Native Instruments Reaktor
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Native Instruments Reaktor
Reaktor is a graphical modular software music studio developed by Native Instruments (NI). It allows musicians and sound specialists to design and build their own instruments, samplers, effects and sound design tools. It is supplied with many ready-to-use instruments and effects, from emulations of classic synthesizers to futuristic sound design tools. In addition, more than 3000 free instruments can be downloaded from the growing User Library. All of Reaktor's instruments can be freely examined, customized or taken apart; Reaktor is a tool that effectively encourages reverse engineering. The free, limited version called Reaktor Player is software that allows musicians to play NI-released Reaktor instruments, but not edit or reverse-engineer them. Development history Early development In 1996, Native Instruments released Generator version 0.96 - a modular synthesizer for PC, requiring a proprietary audio card for low-latency operation. By 1998, Native Instruments redesigned the ...
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Native Instruments
Native Instruments is a German company that develops, manufactures, and supplies music software and hardware for music production, sound design, performance, and DJing. The company's corporate headquarters and main development facilities are located in Berlin, with additional offices in Los Angeles, Tokyo, London, Paris, and Shenzhen. History Native Instruments as a company was founded in 1999 in Berlin, Germany, where its headquarters are still located. Founders Stephan Schmitt and Volker Hinz began using the name Native Instruments in 1996, when they developed Generator, a modular synth software package (which would later form the foundations for their ongoing product, Reaktor). Following the release of Generator, the company's employees expanded to include Bernd Roggendorf (later a founder of Ableton) and Daniel Haver, who later became Native Instruments' CEO. In 1999, Native Instruments expanded their staff count and moved to their current building in Berlin's Kreuzberg ...
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Digital Performer
Digital Performer is a digital audio workstation and music sequencer software package published by Mark of the Unicorn (MOTU) of Cambridge, Massachusetts for the Apple Macintosh and Microsoft Windows platforms. Ancestry In 1984, Mark of the Unicorn released ''Professional Composer'', one of the first application programs for the Apple Macintosh. The program used the Macintosh's high-resolution graphics and printing to allow the user to print professional quality music scores. In 1985, the company released a music sequencer named ''Performer'', also based on the Macintosh platform, for arranging and performing with synthesizers and other devices which recognized the then-newly developed MIDI standard. Sending a series of numerical values, such a sequencer could direct many instruments, commanding which notes to play, at what loudness, and for how long to sustain them. There are many deep features in the MIDI protocol; MOTU developed extended capabilities in Digital Performer fo ...
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List Of Music Software
This is a list of software for creating, performing, learning, analyzing, researching, broadcasting and editing music. This article only includes software, not services. For streaming services such as iHeartRadio, Pandora, Prime Music, and Spotify, see Comparison of on-demand streaming music services. For storage, uploading, downloading and streaming of music via the cloud, see Comparison of online music lockers. This list does not include discontinued historic or legacy software, with the exception of trackers that are still supported. For example, the company Ars Nova produces music education software, and its software program Practica Musica has remnants of the historic Palestrina software. Practica will be listed here, but not Palestrina. If a program fits several categories, such as a comprehensive digital audio workstation or a foundation programming language (e.g. Pure Data), listing is limited to its top three categories. Types of music software CD ripping software * B ...
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Comparison Of Audio Synthesis Environments
Software audio synthesis environments typically consist of an audio programming language (which may be graphical) and a user environment to design/run the language in. Although many of these environments are comparable in their abilities to produce high-quality audio, their differences and specialties are what draw users to a particular platform. This article compares noteworthy audio synthesis environments, and enumerates basic issues associated with their use. Subjective comparisons Audio synthesis environments comprise a wide and varying range of software and hardware configurations. Even different versions of the same environment can differ dramatically. Because of this broad variability, certain aspects of different systems cannot be directly compared. Moreover, some levels of comparison are either very difficult to objectively quantify, or depend purely on personal preference. Some of the commonly considered subjective attributes for comparison include: * Usability (how dif ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Plug-in (computing)
In computing, a plug-in (or plugin, add-in, addin, add-on, or addon) is a software component that adds a specific feature to an existing computer program. When a program supports plug-ins, it enables customization. A theme or skin is a preset package containing additional or changed graphical appearance details, achieved by the use of a graphical user interface (GUI) that can be applied to specific software and websites to suit the purpose, topic, or tastes of different users to customize the look and feel of a piece of computer software or an operating system front-end GUI (and window managers). Purpose and examples Applications may support plug-ins to: * enable third-party developers to extend an application * support easily adding new features * reduce the size of an application by not loading unused features * separate source code from an application because of incompatible software licenses. Types of applications and why they use plug-ins: * Digital audio workstation ...
