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Nasir Hussain
Mohammad Nasir Hussain Khan (16 November 1926 — 13 March 2002), better known as Nasir Hussain, was an Indian film producer, director, and screenwriter. With a career spanning decades, Hussain has been credited as a major trendsetter in the history of Hindi cinema. For example, he directed ''Yaadon Ki Baraat'' (1973), which created the Hindi language masala film genre that defined Hindi cinema in the 1970s and 1980s, and he wrote and produced ''Qayamat Se Qayamat Tak'' (1988), which set the Hindi language musical romance template that defined Hindi cinema in the 1990s. Akshay Manwani wrote a book on Hussain's cinema titled ''Music, Masti, Modernity: The Cinema of Nasir Husain''. Career Early career Hussain first worked with Qamar Jalalabadi when he joined Filmistan as a writer in 1948. The famous films he wrote for Filmistan include '' Anarkali'' (1953), ''Munimji'' (1955), and ''Paying Guest'' (1957). Filmistan was the breakaway studio from Bombay Talkies; it used mid-budg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhopal
Bhopal (; ) is the capital city of the Indian state of Madhya Pradesh and the administrative headquarters of both Bhopal district and Bhopal division. It is known as the ''City of Lakes'' due to its various natural and artificial lakes. It is also one of the greenest cities in India. It is the 16th largest city in India and 131st in the world. After the formation of Madhya Pradesh, Bhopal was part of the Sehore district. It was bifurcated in 1972 and a new district, Bhopal, was formed. Flourishing around 1707, the city was the capital of the former Bhopal State, a princely state of the British ruled by the Nawabs of Bhopal. Numerous heritage structures from this period include the Taj-ul-Masajid and Taj Mahal palace. In 1984, the city was struck by the Bhopal disaster, one of the worst industrial disasters in history. Bhopal has a strong economic base with numerous large and medium industries operating in and around the city. Bhopal is considered as one of the important fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masala Film
Masala films of Indian cinema mix multiple genres into one work. Masala films emerged in the 1970s and are still created as of the 2020s. Typically these films freely mix action, comedy, romance, and drama or melodrama. They also tend to be musicals that include songs, often filmed in picturesque locations. The genre is named after the masala, a mixture of spices in Indian cuisine. According to ''The Hindu'', masala is the most popular genre of Indian cinema. Masala films have origins in the 1970s, and are common in every major film industry in India. Production of these films are still active in early 2020s. History According to a number of critics and scholars, the masala film was pioneered in the early 1970s by filmmaker Nasir Hussain, along with screenwriter duo Salim–Javed, consisting of Salim Khan and Javed Akhtar. ''Yaadon Ki Baaraat'' (1973), directed by Hussain and written by Salim-Javed, has been identified by many as the first masala film.Kaushik BhaumikAn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dil Deke Dekho
''Dil Deke Dekho'' is a 1959 Indian Hindi romantic comedy film. It was Nasir Hussain's second film as a director after '' Tumsa Nahin Dekha'' (1957), which became a big hit and gave star Shammi Kapoor a new image as a comedic, dancing hero. Hussain and Kapoor reteamed with this film. also in this, Asha Parekh, a former child actress, made her film debut as a heroine. This is also music composer Usha Khanna's first film. The film became a hit at the box office. Hussain, Kapoor, and Parekh would re-team again for ''Teesri Manzil'' (1966), which also became a big hit. Hussain would also cast Parekh as his leading lady in five other films. Shammi Kapoor had said that he had initially wanted Waheeda Rehman and these role were also been offered to actress Sadhana to play his leading lady in the film, but the producer had already signed Asha Parekh, and he encouraged her during filming. The film was released on Asha's 17th birthday. Plot Neeta is an heiress, the only daughter of U.K. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shammi Kapoor
Shammi Kapoor (born Shamsher Raj Kapoor; (pronounced ʌmːi kʌpuːɾ 21 October 1931 – 14 August 2011) was an Indian actor who worked in Hindi cinema. He is the recipient of two Filmfare Awards, winning in the categories of Best Actor for ''Brahmachari'' (1967) and Best Supporting Actor for ''Vidhata'' (1982). In 1995, he was honored with the Filmfare Lifetime Achievement Award. A member of the Kapoor family, he made his film debut with the commercially unsuccessful '' Jeewan Jyoti'' (1953). Following roles in continued box-office flops, he had his breakthrough with ''Tumsa Nahi Dekha'' (1957), which attained him the image of a stylish playboy and dancer, and subsequently gained further recognition with ''Dil Deke Dekho'' (1959). He rose to widespread recognition with the blockbuster hit ''Junglee'' (1961), and went on to become one of the most marketable Bollywood stars throughout the 1960s, appearing in a number of highly successful and popular films, which include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumsa Nahin Dekha (1957 Film)
