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Nagarvadhu
Nagarvadhu or Nagar Vadhu (Devanagari: नगरवधू) ("bride of the city") was a tradition followed in some parts of ancient India. Women competed to win the title of a Nagarvadhu, and there was no taboo against the practice. The most beautiful woman, and most talented in various dance forms, was chosen as the Nagarvadhu. A Nagarvadhu was respected, and she was a courtesan; people could watch her dance and sing. A Nagarvadhu's price for a single night's dance was very high, and she was only within the reach of the very rich – the king, the princes, and the lords. Famous Nagarvadhus *Amrapali, state courtesan and Buddhist disciple, described in ''Vaishali Ki Nagarvadhu'' by Acharya Chatursen *Vasantasena, a character in the classic Sanskrit story of '' Mricchakatika'', written in the 2nd century BC by Śūdraka * Madhavi, a character in the classic Tamil story of ''Silappatikaram'', written in tamil by Ilango Adigal See also *Devadasi *Deuki * Ca trù, a similar profes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amrapali
Āmrapālī, also known as "Ambapālika", "Ambapali", or "Amra" was a celebrated ''nagarvadhu'' (royal courtesan) of the republic of Vaishali (located in present-day Bihar) in ancient India around 500 BC. Following the Buddha's teachings, she became an arahant. She is mentioned in the old Pali texts and Buddhist traditions ( āgama sutras), particularly in conjunction with the Buddha staying at her mango grove, ''Ambapali vana'', which she later donated to his order and wherein he preached the famous ''Ambapalika Sutra''. The legend of Amrapali originated in the Buddhist Jataka Tales some 1500 years ago. Early life Amrapali was born around 600-500 BCE, to Mahanama & an unknown mother. Etymologically, the variants on her name derive from a combination of two Sanskrit words: ''amra'', meaning mango, and ''pallawa'', meaning young leaves or sprouts. It is said that she was spontaneously born at the foot of a mango tree in one of the royal gardens in Vaishali — hence her name. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acharya Chatursen
Acharya Chatursen Shastri (26 August 1891 – 2 February 1960) was an Indian writer of Hindi literature. He wrote many historical fictions, including '' Vaishali ki Nagarvadhu'' adapted into a feature film (1948), ''Vayam Rakshamah'' (1951), ''Somnath'' (1954), and ''Dharamputra'' which was adapted into the 1961 feature film of the same name. Biography Acharya Chatursen Shastri was born in a small village Aurangabad Chandok (near Anupshahr) in the Bulandshahr district of Uttar Pradesh state in India on 26 August 1891. His father was Punditt Kewal Ram Thakur and mother was Nanhee Devi. His birth name was Chaturbhuj. Chaturbhuj finished his primary education in a school in Sikandrabad. Then he got admitted to Sanskrit College, Jaipur, Rajasthan. From here he received the degrees of Ayurvedacharya in Ayurveda and Shastri in Sanskrit in the year 1915. He also received the degree of Ayurvedacharya from Ayurveda Vidyapeetha. After finishing his education he came to Delhi to start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesans By Type
Courtesan, in modern usage, is a euphemism for a "kept" mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the court of a monarch or other powerful person. History In European feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' originally meant "to be or reside at court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress (lover), mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the Royal court, court of a monarch or other powerful person. History In European feudalism, feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal Empire, Mughal era. The tawaifs excelled in and contributed to music, dance (mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms and then to the emergence of modern Indian cinema. History The patronage of the Mughal court before and after the Mughal Dynasty in the Doab region and the artistic atmosphere of 16th century Lucknow made arts-related careers a viable prospect. Many girls were taken at a young age and trained in both performing arts (such as Kathak and Hindustani classical music) as well as literature (ghazal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals. Modern geisha are not prostitutes. This misconception originated due to the conflation of Japanese courtesans ({{transliteration, ja, oiran), {{transliteration, ja, oiran reenactors, the extant {{transliteration, ja, tayū, and prostitutes, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma, Vasanthasena (Oleographic Print)
''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the Rigveda, where a ' is a ruler, see for example the ', the "Battle of Ten Kings". Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Pindrawal * the Raja of Morni * the Raja of Rajouri * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Narsinghgarh * the Raja of Pudukkottai * the Raja of Rajgarh * the Raja of Sangli * the Raja of Sailana * the Raja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Courtesans
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Indian Women
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yiji
A ''yiji'' () was a high-class courtesan in ancient China. Yiji were initially not involved in the direct sex trade, but rather were entertainers who performed music and arts, such as poetry, music and singing, to please dignitaries and intellectuals. They were respected and renowned for their art and education in the classics, and were hired to perform to both male and female clients, as well as employed by the state. Though yiji could in individual cases choose to sell sexual favors to a client, this was not a part of her profession as a yiji, but a parallel favor outside of their profession as a yiji and regarded as separated from it. After the establishment of the Qing dynasty in 1644, however, the Yiji were banned from being employed by the state. This made them dependent of the patronage of private clients, which resulted in the development of the profession to prostitution, as male clients started to demand sexual favors in exchange for patronage. A yiji could come from va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kisaeng
Kisaeng (Hangul: 기생, Hanja: 妓生, RR: ''Gisaeng''), also called ginyeo (Hangul: 기녀, Hanja: 妓女), were women from outcast or slave families who were trained to be courtesans, providing artistic entertainment and conversation to men of upper class. First appearing in Goryeo, were the government's legal entertainers, required to perform various functions for the state. Many were employed at court, but they were also spread throughout the country. They were carefully trained and frequently accomplished in the fine arts, poetry, and prose, and although they were of low social class, they were respected as educated artists. Aside from entertainment, their roles included medical care and needlework. play an important role in Korean conceptions of the traditional culture of the Joseon. Although the names of most real have been forgotten, a few are remembered for an outstanding attribute, such as skill or loyalty. The most famous of these is the 16th century Hwang Jini. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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