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Narayana Ninna Namada
Narayana Ninna Namada ( kn, ನಾರಾಯಣಾ ನಿನ್ನ್ ನಾಮದ) is a Kannada composition in Carnatic music by Purandara Dasa in the 16th century. It is set in the Shuddha Dhanyasi raga and the Khanda Chapu tala. It emphasizes the value of reciting God's name. The song is popular and has been performed by many musicians, including M. S. Subbulakshmi, Bombay Jayashri, Sudha Ragunathan, Maharajapuram Santhanam, M. Balamuralikrishna, E. Gayathri, Saindhavi and many others. Composition Pallavi: : Nārāyaṇa ninna nāmada smaraṇeya : Sārāmṛtavu enna nāligege barali (Nārāyaṇa…) Charanam 1: : Kaṣṭadallirali utkṛṣṭadallirali : Eṣṭādaru matigeṭṭu irali : Kṛuṣṇa kṛuṣṇa endu ṣiṣṭaru pēḷuva : Aṣhṭākṣara mahā-mantrada nāmava (Nārāyaṇa…) Charanam Charanam (meaning ''foot'') in Carnatic music (South Indian classical music) is usually the end section of a composition which is sung after the anupallav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandara Dasa
Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuddha Dhanyasi
Udayaravichandrika is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale ). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Closer to ''Udayaravichandrika'' in Hindustani music is '' Dhani'' aka Gaundgiri.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras But Dhani has N2 while Udayaravichandrika N3 in theory. Structure and Lakshana ''Udayaravichandrika'' is a symmetric rāgam that does not contain ''rishabham'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification – ''audava'' meaning 'of five') and is equivalent to the minor pentatonic scale in Western music. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bombay Jayashri
"Bombay" Jayashri Ramnath is an Indian Carnatic vocalist, singer, and musician. She has sung in multiple languages including Tamil, Telugu, Kannada, Malayalam and Hindi movies. Born into a family of musicians, Jayashri represents the fourth generation of music practitioners in her family. Trained by Lalgudi Jayaraman and T.R. Balamani, she was awarded India's fourth highest civilian award, the Padma Shri, in 2021. She has become one of the most sought after Carnatic musicians today. Early life and training Born in Tamil family in Calcutta, Jayashri received her initial training in Carnatic music from her parents, Smt. Seethalakshmy Subramaniam and Shri. N.N. Subramaniam and was later trained by Lalgudi Jayaraman and T R Balamani. She also learned to play the Veena from G. N. Dhandapani Iyer. Jayashri received training in Hindustani Classical Music from K Mahavir Jaipurwale and Ajay Pohankar. She also holds a diploma in Indian Music from the Gandharva Mahavidyalaya, Delhi. Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudha Ragunathan
Sudha Ragunathan is an Indian Carnatic vocalist, singer and composer. She was conferred the Kalaimamani award by the Government of Tamil Nadu in 1994, Padma Shri (2004) and Padma Bhushan (2015) by the Government of India, and Sangeetha Kalanidhi by Madras Music Academy in 2013. Early life and education Sudha Ragunathan (née Sudha Venkatraman) was born in Chennai on 30 April 1956 and later shifted to Bangalore. She did her schooling in Good Shepherd Convent, Chennai. She studied at Ethiraj College, and obtained a postgraduate degree in economics. Musical career Training Sudha Ragunathan received her initial training in Carnatic music from her mother V. Choodamani. From the age of three, she began to learn bhajans, Hindu devotional songs. Her tutelage continued under B. V. Lakshman. In 1977, she received an Indian government scholarship to study music under a doyenne of Carnatic music, Dr. M.L Vasantha Kumari, whose student she remained for thirteen years. Trained under Dr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharajapuram Santhanam
Maharajapuram Santhanam, (20 May 1928-24 June 1992) was an Indian Carnatic music vocalist. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1989. He was born in Sirunangur, a village in the state of Tamil Nadu. He followed the footsteps of his father Maharajapuram Viswanatha Iyer who was also a renowned Carnatic vocalist. Career Besides studying with his father, he was also a disciple of Melattur Sama Dikshitar. Maharajapuram Santhanam was also a distinguished composer. He wrote many songs on Lord Murugan and Kanchi Shankaracharya, Sri Chandrasekarendra Saraswati Swamigal (Maha Periyavar). He was the principal of Ramanathan College in Sri Lanka.Ludwig Pesch, ''The Illustrated Companion to South Indian Classical Music'' (New Delhi: Oxford University Press, 1999), p. 238. Later he came and settled in Chennai. The songs which were popularised by Maharajapuram Santhanam are,"''Bho Shambo''" (Revati), "''Madhura Madhura''" (Bagheshri), both composed by Swami Dayana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saindhavi
Saindhavi is a Carnatic music vocalist and an Indian film playback singer. She has been performing from the age of 12. Personal life Saindhavi married her schoolmate, composer G. V. Prakash Kumar, on 27 June 2013 in Chennai, India. They were in relationship for 12 years before their wedding. The couple have a daughter. Discography Some of Saindhavi's Tamil film songs are listed here. In Telugu, she sang "Maamidi komma ki" in Sekhar Kammula's film ''Avakai Biryani'', "Yedho" in ''Sasirekha Parinayam'', "Premadesam Yuvarani" in Shakti (along with Hemachandra), Sutiga Choodaku in ''Ishq'', a Telugu movie. In Kannada, she sang "Mussanje rangalli" and "Beladingalante minu minuguta" in the movie ''Psycho'', which became a super-hit. She has sung title songs for the TV series ''Idhu oru kaadhal kadhai'', ''Edhir neechal'', ''Chellamay Chellam'' and ''Magalir Mattum''. She is also one of the lead vocalists in the popular series of albums ''Sacred Chants'' by Kosmic Music. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallavi
A pallavi has multiple connotations in carnatic music. It is the first part of any formal composition (Krithi) which has three segments - Pallavi, Anupallavi and Charanam (which can be one or more). Pallavi is usually also an abbreviation of Ragam Thanam Pallavi. Other uses Pallavi in Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ... is used as an adjective or a verb with appropriate suffix to denote a small and tender red-coloured leaf of a plant or a tendril. Spokensanskrit.de. Retrieved on 2017-02-23. ...
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Charanam
Charanam (meaning ''foot'') in Carnatic music (South Indian classical music) is usually the end section of a composition which is sung after the anupallavi. There may be multiple ''charanams'' in a composition which make up different stanzas, but in compositions that do not have an anupallavi, there often exists a ''samrashti charanam'' that combines both the anupallavi and charanam of the composition which directly follows the ''pallavi''. The charana swara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...s are grouped in four different ways: *1st - one tala cycle. *2nd - one tala cycle. *3rd - two long tala cycles *4th - four long tala cycles References Carnatic music terminology {{Carnatic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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