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Naqqali
Persian theater ( fa, تئاتر ایرانی) goes back to Ancient Iran, antiquity. The first initiation of theater and phenomena of acting can be traced in ceremonial theaters to glorify national heroes and legends and to humiliate the enemy, as in the classics "Soug Sivash" and "Mogh Koshi" (Megakhouni). Ancient Persian people, Persian theatre and dance was significantly researched by the Greek historian Herodotus of Halikarnassos, who lived during the Achaemenid Empire, Persian rule in Greece. In his work ''Book IX (Calliope)'', he describes the history of Asian empires and also the Persian wars until 478 BC. Historical Persian theatre These are a few of the dramatic performing arts that became popularized in Iran in 7th century AD, long before the advent of cinema. A few examples include: * Naghali (storytelling) * Ghavali (minstrelsy) * Shahnameh-khaani (singing storytelling performance of the story of Shahnameh) * Rowzeh Khani (mourning performance) * Saye-bazi (shadow p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tazieh2
Ta'zieh ( ar, تعزية; fa, تعزیه; ur, ) means comfort, condolence, or expression of grief. It comes from roots ''aza'' (عزو and عزى) which means mourning. Depending on the region, time, occasion, religion, etc. the word can signify different cultural meanings and practices: *In Iranian cultural reference it is categorized as Condolence Theater or Passion Play inspired by a historical and religious event, the tragic death of Hussein, symbolizing epic spirit and resistance. *In South Asia and in the Caribbean it refers specifically to the Miniature Mausoleums (imitations of the mausoleums of Karbala, generally made of colored paper and bamboo) used in ritual processions held in the month of Muharram. Ta'zieh, primarily known from the Iranian tradition, is a Shia Islam ritual that reenacts the death of Hussein (the Islamic prophet Muhammad's grandson) and his male children and companions in a brutal massacre on the plains of Karbala, Iraq in the year 680 AD. His d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naqqāli
Persian theater ( fa, تئاتر ایرانی) goes back to antiquity. The first initiation of theater and phenomena of acting can be traced in ceremonial theaters to glorify national heroes and legends and to humiliate the enemy, as in the classics "Soug Sivash" and "Mogh Koshi" (Megakhouni). Ancient Persian theatre and dance was significantly researched by the Greek historian Herodotus of Halikarnassos, who lived during the Persian rule in Greece. In his work ''Book IX (Calliope)'', he describes the history of Asian empires and also the Persian wars until 478 BC. Historical Persian theatre These are a few of the dramatic performing arts that became popularized in Iran in 7th century AD, long before the advent of cinema. A few examples include: * Naghali (storytelling) * Ghavali (minstrelsy) * Shahnameh-khaani (singing storytelling performance of the story of Shahnameh) * Rowzeh Khani (mourning performance) * Saye-bazi (shadow plays) * Mirnouroozi (comic play during Nowruz) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tazieh
Ta'zieh ( ar, تعزية; fa, تعزیه; ur, ) means comfort, condolence, or expression of grief. It comes from roots ''aza'' (عزو and عزى) which means mourning. Depending on the region, time, occasion, religion, etc. the word can signify different cultural meanings and practices: *In Iranian cultural reference it is categorized as Condolence Theater or Passion Play inspired by a historical and religious event, the tragic death of Hussein, symbolizing epic spirit and resistance. *In South Asia and in the Caribbean it refers specifically to the Miniature Mausoleums (imitations of the mausoleums of Karbala, generally made of colored paper and bamboo) used in ritual processions held in the month of Muharram. Ta'zieh, primarily known from the Iranian tradition, is a Shia Islam ritual that reenacts the death of Hussein (the Islamic prophet Muhammad's grandson) and his male children and companions in a brutal massacre on the plains of Karbala, Iraq in the year 680 AD. His d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Iran
The history of Iran is intertwined with the history of a larger region known as Greater Iran, comprising the area from Anatolia in the west to the borders of Ancient India and the Syr Darya in the east, and from the Caucasus and the Eurasian Steppe in the north to the Persian Gulf and the Gulf of Oman in the south. Central to this area is Iran, commonly known until the mid-20th century as Persia in the Western world. Iran is home to one of the world's oldest continuous major civilizations, with historical and urban settlements dating back to 7000 BC.People, "New evidence: modern civilization began in Iran", 10 Aug 2007 , retrieved 1 October 2007 The south-western and western part of the |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Revolution
