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National Theatre (Mannheim)
The Mannheim National Theatre (german: Nationaltheater Mannheim) is a theatre and opera company in Mannheim, Germany, with a variety of performance spaces. It was founded in 1779 and is one of the oldest theatres in Germany. History In the 18th century Mannheim was the capital of the Electoral Palatinate and the residence city of the reigning prince-electors. When Charles Theodore also became the Duke of Bavaria in 1777, he moved to Munich and brought the theatre company of Theobald Marchand with him from Mannheim. In 1778 he instructed the courtier Wolfgang Heribert von Dalberg—the brother of Prince-Elector and Grand Duke Karl Theodor von Dalberg—to establish a new theatre in Mannheim. At first Dalberg contracted Abel Seyler's theatre company with performing in Mannheim on an occasional basis from 1778 to 1779. Performances included Shakespeare plays such as '' Hamlet'' and ''Macbeth''. In the autumn of 1779 Seyler moved permanently to Mannheim with the remaining m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannheim Nationaltheater Fassade 2005
Mannheim (; Palatine German: or ), officially the University City of Mannheim (german: Universitätsstadt Mannheim), is the second-largest city in the German state of Baden-Württemberg after the state capital of Stuttgart, and Germany's 21st-largest city, with a 2020 population of 309,119 inhabitants. The city is the cultural and economic centre of the Rhine-Neckar Metropolitan Region, Germany's seventh-largest metropolitan region with nearly 2.4 million inhabitants and over 900,000 employees. Mannheim is located at the confluence of the Rhine and the Neckar in the Kurpfalz (Electoral Palatinate) region of northwestern Baden-Württemberg. The city lies in the Upper Rhine Plain, Germany's warmest region. Together with Hamburg, Mannheim is the only city bordering two other federal states. It forms a continuous conurbation of around 480,000 inhabitants with Ludwigshafen am Rhein in the neighbouring state of Rhineland-Palatinate, on the other side of the Rhine. Some northe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Robbers
''The Robbers'' (', ) is the first drama by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim, Germany, and was inspired by Leisewitz' earlier play ''Julius of Taranto''. It was written towards the end of the German ''Sturm und Drang'' ("Storm and Stress") movement, and many critics, such as Peter Brooks, consider it very influential in the development of European melodrama. The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi's opera of the same name, '' I masnadieri''. Plot and description The plot revolves around the conflict between two aristocratic brothers, Karl and Franz Moor. The charismatic but rebellious student Karl is deeply loved by his father. The younger brother, Franz, who appears as a cold, calculating villain, plots to wrest away Karl's inheritance. As the play unfolds, both Franz's motives and Karl's innocence and heroism are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerhard Weber (architect)
Gerhard Weber (11 June 190917 March 1986) was a German architect and lecturer. Weber was a student of Mies van der Rohe and is associated with the Bauhaus school. Weber was born in Mylau. Between 1955 and 1974 he was a professor for architecture at the Technical University of Munich. Considered one of the leading post-war architects in Germany, his architectural estate is today being maintained by the Bauhaus Archive. At the 1957 São Paulo Art Biennial Weber was awarded the prize as best theatre architect. He died in Berg. Notable works * Broadcasting House Dornbusch * Hamburg State Opera * Mannheim National Theatre * (Broadcasting House of the Deutschlandfunk) *Market Hall, Frankfurt * August Thyssen-Hütte headquarters, Duisburg * (Research Reactor of the Technical University Munich, in Garching) *his private residence "Weber Villa", Allmannshausen (a district of Berg Berg may refer to: People *Berg (surname), a surname (including a list of people with the name) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Cannabich
Johann Christian Innocenz Bonaventura Cannabich (28 December 1731 (bapt.) – 20 January 1798), was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School. Biography Background Christian Cannabich was born in Mannheim, the third child of Martin Friedrich Cannabich (1690–1773), a flautist, oboist and music teacher at the Mannheim court. Cannabich's father was the personal flute teacher of the Prince elector Carl Theodor which in itself created fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Stamitz
Johann Wenzel Anton Stamitz (Czech: Jan Václav Antonín Stamic; 18 June 1717 – 27 March 1757) was a Bohemian composer and violinist. His two surviving sons, Carl and Anton Stamitz, were composers of the Mannheim school, of which Johann is considered the founding father. His music is stylistically transitional between Baroque music, Baroque and Classical period (music), Classical periods. Life Stamitz was born in Havlíčkův Brod, Deutschbrod, Kingdom of Bohemia, Bohemia, into a family that came from Marburg (today Maribor, Slovenia). Stamitz spent the academic year 1734–1735 at the Charles University in Prague, University of Prague. After only one year, he left the university to pursue a career as a violin virtuoso. His activities during the six-year period between his departure from the university in 1735 and his appointment in Mannheim around 1741 are not precisely known. He was appointed by the Mannheim court in 1741 or 1742. Most likely, his engagement there result ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Maid Of Orleans (play)
''The Maid of Orleans'' (german: Die Jungfrau von Orleans, links=no, ) is a tragedy by Friedrich Schiller, premiered on 11 September 1801 in Leipzig. During his lifetime, it was one of Schiller's most frequently-performed pieces. Plot The play loosely follows the life of Joan of Arc. It contains a prologue introducing the important characters, followed by five acts. Each dramatizes a significant event in Joan's life. Up to act 4 the play departs from history in only secondary details (e.g. by having Joan kill people in battle, and by shifting the reconciliation between the Armagnacs and the Burgundians from 1435 to 1430). Thereafter, however, the plot is entirely free. Joan is about to kill an English knight when, on removing his helmet, she at once falls in love with him, and spares him. Blaming herself for what she regards as a betrayal of her mission, then, when at Reims she is publicly accused of sorcery, she refuses to defend herself, is assumed to be guilty, and dismissed fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioacchino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Tell (play)
''William Tell'' (german: Wilhelm Tell, ) is a drama written by Friedrich Schiller in 1804 in literature, 1804. The story focuses on the legendary Swiss people, Swiss marksman William Tell as part of the greater Swiss struggle for independence from the House of Habsburg, Habsburg Empire in the early 14th century. Gioachino Rossini's four-act opera ''Guillaume Tell'' was written to a French language, French adaptation of Schiller's play. Composition The play was written by Friedrich Schiller between 1803 and 1804, and published that year in a first edition of 7000 copies.''Tell-Freilichtspiele Interlaken''. Since its publication, Schiller’s ''William Tell'' has been translated into many languages. Friedrich Schiller (who had never been to Switzerland, but was well informed, being a historian) was inspired to write a play about the legendary Swiss marksman William Tell by his wife Lotte, who knew the country from her personal experience. After his friend, Johann Wolfgang Goeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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