captain, taking command of HMS ''Cossack'' in August, and commanding her until she was broken up some 10 months later. The following year, aged 23, he was raised to the peerage as Baron Prudhoe, of Prudhoe Castle in the County of Northumberland (Prudhoe being a town in Northumberlan ...
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Paintings By Giovanni Lanfranco
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1600s Paintings
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