The Iranian Revolution ( fa, انقلاب ایران, Enqelâb-e Irân, ), also known as the Islamic Revolution ( fa, انقلاب اسلامی, Enqelâb-e Eslâmī), was a series of events that culminated in the overthrow of the Pahlavi dynasty under Shah Mohammad Reza Pahlavi, and the replacement of his government with an Islamic republic under the rule of Ayatollah Ruhollah Khomeini, a leader of one of the factions in the revolt. The revolution was supported by various Organizations of the Iranian Revolution, leftist and Islamist organizations. After the 1953 Iranian coup d'état, Pahlavi had aligned with the United States and the Western Bloc to rule more firmly as an authoritarian monarch. He relied heavily on support from the United States to hold on to power which he held for a further 26 years. This led to the 1963 White Revolution and the arrest and exile of Ayatollah Khomeini in 1964. Amidst massive tensions between Khomeini and the Shah, demonstrations began in Octob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qajar Iran
Qajar Iran (), also referred to as Qajar Persia, the Qajar Empire, '. Sublime State of Persia, officially the Sublime State of Iran ( fa, دولت علیّه ایران ') and also known then as the Guarded Domains of Iran ( fa, ممالک محروسه ایران '), was an Iranian state ruled by the Qajar dynasty, which was of Turkic origin,Cyrus Ghani. ''Iran and the Rise of the Reza Shah: From Qajar Collapse to Pahlavi Power'', I. B. Tauris, 2000, , p. 1William Bayne Fisher. ''Cambridge History of Iran'', Cambridge University Press, 1993, p. 344, Dr Parviz Kambin, ''A History of the Iranian Plateau: Rise and Fall of an Empire'', Universe, 2011, p.36online edition specifically from the Qajar tribe, from 1789 to 1925.Abbas Amanat, ''The Pivot of the Universe: Nasir Al-Din Shah Qajar and the Iranian Monarchy, 1831–1896'', I. B. Tauris, pp 2–3; "In the 126 years between the fall of the Safavid state in 1722 and the accession of Nasir al-Din Shah, the Qajars evolved from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siyâvash
Siyâvash ( fa, سیاوش, via Middle Persian Siyâwaxš, from Avestan Syâvaršan) or Siyâvoš or Siavash ( fa, سياووش), is a major figure in Ferdowsi's epic, the ''Shahnameh''. He was a legendary Iranian prince from the earliest days of the Iranian Empire. A handsome and desirable young man, his name literally means "the one with black stallions". Ferdowsi, the author of the Book of Kings, (Shahnameh), names his horse Shabrang Behzād ( fa, شبرنگ بهزاد) literally "night-coloured purebred". As a young man well-versed in the arts of war, he is granted entry to court by his father, Kay Kāvus, the shah of Iran. However, his stepmother, Sudabeh, the Queen of Iran, develops a burning lust for him. Refusing her advances, Siavash will have nothing to do with her stratagems to lure him into intercourse. She fakes a rape and abortion scene and blames the double calamity on Siavash who is forced to prove his innocence by riding through a colossal mountain of fire. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rostam And Sohrab
The tragedy of Rostam and Sohrab forms part of the 10th-century Persian epic ''Shahnameh'' by the Persian poet Ferdowsi. It tells the tragic story of the heroes Rostam and his son, Sohrab.Ebrahimi, Mokhtar & Taheri, Abdollah. (2017). The Tragedy in the Story of Rostam and Sohrab in Ferdowsi's Shahnameh. Journal of History Culture and Art Research. 6. 96. 10.7596/taksad.v6i1.707. Plot Rostam lived in Zabulistan, hero and one of the favorites of King Kaykavous. Once, following the traces of his lost horse, he enters the kingdom of Samangan where he becomes the guest of the king during the search for his horse. There, Rostam meets princess Tahmina. She admires Rostam and knows of his reputation. She goes into his room at night and asks if he will give her a child and in return, she will bring his horse. Rostam leaves after he impregnates Tahmina and his horse is returned. Before he leaves, he gives her two tokens. If she has a girl, she is to take the jewel and plait it in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of The Absurd
The Theatre of the Absurd (french: théâtre de l'absurde ) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence. Etymology Critic Martin Esslin coined the term in his 1960 essay "The Theatre of the Absurd", which begins by focusing on the playwrights Samuel Beckett, Arthur Adamov, and Eugène Ionesco. Esslin says that their plays have a common denominator — the "absurd", a word that Esslin defines with a quotation from Ionesco: "absurd is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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