National Ballet Of China
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National Ballet Of China
The National Ballet of China (NBC), known in China as the Central Ballet Troupe was founded on 31 December 1959. It is the national ballet company of the People's Republic of China. The ballet company works from the Tianqiao Theater, this was specifically built for NBC in 1959, and it was renovated in 2001. This theatre is one of a handful of such theatres in China that specialize in ballet and opera performances. History In 1954, the first ballet school in China, Beijing Dance School, was established, and in the following years ballets such as ''Swan Lake'' and ''Romeo and Juliet (Prokofiev), Romeo and Juliet'' were performed. Later in 1959 the National Ballet of China was founded as the Experimental Ballet Company of the Beijing Dance School. Two persons made their mark on both the school and the company - Dai Ailian who was the principal of the school and one of the ballet company directors, and Pyotr Gusev who instituted the Russian training system that formed the technical ...
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Ballet Scene At The Great Hall Of The People Attended By President And Mrs
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ...
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Li Chengxiang
Li Chengxiang (; 1 October 1931 – 14 December 2018) was a Chinese ballet dancer, choreographer and educator. He was best known as one of the choreographers of '' Red Detachment of Women'', one of the most influential ballets of China. He served as Director of the National Ballet of China and received the Lifetime Achievement Award by the China Dancers Association. Biography Li was born 1 October 1931 in Harbin, Heilongjiang province in Japanese-occupied Northeast China. He joined the Communist Party of China in March 1961. Together with Jinag Zuhui () and Wang Xixian (), Li choreographed the ballet '' Red Detachment of Women'', based on the popular 1961 film of the same name. It became one of the most influential ballets of China, now considered a "red classic". He also choreographed the ballet Mermaid. He created or co-created the ballets ''Ode to Yimeng'', ''Lin Daiyu'', ''Yang Guifei'', ''The Silk Road'', ''Goddess of Luo'', ''The Cowherd and the Weaver Girl'', among ot ...
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Pas De Quatre
''Grand Pas de Quatre'' is a ''ballet divertissement'' choreographed by Jules Perrot in 1845, on the suggestion of Benjamin Lumley, Director at Her Majesty's Theatre, to music composed by Cesare Pugni. On the night it premiered in London (12 July 1845), it caused a sensation with the critics and the public alike. The reason for this was that it brought together, on one stage, the four greatest ballerinas of the time – in order of appearance, Lucile Grahn, Carlotta Grisi, Fanny Cerrito, and Marie Taglioni. (The fifth great Romantic ballerina of the time, Fanny Elssler, had been invited to take part but declined to do so; she was replaced by the young Lucile Grahn who accepted without hesitation.) ''Pas de Quatre'' captured the essence of the Romantic style as the ballerinas danced with demure lightness, delicacy, and poise. The steps demand that each area of classical ballet technique is executed. These areas include adagio movements, petite allegro, grand allegro, fast footwor ...
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ...
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La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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The Rite Of Spring
''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography List of classical music concerts with an unruly audience response, caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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The Peony Pavilion
''The Peony Pavilion'' ( zh, t=牡丹亭, s=牡丹亭, p=Mǔdān tíng, w=Mu-tan t'ing), also named ''The Return of Soul at the Peony Pavilion'', is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. The plot was drawn from the short story ''Du Liniang Revives For Love'', and depicts a love story between Du Liniang and Liu Mengmei that overcomes all difficulties. Tang's play diverges from the short story in that it integrates elements of the Ming dynasty, despite being set in the Southern Song. The play was originally written for staging as Kunqu opera, one of the genres of traditional Chinese theatre arts. It was first performed in 1598 at the Pavilion of Prince Teng. Its author, Tang Xianzu, was one of the greatest dramatists and writers in the Ming dynasty, and ''The Peony Pavilion'' can be regarded as the most successful masterpiece in his life. It is also one of the dramas in Tang's famous collection ''Linchuan si meng'' (The Four Dreams in the Jade Tea Hall) ...
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Butterfly Lovers
The Butterfly Lovers is a Chinese legend of a tragic love story of a pair of lovers, Liang Shanbo () and Zhu Yingtai (), whose names form the title of the story. The title is often abbreviated to Liang Zhu (). The story was selected as one of China's Four Great Folktales by the "Folklore Movement" in the 1920s—the others being the Legend of the White Snake (''Baishezhuan''), Lady Meng Jiang, and The Cowherd and the Weaving Maid (''Niulang Zhinü''). Six cities in China have collaborated in 2004 on a formal application for the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity on the legend at UNESCO, submitted in 2006 through the Chinese Ministry of Culture. Legend The legend of Liang Shanbo and Zhu Yingtai is set in the Eastern Jin dynasty (266–420 AD). Zhu Yingtai is the ninth child and only daughter of the wealthy Zhu family of Shangyu, Zhejiang. Although women are traditionally discouraged from taking up scholarly pursuits, Zhu manages to ...
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