''Tumsa Nahin Dekha'' (English language, English: ''Saw nobody like you'') is a 1957 Indian Hindi film, Hindi language Romance film, romance drama film, produced by Sashadhar Mukherjee while written and directed by Nasir Hussain, of Filmistan, Filmistan Pvt. Ltd. The film marked Hussain's evolution into a director. He had written films such as ''Munimji'' and ''Paying Guest''. The film was conceived as a star vehicle for its heroine Ameeta, who was the protégée of Filmistan Studios owner Tolaram Jalan. Much care was taken with her make-up, wardrobe and lighting. Much of the film's extensive publicity was also built around the actress. The film's huge success at the box office made the then-struggling Shammi Kapoor an overnight sensation instead. This was the film in which he developed his own individual look and youthful style, and was his first light-hearted musical and its success helped move him to acting in this genre. The film also stars the popular villain and characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sashadhar Mukherjee
Sashadhar Mukherjee (29 September 1909 – 3 November 1990) was an Indian filmmaker in Hindi cinema. He started his career with Bombay Talkies in the 1930s, and later established Filmistan Studio with Rai Bahadur Chunilal (father of music director Madan Mohan), Ashok Kumar and Gyan Mukherjee in 1943. In the 1950s, he went on to start his independent studio, Filmalaya. He is noted for films like ''Dil Deke Dekho'' (1959), ''Love in Simla'' (1960), ''Ek Musafir Ek Hasina'' (1962) and ''Leader'' (1964). He is part of the distinguished Mukherjee clan of Bollywood. He won the Filmfare Award for Best Film in 1956 for ''Jagriti''. In 1967, he was awarded the Padma Shri, India's fourth highest civilian honour by the Government of India. Family Mukherjee was born on 29 September 1909 in Jhansi into an educated, middle-class Bengali Hindu family, the second of four brothers. His father, who belonged to minor gentry, had received an English education and was in government service. The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paying Guest
''Paying Guest'' is a 1957 Bollywood Romance drama film directed by Subodh Mukherjee. The film stars Dev Anand and Nutan along with Shubha Khote. The soundtrack, composed by Sachin Dev Burman, received a degree of popularity and made a lasting impression. The lyrics were written by Majrooh Sultanpuri. ''Paying Guest'' was the second hit film of the team of Mukherjee, Hussain, Dev Anand and S. D. Burman, who had combined two years earlier to make the successful ''Munimji''. Plot An incompetent lawyer Ramesh (Dev Anand) keeps on getting evicted as a tenant due to failure to pay rent, then dons the guise of an old man to gain entry in a house as a tenant, falls for the landlord's daughter Shanti (Nutan), whose best friend Chanchal (Shubha Khote) marries a famous barrister Dayal (Gajanan Jagirdar) for money and who is of her father's age. After marriage Chanchal becomes Shanti's neighbour. Dissatisfied with her marital life, Chanchal becomes jealous of Shanti and Ramesh's love. Sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munimji
''Munimji'' () is a 1955 Indian Hindi-language romantic comedy film starring Dev Anand and Nalini Jaywant, and directed by Subodh Mukherjee. The story idea was by Ranjan, screenplay was by Nasir Hussain and dialogues by Nasir Hussain and Qamar Jalalabadi. Pran played the villain in the film. It also starred Ameeta and Nirupa Roy. The team of Mukherjee, Nasir Hussain, Dev Anand and music director S.D. Burman later got together to produce another movie, ''Paying Guest'', in 1957. The film was loosely adapted in Telugu as '' Inti Guttu'' (1958). Plot Roopa lives a wealthy lifestyle with her widowed dad, Captain Suresh and brother, Shekhar. After she returns from abroad, she is told that she must now prepare to marry her betrothed, Ratan, who is the son of a close friend of Suresh. Everything changes suddenly when Roopa meets a handsome young man, Raj, and they fall in love with each other. Raj then breaks her heart when he tells her that his mother, Malti, who works as a maid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anarkali (1953 Film)
''Anarkali'' is a 1953 Indian historical drama film, directed by Nandlal Jaswantlal, and written by Nasir Hussain and Hameed Butt, based on the historical legend of the Mughal emperor Jahangir (Salim). As per the legend, Jahangir revolted against his father Akbar over his love for a common girl called Anarkali. It was the top grossing Hindi film in the year of its release - 1953. Another film on the same theme was ''Mughal-e-Azam'', released in 1960, which turned out to be one of the biggest box office success in the history of Indian cinema and a major critical success as well. Plot Shahenshah Jalal-ud-din Akbar is the grandson of Babur, and the son of Humayun. He is known to have ruled over Hindustan with a humane and just heart. He knew in order to garner the support of the Hindus, he must treat them sensitively, allow them to worship freely, and in order to maintain this peace, he married Jodha Bai, a Hindu Rajput, the sister of Raja Bhagwant Das. Through this marriage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmistan
Filmistan is an Indian film studio based in Goregaon, Mumbai. Spread over five acres, near Patkar College on S.V. Road, the studio has seven shooting floors, and a temple and garden for outdoor locations. Patkar College's reputation has increased due to this studio. It previously operated as a film production company as well. History Shashadhar Mukherjee, Rai Bahadur Chunilal (father of music director Madan Mohan), Ashok Kumar, and Gyan Mukherjee left Bombay Talkies (Film production company and studio 1934-1953) after the death of director Himanshu Rai and founded Filmistan Studios in 1943. Nasir Hussain, who joined Filmistan in 1948 as a writer, was successful as a screenwriter for films such as ''Anarkali'', ''Munimji'' and ''Paying Guest''. He started film direction with ''Tumsa Nahin Dekha'' and became a successful director. Filmistan produced a number of successful hit movies in the 1940s and 1950s, including hits such as ''Shaheed'' (1948), ''Shabnam'' (1949) and ''S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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