National Sculpture Museum (Valladolid)
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National Sculpture Museum (Valladolid)
The "National Museum of Sculpture" is a museum in Valladolid, Spain, belonging to the Spanish Ministry of Culture. The museum has an extensive sculptural collection ranging from the Middle Ages to the 19th century. The collections come mostly from churches and monasteries in the Region of Castile, whose pieces of religious art were confiscated by the State in 1836, by order of Minister of Finance Mendizábal. Other parts of the collections come from particular donations, deposits or acquisitions by the State. The museum was founded as the Provincial Museum of Fine Arts on 4 October 1842. It had its first headquarters at the Palacio de Santa Cruz. On 29 April 1933 it was moved to the Colegio de San Gregorio. Other current seats are in the 16th-century ''Palacio de Villena'' and ''Palacio del Conde de Gondomar'' The museum houses works from the 13th to 19th centuries, executed mostly in the Central Spain, and also in other regions historically connected to Spain (Italy, Fland ...
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Colegio De San Gregorio
The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum. This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century). Among other sections highlights its courtyard and its facade for its refined decoration, elegant proportions and the number of symbologies. It was founded as a teaching institution. Aimed at College of Theology for Dominican friars, it has acquired a doctrinal authority and acted as a spiritual and political hotbed in the Central region of Spain's Renaissance and Baroque periods. History The University of Valladolid was founded in the 13th-century during the Alfonso X of Castile the Wise's reign; as in other countries, the eme ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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Felipe Bigarny
Felipe Bigarny (c. 1475 – 10 November 1542), also known as Felipe Vigarny, Felipe Biguerny or Felipe de Borgoña, etc. and sometimes referred to as ''El Borgoñón'' (the Burgundian), was a sculptor born in Burgundy (France) but who made his career in Spain and was one of the leading sculptors of the Spanish Renaissance. He was also an architect. His work shows Flemish, Burgundian, and Italian Renaissance influences. He gained great prestige working in various parts of Spain which led to his becoming the master sculptor and carver of the Burgos Cathedral. He also played a role in creating many important works for the Crown of Castile, simultaneously operating several studios, and thus became quite wealthy. Biography Youth Born in Langres, Burgundy around 1475, Bigarny arrived in Italy as a youth and appears to have studied in Rome. As a result, Italian Renaissance influences can be found even in his early Gothic sculptural work. Life in Spain In 1498, at about the age o ...
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Diego Siloe
Diego Siloe (anglicized) or Diego de Siloé (c. 1495–1563) was a Spanish Renaissance architect and sculptor, progenitor of the Granadan school of sculpture. He developed the majority of his work in Andalusia. Biography Siloe was most likely the son of the Spanish-Flemish Gothic sculptor Gil de Siloé. He spent the first part of his artistic career (1519–1528) in his birthplace, Burgos, where he worked principally as a sculptor. The works of de Siloé combine the Italian Renaissance style that he had studied on a visit to Naples around 1517 with the influences of the Spanish Gothic and of Arab architecture in Spain. The gilded staircase of the Burgos Cathedral (1519) is his most important work of this period. Its well-proportioned, round and airy structure with sculptures of cherubs, coats of arms, and vegetal ornamentation, occupies an entire wall of the cathedral. With this design, Siloe resolved the problem that the Coronería door of the Cathedral, situated in the north a ...
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Jorge Inglés
Jorge Inglés (''fl'' c. 1450) was a painter and illuminator who was active in Castile in the mid–15th century. Biography His birth and death dates are unknown. On the basis of his name, which means 'English', it is believed that Inglés' birthplace may have been in England. From his style it has been inferred that the artist possibly trained in the Low Countries. The only documentary evidence on this painter is the codicil to a will of Íñigo López de Mendoza, 1st Marquis of Santillana, dated 6 June June 1455. The codicil records that prior to June 1455 the Marquis commissioned Jorge Inglés to paint the ''Altarpiece of the Gozos de Santa María'' or ''of the Marquis of Santillana'' for the chapel of the Castle of Buitrago del Lozoya. The altarpiece is regarded as the earliest Hispano-Flemish painting in Spain.
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Charles V, Holy Roman Emperor
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (Crown of Castile, Castile and Crown of Aragon, Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Kingdom of Germany, Germany to Kingdom of Italy (Holy Roman Empire), northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Habsburg Spain, Spain with its southern Italy, southern Italian possessions of Kingdom of Naples, Naples, Kingdom of Sicily, Sicily, and Kingdom of Sardinia, Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-live ...
