Nashville E9 Tuning
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Nashville E9 Tuning
E9 tuning is a common tuning for steel guitar Neck (guitar), necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 tuning, C6 neck is the one closer to the player. The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day (musician), Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar. Corresponding tunings for a six string lap steel guitar are the E6 tuning E–G–B–C–E–G, or E7 tuning B–D–E–G–B–E. A popular E9 tuning for eight string console steel guitar is the Western swing tuning E–G–B–D–F–G–B–E, low to high and near to far. The standard ''Nashville E9 tuning'' also called the E9 Chromatic Tuni ...
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Nashville Tuning
Nashville tuning may refer to: * E9 tuning on a steel guitar * Nashville tuning (high strung) Nashville or high-strung tuning refers to the practice of replacing the wound E, A, D and G strings on a six-string guitar with lighter gauge strings to allow tuning an octave higher than standard. This is usually achieved by using one string fro ...
, a tuning for a six string guitar {{Disambig ...
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Steel Guitar
A steel guitar ( haw, kīkākila) is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The idea of creating music with a slide of some type has been traced back to early African instruments, but the modern steel guitar was conceived and popularized in the Hawaiian Islands. The Hawaiians began playing a conventional guitar i ...
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Neck (guitar)
The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the violin family, and the mandolin family are examples of instruments which have necks. Necks are also an integral part of certain woodwind instruments, like for instance the saxophone. The word for neck also sometimes appears in other languages in musical instructions. The terms include ''manche'' (French), ''manico'' (Italian), and ''Hals'' (German). Guitar The neck of a guitar includes the guitar's frets, fretboard, tuners, headstock, and truss rod. The wood used to make the fretboard will usually differ from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Strings and tuning), and the ability of the neck to resist bending (see Truss rod) is important to the guita ...
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Console Steel Guitar
The console steel guitar is any type of electric steel guitar that is built in a frame supported by legs. It may be a lap steel or a pedal steel. Console steel guitars are typically heavier instruments that have multiple necks and/or more than six strings per neck and are therefore not manageable on the player's lap. This type of instrument was created when players in the late 1940s needed to play in different keys and with different chords than the lap steel afforded. To do this, they added additional necks (each tuned differently with additional strings) to a lap steel. The player could then easily switch to a different neck on the same instrument, but this made the instrument so heavy and cumbersome that it could not be easily held on the lap. Trying to solve the problem with multiple necks led to the invention of the pedal steel guitar in the 1950s. Console steels are particularly favored in Hawaiian music, especially the twin neck eight string per neck configuration. Don Helm ...
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Pedal Steel Guitar
The pedal steel guitar is a Console steel guitar, console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than any previous steel guitar design. Like all steel guitars, it can play unlimited glissando, glissandi (sliding notes) and deep vibrato, vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Music of Hawaii, Hawaiian music. Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the Steel bar, bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added. From its first use in Hawaii in the 19th century, the steel guitar sound became ...
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C6 Tuning
C6 tuning is one of the most common tunings for steel guitar, both on single and multiple neck instruments. On a twin-neck, the most common set-up is C6 tuning on the near neck and E9 tuning on the far neck. On a six-string neck, for example, on lap steel guitar, C6 tuning is most usually C-E-G-A-C-E, bass to treble and going away from the player. Some other six-string C6 tunings are: * A-C-E-G-C-E. * G-C-G-A-C-E. * E-C-G-A-C-E. * E-G-A-C-E-G. * C-A-C-G-C-E On an eight-string neck, for example, on a console steel guitar, popular C6 tunings are: * ''High'' C6 tuning A-C-E-G-A-C-E-G. * ''Low'' C6 tuning either: ** G-A-C-E-G-A-C-E. ** F-A-C-E-G-A-C-E. On a ten-string neck, typical of pedal steel guitars, a popular C6 tuning is C-F-A-C-E-G-A-C-E-G, adding two bass strings to the ''high'' eight-string tuning, or one string on either side of the F-bass ''low'' tuning. This is sometimes called the "Texas tuning". Another frequent variant is the reentrant Reentrant or re-entrant can r ...
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Jimmy Day (musician)
Jimmy Day (born James Clayton Day; 1934–1999) was an American steel guitarist active in the 1950s and 1960s whose career in country music blossomed about the time the pedal steel guitar was invented after pedals were added to the lap steel guitar. He was a pioneer on pedal steel in the genres of Western swing and Honky Tonk, Honky tonk and his modifications of the instrument's design have become a standard on the modern pedal steel. Day's first job after high school was performing on the Louisiana Hayride as a sideman accompanying developing country artists including Hank Williams, Webb Pierce, Willie Nelson, Jim Reeves, Ray Price (musician), Ray Price and Elvis Presley. He recorded and toured with all these artists and was featured on Hit Records, hit records by of many of them, including Ray Price's, "Crazy Arms" and "Heartaches by the Number". He was a member of Elvis Presley's band for about a year, but, along with fellow bandmate Floyd Cramer, resigned after Presley requested ...
