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National Theatre Of Bahrain
The National Theatre of Bahrain ( ar, مسرح البحرين الوطني, also known as the Bahrain National Amphitheatre) is a waterfront building complex situated in Manama next to the Bahrain National Museum, and consists of a main 1001-seat auditorium and a smaller 150-seat flexible studio theatre. Opened on 12 November 2012 and costing $50 million, the theatre encompasses an area of making it the third largest theatre in the Middle East. Construction Plans for the construction of a new theatre originated in 2003 but had been delayed due to unknown reasons. The establishment of a new and larger theatre would alleviate pressure on the aging 670-seat Cultural Hall theatre, which had struggled with hosting theatrical events during the Spring of Culture programs. In December 2007, the Works and Housing Ministry officially launched the project, having unveiled a conceptual design and scheduled construction to begin in June 2008 and to be completed by June 2010. Unknown reasons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manama
Manama ( ar, المنامة ', Bahrani Arabic, Bahrani pronunciation: ) is the capital and largest city of Bahrain, with an approximate population of 200,000 people as of 2020. Long an important trading center in the Persian Gulf, Manama is home to a very diverse population. After periods of Portuguese Empire, Portuguese and Persian control and invasions from the ruling dynasties of House of Saud, Saudi Arabia and House of Al Said, Oman, Bahrain established itself as an sovereign state, independent nation in 1971 after a period of British hegemony. Although the current twin cities of Manama and Muharraq appear to have been founded simultaneously in the 1800s, Muharraq took prominence due to its defensive location and was thus the capital of Bahrain until 1923. Manama became the mercantile capital and was the gateway to the main Bahrain Island. In the 20th century, Bahrain's oil wealth helped spur fast growth and in the 1990s a concerted diversification (marketing strategy), d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabian Nights
''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainment''. The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Egyptian, Sanskrit, Persian, and Mesopotamian literature. Many tales were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work ( fa, هزار افسان, lit. ''A Thousand Tales''), which in turn relied partly on Indian elements. Common to all the editions of the ''Nights'' is the framing device of the story o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshoi Ballet
The Bolshoi Ballet is an internationally renowned classical ballet company based at the Bolshoi Theatre in Moscow, Russia. Founded in 1776, the Bolshoi is among the world's oldest ballet companies. In the early 20th century, it came to international prominence as Moscow became the capital of Soviet Russia. The Bolshoi has been recognised as one of the foremost ballet companies in the world. It has a branch at the Bolshoi Ballet Theater School in Joinville, Brazil. History The earliest iteration of the Bolshoi Ballet can be found in the creation of a dance school for a Moscow orphanage in 1773. In 1776, dancers from the school were employed by Prince Pyotr Vasilyevich Urusov and English theatrical entrepreneur Michael Maddox to form part of their new theatre company. Originally performing in privately owned venues, they later acquired the Petrovsky Theatre, which, as a result of fires and erratic redevelopment, would later be rebuilt as today's Bolshoi Theatre. While some guest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamad Bin Isa Al-Khalifa
Hamad bin Isa bin Salman Al Khalifa ( ar, حمد بن عيسى بن سلمان آل خليفة '; 28 January 1950) is King of Bahrain since 14 February 2002, after ruling as Emir of Bahrain from 6 March 1999. He is the son of Isa bin Salman Al Khalifa, the previous and first emir. The country has been ruled by the Al Khalifa dynasty since 1783. Early life and education Hamad bin Isa Al Khalifa was born on 28 January 1950 in Riffa, Bahrain. His parents were Isa bin Salman Al Khalifa, then Crown Prince, and Hessa bint Salman Al Khalifa. After attending Manama secondary school in Bahrain, Hamad was sent to England to attend Applegarth College in Godalming, Surrey before taking a place at The Leys School in Cambridge. Hamad then underwent military training, first with the British Army at Mons Officer Cadet School at Aldershot in Hampshire, graduating in September 1968. Four years later, in June 1972, Hamad attended the United States Army Command and General Staff Colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Bahrain
The King of the Kingdom of Bahrain ( ar, ملك مملكة البحرين) is the monarch and head of state of Bahrain. The House of Khalifa has been the ruling family since 1783. Between 1783 and 1971, the Bahraini monarch held the title of hakim, and, from 1971 until 2002, the title of emir. On 14 February 2002, the emir of Bahrain, Hamad bin Isa Al Khalifa, declared Bahrain a kingdom and proclaimed himself the first king. The king enjoys wide ranging powers, which include appointing the prime minister and the cabinet, holding supreme command over the Defence Force, chairing the Higher Judicial Council, appointing the parliament's upper house and dissolving its elected lower house. List of rulers Hakims of Bahrain (1783–1971) The Arabic title of the Hakim, as transliterated, was ''Hakim al-Bahrayn'' ( en, Caretaker of Bahrain). The Hakim also held the honorific title of sheikh. Emirs of Bahrain (1971–2002) The Arabic title of the Emir, as transliterated, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra Pit
An orchestra pit is the area in a theater (usually located in a lowered area in front of the stage) in which musicians perform. Orchestral pits are utilized in forms of theatre that require music (such as opera and ballet) or in cases when incidental music is required. The conductor is typically positioned at the front of the orchestral pit facing the stage. Construction In the pit, the walls are specially designed to provide the best possible acoustics, ensuring that the sound of the orchestra flows through the entire venue without overwhelming the performance on stage. Many orchestra pits are also designed to have reasonably low decibel levels, allowing musicians to work without fears of damaging their hearing. Typically, a small platform in the pit accommodates the conductor, so that he or she can be seen by all of the musicians, who may sit in chairs or on bleachers, depending on the design of the pit. All sorts of musicians sit here, from the conductor to the bass player. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rake (theatre)
A rake or raked stage is a theatre stage that slopes upwards, away from the audience. Such a design was typical of English theatre in the Middle Ages and early Modern era, and improves the view and sound for spectators. It also helps with the illusion of perspective: when features of the scenery are made to align with a notional vanishing point beyond the rear of the stage, the rake supports the illusion. These elements of scenery are termed ''raking pieces''. Raked seating refers to seating which is positioned on an upwards slope away from the stage, in order to give those in the audience at the back a better view than if the seats were all on the same level. Calculating incline The slope of the rake is measured by the number of horizontal units it takes for one vertical unit measured in the direction of the slope, or by the equivalent percentage. A rake of one horizontal unit to one vertical unit (1 in 1) would give an angle of 45° from the horizontal. Rakes of 1 in 18 (5. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thousand And One Arabian Nights
''One Thousand and One Nights'' ( ar, أَلْفُ لَيْلَةٍ وَلَيْلَةٌ, italic=yes, ) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the ''Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainment''. The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Egyptian, Sanskrit, Persian, and Mesopotamian literature. Many tales were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work ( fa, هزار افسان, lit. ''A Thousand Tales''), which in turn relied partly on Indian elements. Common to all the editions of the ''Nights'' is the framing device of the story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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