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Thomas Willeboirts Bosschaert
Thomas Willeboirts Bosschaert (1613 – 23 January 1654) was a Dutch Republic-born Flemish Baroque painter. Biography Willeboirts Bosschaert was born in Bergen op Zoom, where his Catholic family had moved in the late sixteenth century. He moved to Antwerp in 1628, and entered the studio of Gerard Seghers for eight years. In 1636 or 1637 he became an Antwerp citizen and joined the Guild of St. Luke. He died in Antwerp. Art Willeboirts' style was heavily influenced by Anthony van Dyck, both in history and portrait, leading some scholars to suggest that Willeboirts might have studied in that studio. The artist ran his own studio with at least nine known pupils, and collaborated with other artists of the time such as Daniel Seghers, Paul de Vos, Jan Fyt, Jan van den Hoecke, Frans Snyders, and Adriaen van Utrecht, as well as with Peter Paul Rubens on the decoration series for Philip IV of Spain's ''Torre de la Parada'' (1636–1638). Between 1641 and 1647 he also worked for the Dutch ...
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Diego Valentín Díaz
Diego Valentín Díaz (died 1660) was a Spanish historical painter and a familiar of the Holy Office. He was a native of Valladolid Valladolid () is a municipality in Spain and the primary seat of government and de facto capital of the autonomous community of Castile and León. It is also the capital of the province of the same name. It has a population around 300,000 peop .... Díaz painted many important pictures for churches and monasteries, especially for the church of San Benito, now a barrack, and the convents of St. Jerome and of St. Francis, of which the ''Jubilee of the Porciuncula'' in the latter house was one of the most esteemed. His ''Holy Family'', painted for San Benito, is now in the Museum at Valladolid; but his best work was the altar-piece representing the ''Annunciation of the Virgin'' painted for the Hospital for Orphan Girls which he founded at Valladolid. The architecture and perspective are in the finest style, and the statues introduced are admirably ...
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Juan De Roelas
Juan de Roelas, de las Roelas or Ruela (c. 1570, in Flanders – 1625, in Olivares) was a Flemish painter whose entire documented career took place in Spain. He played a major role in the transition from Mannerist to Baroque painting in Spain. Life Details about the life of the artist are scarce and largely uncertain. Accepted opinion about his life, including his birth in Seville, was overturned in the year 2000 when a Spanish scholar demonstrated that early biographers had mixed up the painter with a contemporary Carmelite canon with the same name who was a native of Seville. The revised view is that the painter Juan de Roelas was not a native of Seville, but was a native of Flanders. The documentary evidence for this was found in two notarial documents which show the presence of a Flemish painter named Juan de Flandes, along with his father, in Valladolid in 1594 (the accepted opinion placed the painter's presence in this city at a later date, somewhere from 1598 to 1 ...
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Luis Egidio Meléndez
Luis Egidio Meléndez (1716–1780) was a Spanish painter. Though he received little acclaim during his lifetime and died in poverty, Meléndez is recognized as the greatest Spanish still-life painter of the 18th century. His mastery of composition and light, and remarkable ability to convey the volume and texture of individual objects enabled him to transform the most mundane of kitchen fare into powerful images. Life Luis Egidio Meléndez de Rivera Durazo y Santo Padre was born in Naples in 1716 to Francisco Meléndez de Rivera Diaz (1682 – after 1758) and Maria Josefa Durazo y Santo Padre Barrille. Meléndez's father, a miniaturist painter from Oviedo,Martin, p. 76 had moved to Madrid with his older brother, the portrait painter Miguel Jacinto Meléndez (1679–1734) in pursuit of artistic instruction.Tufts, p. 10 Whereas Miguel remained in Madrid to study and became a painter in the court of Philip V of Spain, Francisco left for Italy in 1699 to seek greater artistic ...
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Gregorio Martínez
Gregorio is a masculine given name and a surname. It may refer to: Given name * Gregorio Conrado Álvarez (1925–2016), Uruguayan army general and de facto President of Uruguay from 1981 until 1985 * Gregorio Álvarez (historian) (1889–1986), Argentine historian, physician and writer * Gregorio S. Araneta (1869–1930), Filipino lawyer, businessman and nationalist * Gregorio Benito (1946–2020), Spanish retired footballer * Gregorio C. Brillantes, Filipino writer * Gregorio di Cecco (c. 1390–after 1424), Italian painter * Gregório Nunes Coronel (c. 1548–c. 1620), Portuguese theologian, writer and preacher * Gregorio Cortez (1875–1916), Mexican-American tenant farmer and folk hero * Gregorio De Gregori (), printer in Renaissance Venice * Gregorio del Pilar (1875–1899), Philippine Revolutionary Forces general during the Philippine Revolution and the Philippine–American War * Gregorio De Ferrari (c. 1647–1726), Italian painter * Gregorio López (writer) (1895–1 ...
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Antonio Moro
Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 – 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as Antonio Moro, António Mouro, Anthony More, etc., but signed most of his portraits as Anthonis Mor. Mor developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez. It can include considerable psychological penetration, especially in portraits of men, but always gives the subject a grand and self-possessed air. Early life and education Mor was born in Utrecht, Netherlands, by some estimation between 1516 and 1520. Little is known about his early life, except that his artistic education commenced under Jan van Scorel. His earliest known work is a portrait which ...
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