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Ralph Mooney
Ralph Mooney (September 16, 1928 – March 20, 2011) was an American steel guitar player and was inducted into the Steel Guitar Hall of Fame in 1983. He was the original steel guitarist in Haggard's band, the Strangers. A native of Duncan, Oklahoma, Mooney became a key figure in the country music scene around Bakersfield, California. He played on many records associated with the Bakersfield sound, including Wynn Stewart's "Wishful Thinking", Buck Owens' "Under Your Spell Again" and Merle Haggard's " Swinging Doors". He and guitarist James Burton released an instrumental album called ''Corn Pickin' and Slick Slidin in 1968. Mooney played with many other country artists and was a member of Waylon Jennings' band for two decades. Jennings would often transition to Mooney's instrumentals with the lyrics, "Pick it, Moon". Though best known for his instrumental work, Mooney co-wrote "Crazy Arms" with Chuck Seals; the song was Ray Price's first No. 1 country hit in 1956. Mooney sai ...
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Buddy Emmons
Buddy Gene Emmons (January 27, 1937 – July 21, 2015) was an American musician who is widely regarded as the world's foremost pedal steel guitarist of his day. He was inducted into the Steel Guitar Hall of Fame in 1981. Affectionately known by the nickname "Big E", Emmons' primary genre was American country music, but he also performed jazz and Western swing. He recorded with Linda Ronstadt, Gram Parsons, The Everly Brothers, The Carpenters, Jackie DeShannon, Roger Miller, Ernest Tubb, John Hartford, Little Jimmy Dickens, Ray Price (musician), Ray Price, Judy Collins, George Strait, John Sebastian, and Ray Charles and was a widely sought session musician in Nashville and Los Angeles. Emmons made significant innovations to the steel guitar, adding two additional strings and an additional pedal, changes which have been adopted as standard in the modern-day instrument. His name is on a US patent for a mechanism to raise and lower the pitch of a string on a steel guitar and retur ...
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Lap Steel Guitar
The lap steel guitar, also known as a Hawaiian guitar, is a type of steel guitar without pedals that is typically played with the instrument in a horizontal position across the performer's lap. Unlike the usual manner of playing a traditional acoustic guitar, in which the performer's fingertips press the strings against frets, the pitch of a steel guitar is changed by pressing a polished steel bar against plucked strings (from which the name "steel guitar" derives). Though the instrument does not have frets, it displays markers that resemble them. Lap steels may differ markedly from one another in external appearance, depending on whether they are acoustic or electric, but in either case, do not have pedals, distinguishing them from pedal steel guitar. The steel guitar was the first "foreign" musical instrument to gain a foothold in American pop music. It originated in the Hawaiian Islands about 1885, popularized by an Oahu youth named Joseph Kekuku, who became known for playi ...
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Western Swing
Western swing music is a subgenre of American country music that originated in the late 1920s in the Western United States, West and Southern United States, South among the region's Western music (North America), Western string bands. It is dance music, often with an up-tempo beat, which attracted huge crowds to dance halls and clubs in Texas, Oklahoma and California during the 1930s and 1940s until a federal war-time nightclub tax in 1944 contributed to the genre's decline.''Stomping the Blues''. Albert Murray. Da Capo Press. 2000. page 109, 110. , The movement was an outgrowth of jazz. The music is an amalgamation of American roots music, rural, Western music (North America), cowboy, polka, Old-time music, old-time, Dixieland jazz, and blues blended with swing music, swing; and played by a Musical improvisation, hot string band often augmented with drums, saxophones, pianos and, notably, the steel guitar. The electrically amplified stringed instruments, especially the steel g ...
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Reentrant Tuning
On a stringed instrument, a break in an otherwise ascending (or descending) order of string pitches is known as a re-entry. A re-entrant tuning, therefore, is a tuning where the strings (or more properly the courses) are not all ordered from the lowest pitch to the highest pitch (or vice versa). Most common re-entrant tunings have only one re-entry. In the case of the ukulele, for example, the re-entry is between the third and fourth strings, while in the case of the Venezuelan cuatro it is between the first and second strings. Instruments Instruments usually tuned in this way include: * Baroque (5-course) guitar * Five-string banjo * Charango * Cittern * Venezuelan Cuatro * Laouto * Lirone * Mexican Guitarrón * Mexican vihuela * Rajão * Sitar * Theorbo * Tonkori * Soprano and concert ukuleles * Tres Cubano/Cuban Tres Instruments often (but not always) re-entrantly tuned include: * Tenor guitar * Ten string classical guitar * Tenor and Baritone (occasionally) ukuleles ...
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