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Ableton Live
Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available in three editions: Intro (with limited key features), Standard, and Suite. History Ableton Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s. Henke left Ableton in 2016 to concentrate on Monolake. Behles and Henke met while studying programming at the Technical University of Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake. Henke and Behles identified a ...
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Cubase
Cubase is a digital audio workstation (DAW) developed by Steinberg for music and MIDI recording, arranging and editing. The first version, which was originally only a MIDI sequencer and ran on the Atari ST computer, was released in 1989. Cut-down versions of Cubase are included with almost all Yamaha audio and MIDI hardware, as well as hardware from other manufacturers. These versions can be upgraded to a more advanced version at a discount. Operation Cubase can be used to edit and sequence audio signals coming from an external sound source and MIDI, and can host VST instruments and effects. It has a number of features designed to aid in composition, such as: *Chord Tracks: Helps the user keep track of chord changes, and can optionally be used to harmonize audio and MIDI tracks automatically, as well as trigger arpeggios and chords with basic voicings or voicings for piano and guitar. Chords can be either entered manually or detected automatically. *Expression Maps: Adds a lane ...
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Steinberg
Steinberg Media Technologies GmbH (trading as Steinberg) is a German musical software and hardware company based in Hamburg. It develops music writing, recording, arranging, and editing software, most notably Cubase, Nuendo, and Dorico. It also designs audio and MIDI hardware interfaces, controllers, and iOS/ Android music apps including Cubasis. Steinberg created several industry standard music technologies including the Virtual Studio Technology (VST) format for plug-ins and the ASIO (Audio Stream Input/Output) protocol. Steinberg has been a wholly owned subsidiary of Yamaha since 2005. History The company was founded in 1984 by Karl Steinberg and Manfred Rürup in Hamburg. As early proponents and fans of the MIDI protocol, the two developed Pro 16, a MIDI sequencing application for the Commodore 64 and soon afterwards, Pro 24 for the Atari ST platform. The ST had built-in MIDI ports which helped to quickly increase interest in the new technology across the music world. In ...
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Pseudocode
In computer science, pseudocode is a plain language description of the steps in an algorithm or another system. Pseudocode often uses structural conventions of a normal programming language, but is intended for human reading rather than machine reading. It typically omits details that are essential for machine understanding of the algorithm, such as variable declarations and language-specific code. The programming language is augmented with natural language description details, where convenient, or with compact mathematical notation. The purpose of using pseudocode is that it is easier for people to understand than conventional programming language code, and that it is an efficient and environment-independent description of the key principles of an algorithm. It is commonly used in textbooks and scientific publications to document algorithms and in planning of software and other algorithms. No broad standard for pseudocode syntax exists, as a program in pseudocode is not an executa ...
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Digital Signal Processing
Digital signal processing (DSP) is the use of digital processing, such as by computers or more specialized digital signal processors, to perform a wide variety of signal processing operations. The digital signals processed in this manner are a sequence of numbers that represent samples of a continuous variable in a domain such as time, space, or frequency. In digital electronics, a digital signal is represented as a pulse train, which is typically generated by the switching of a transistor. Digital signal processing and analog signal processing are subfields of signal processing. DSP applications include audio and speech processing, sonar, radar and other sensor array processing, spectral density estimation, statistical signal processing, digital image processing, data compression, video coding, audio coding, image compression, signal processing for telecommunications, control systems, biomedical engineering, and seismology, among others. DSP can involve linear or nonli ...
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