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Nata (raga)
Nata (nāṭa) is a rāgam in Carnatic music (musical scale of South Indian classical music), sometimes spelled Nattai. It is a ''janya'' rāgam (derived scale) from the 36th ''melakarta'' scale ''Chalanata''. It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the descending scale. It is a combination of the ''sampurna raga'' scale ''Chalanata'' and the pentatonic scale ''Gambhiranata''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is an auspicious raga, which is mostly sung in the early part of the concert. There is a raaga named Nata in Hindusthani music as well, and another raaga named Shuddha Nat. But they are sung rarely, and have no association with the Nattai of Carnatic Music. Structure of Lakshana ''Nata'' is an ASYMMETRIC rāgam that does not contain ''gandharam'' and ''dhaivatam'' in the descending scale. It is an ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annamacharya
Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) ( IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the earliest known Indian musician to compose songs called ''sankirtanas'' in praise of the Venkateswara, a form of Vishnu. The musical form of the keertana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. Jackson (1999), p. 216. Annamacharya is remembered for his saintly life, and is honoured as a great devotee of Vishnu by devotees and saintly singers. Jackson (1999), p. 265. He is believed to have been the avatar of Nandaka, the sword of Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha (Grandfather of Telugu song-writing). Personal life Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kutti Kunju Thankachi
Kutti is a given name and a surname. Notable people with the name include: * Kutti Revathi (born 1974), Indian lyricist, poet, activist and doctor * Trevian Kutti (fl. 21st century), American publicist and lobbyist See also * * {{given name, type=both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallavi Sesha Iyer
A pallavi has multiple connotations in carnatic music. It is the first part of any formal composition (Krithi) which has three segments - Pallavi, Anupallavi and Charanam (which can be one or more). Pallavi is usually also an abbreviation of Ragam Thanam Pallavi. Other uses Pallavi in Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ... is used as an adjective or a verb with appropriate suffix to denote a small and tender red-coloured leaf of a plant or a tendril. Spokensanskrit.de. Retrieved on 2017-02-23. ...
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Jayachamarajendra Wodeyar
Jayachamarajendra Wadiyar (18 July 1919 – 23 September 1974) was the 25th Maharaja of Mysore from 1940 to 1950, who later served as the governor of Mysore State, Mysore and Madras State, Madras states. Early life Jayachamarajendra Wadiyar was born on 18 July 1919 at Mysore Palace as the only son and the last child of Yuvaraja Kanteerava Narasimharaja Wadiyar and Yuvarani Kempu Cheluvajamanni. He had three elder sisters, ''viz''., Rani Rani Vijaya Devi, Vijaya Devi, Sujayakantha Devi, and Jayachamundi Devi. Jayachamarajendra Wadiyar graduated from Maharaja's College, Mysore, in 1938, earning five awards and gold medals. He was married the same year, on 15 May 1938, to Maharani Satya Prema Kumari at Mysore Palace. He toured Europe during 1939, visiting many associations in London and became acquainted with many artists and scholars. He ascended the throne of the Kingdom of Mysore on 8 September 1940 after the demise of his uncle Maharaja Krishnaraja Wodeyar IV. He married Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viswanatha Sastri
Mayuram Viswanatha Sastri (Tamil: மாயூரம் விஸ்வநாத சாஸ்திரி) (1893–1958) was a Carnatic music composer. His most remembered composition is the patriotic song "Jayathi Jayathi Bharata Mata". Translated "Victory Victory to Mother India", the song has become a standard among classical singers of South India. This song is one of the 18 songs in his book 'Bharat Bhajan' which was published in the year 1948 containing songs in praise of Bharat Matha( Mother India) and Mahatma Gandhi. This book was one among his many publications. Early life and background Sastri was born on 27 November 1893 to Ramaswamy Ganapadigal and Balambal Lakshmi in Therizhandur near Mayuram (also known as Māyavaram, present-day Mayilāduthurai) in Tamil Nadu. He was the second of six children. He was initiated in Sanskrit studies, as was the custom and was put in Sanskrit College at Kalyan Mahal, Thiruvaiyaru. He also studied the vedas simultaneously for some tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palghat Parameswara Bhagavathar
Palghat Parameswara Bhagavathar (1815-1892) was a Carnatic music composer and musician born in Nurani, Kerala, India. His musical talents developed to such an extent that Swati Tirunal had great admiration and confidence in him. Whenever the Maharaja composed songs, the Bhagavathar was made to copy them. He used to practice veena and swarabat along with the Maharaja during his leisure. He also was trained in violin by Vadivelu in the royal court. Swati Tirunal made him the Chief Palace Musician towards the end of his regime after the death of Vadivelu. His compositions are in Sanskrit, resembling those of Swati Tirunal and Dikshitar Dīkṣitars (Tamil: தீக்ஷிதர்) or Thillai Vazh Anthaanar are a Vedic Shaiva Brahmin servitor community of Tamil Nadu who are based mainly in the town of Chidambaram. Smartha (especially the Vadamas), Sri Vaishnava and other .... He composed many Varnams and Keertanams. The Varnam beginning with Sarasijanabha (Natta Raga) i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irayimman Thampi
Iravivarman Thampi, better known as Irayimman Thampi (1782 October 12 - 1856 July 29), was an Indian Carnatic musician, music composer and poet from the Kingdom of Travancore. He was a vocalist in the court of Swathi Thirunal Rama Varma, Swathi Thirunal. His compositions include the lullaby ''Omanathinkal Kidavo'', one of the most popular lullabies in Malayalam. Biography Irayimman Thampi, named Iravivarman Thampi after his grandfather, was born in 1782 at Kottakkakom Kizhake Madom, in Karamana, Travancore to Kerala Varma Thampuran, of the royal family of Cherthala, and Parvathi Pillai Thankachi of the Puthumana Ammaveedu Thampi family, the daughter of Prince Makayiram Thirunal Ravi Varma and niece of the Maharajah Dharma Raja of Travancore royal family. Thampi was brought up by his parents at a house called ''Kizhake Madom'' and after early education from his father, he went under the tutorship of Shankaran Elayathu in grammar, linguistics and Sanskrit literature. He dedicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthiah Bhagavathar
Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''. Early life Muthiah was born on 15 November 1877, in Harikesanallur, a small village in the Tirunelveli district of Tamil Nadu in India, into an affluent Brahmin Tamil family. He was exposed to music from a very early age, as his father was a patron of musicians. He lost his father at the young age of six years, and his maternal uncle M. Lakshmana Suri took over the responsibility for his education, initiating Muthiah into Sanskrit and Vedic studies. However, the love of music that had been implanted in him led Muthiah to leave his hometown of Harikesanallur, Tamil Nadu when he was only ten years in search of a teacher. He found the gifted teacher Padinaindumandapa Sambasiva Iyer at Tiruvarur, who recognised Muthiah's talent for music. Sambasiva Iyer was the father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
