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Nanon (opera)
''Nanon'' is an operetta by Richard Genée. The libretto was freely adapted from ''Nanon, Ninon et Maintenon'', of Emmanuel Théaulon and Armand d'Artois by Camillo Walzel, F. Zell and R. Genee. 10 March 1877 at the Theater an der Wien in Vienna.Operetta: A Sourcebook, Volume II Robert Ignatius Letellier - 2015- Volume 2 - Page 1328 1443885088 Recording , Heinz Hoppe, Kurt Marschner, Orchester des Nordwestdeutschen Rundfunks Hamburg, Richard Müller-Lamperts / 1955 References 1877 operas Operas Operettas German-language operettas {{German-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Genée
Franz Friedrich Richard Genée (7 February 1823 – 15 June 1895) was a Prussian born Austrian libretto, librettist, playwright, and composer. Life Genée was born in Gdańsk, Danzig. He died at Baden bei Wien. Works He is most famous for the libretto of ''Die Fledermaus'', Johann Strauss II's most famous operetta. He co-wrote the libretto without having met top-billed librettist Karl Haffner, who constructed the new story based on a play by Henri Meilhac and Ludovic Halévy, which was considered too shocking to perform outside Paris. Genée, however, wrote the operetta's actual text and drew nothing from Haffner beyond the names of the characters.Andrew Lamb (writer), Andrew Lamb. Liner Notes, ''Die Fledermaus'', EMI/Angel Records, 1986 One of his best-known works was the libretto of Karl Millöcker's operetta ''Der Bettelstudent'', which he co-wrote with Friedrich Zell (the pseudonym of Camillo Walzel). He also wrote the libretto to Ella Adayevskaya's 1877 opera ''Zarya (op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand D'Artois
Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist, and also Achille d'Artois's brother. Biography Trained for the bar, he first worked as an attorney but the success of his play ''Les Finacés'', in 1808, caused him to devote himself entirely to literature. In 1814, he joined the guards of the king of Belgium, leaving military service after receiving the Legion of Honour in 1818. A very prolific author, he wrote under various collective pseudonyms such as Emmanuel, with Emmanuel Arago, M. Sapajou, with Francis baron d'Allarde and Gabriel de Lurieu. Managing director of the Théâtre des Variétés from 1830 to 1836, he also directed ''Le Nain couleur de rose'', a political, literary and moral newspaper from 15 September 1815 to 5 May 1816 and collaborated with ''La Foudre'' by Alphonse de Beauchamp. His plays were presented on some of the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Walzel
Camillo Walzel (11 February 1829 –17 March 1895) was a German librettist and theatre director, who wrote under the pseudonym F Zell. Life and work Walzel was born in Magdeburg. In his early years, he worked in his father's lithographic factory, then studied at the Academy of Fine Arts Vienna, before joining the army. He later became an editor for a newspaper, then an employee of the Danube Steamship Company in 1856. He became an operetta librettist in the 1860s and eventually, from 1884 to 1889, artistic director of the Theater an der Wien. One of his best-known works was the libretto for Karl Millöcker's operetta ''Der Bettelstudent'', which he co-wrote with his long-term collaborator Richard Genée). His other libretti with Genée included ''Cagliostro in Wien'' (1875), ''Der lustige Krieg'' (1881) and ''Eine Nacht in Venedig'' (1883), all with music by Johann Strauss II. He died in Vienna. Filmography *'' Nanon'', directed by Hanns Schwarz (Germany, 1924, based on the ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinz Hoppe
Heinz Hoppe (26 January 1924 – 7 April 1993) was a German lyric tenor in opera, lied and operetta, who performed internationally. A long-time member of the Hamburg State Opera, he appeared in world premieres. A regular guest also on radio and television, he was one of the most popular tenors of his time. Early life and education Born in Saerbeck, Westphalia, Hoppe grew up in rural Middendorf in the Münsterland. During the Second World War he fought on the Eastern Front and did not return from Soviet captivity to his home country until 1948. He studied voice at the Detmold Conservatory on a scholarship, where Gerd Husler converted him from baritone to tenor. Career Hoppe made his stage debut in 1953 in the title role of Handel's '' Xerxes'' at the Theater Münster. From 1955, he was a member of the Theater Bremen. From 1956 to 1970, he was First Lyrical Tenor at the Hamburg State Opera. He took part in world premieres, in 1960 of Henze's '' Der Prinz von Homburg'', and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Marschner
Kurt Marschner (27 April 1913 – 25 September 1984) was a German operatic tenor and actor. Life and career Born in Krásná Lípa, Marschner trained as a singer at the Dresden Conservatory. He made his debut in Karlsbad (Sudetenland), not far from his native village. From 1942 to 1944 Marschner sang at the opera in German-occupied Oslo. After the end of the war he played in Oldenburg and Frankfurt. In 1949 Marschner joined the Hamburg State Opera where he remained a member of the ensemble for several decades. At this venue he took part in over 4000 performances. In addition to his work on stage, Marschner also appeared in filmed performances beginning in the 1960s: At first he played and sang small parts in works such as ''Fidelio'' and ''The Magic Flute''. In later years Marschner also took over bigger supporting roles such as Balthasar Zorn in Wagner's ''Die Meistersinger von Nürnberg'' and also leading roles such as Orpheus in Offenbach's ''Orpheus in the Underworld''. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Müller-Lamperts
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1877 Operas
Events January–March * January 1 – Queen Victoria is proclaimed ''Empress of India'' by the ''Royal Titles Act 1876'', introduced by Benjamin Disraeli, the Prime Minister of the United Kingdom . * January 8 – Great Sioux War of 1876 – Battle of Wolf Mountain: Crazy Horse and his warriors fight their last battle with the United States Cavalry in Montana. * January 20 – The Conference of Constantinople ends, with Ottoman Empire, Ottoman Turkey rejecting proposals of internal reform and Balkan provisions. * January 29 – The Satsuma Rebellion, a revolt of disaffected samurai in Japan, breaks out against the new imperial government; it lasts until September, when it is crushed by a professionally led army of draftees. * February 17 – Major General Charles George Gordon of the British Army is appointed Governor-General of the Sudan. * March – ''The Nineteenth Century (periodical), The Nineteenth Century'' magazine is founded in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operettas
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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