Nachruf, WAB 81a
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Nachruf, WAB 81a
' ("Obituary"), WAB 81a, is a song composed by Anton Bruckner in 1877 in memory of Joseph Seiberl. The song is better known as its 1886 reissue as ' ("Music, the Comforter"), WAB 81b. History Bruckner composed the song on a text of Heinrich von der Mattig on 19 October 1877 in memory of his friend Joseph Seiberl, who died on 10 June 1877. The piece was performed nine days later by the Liedertafel Sängerbund in the St. Florian Abbey.C. van Zwol, p. 727 The work, of which the original manuscript is stored in the Library of Congress in Washington, was first issued in Band XXIII/2, No. 28a of the '. ''Trösterin Musik'' In 1886 Rudolf Weinwurm asked August Seuffert, editor of the ''Wiener Zeitung'', to write another text to fit to Bruckner's ''Nachruf''. Weinwurm performed the revised setting as ''Trösterin Musik'' with the ''Wiener Akademischer Gesangverein'' in the ''Musikvereinsaal'' on 11 April 1886. The original manuscript is lost. A copy of it is stored in the '' Öste ...
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ...
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Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ...
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1877 Compositions
Events January–March * January 1 – Queen Victoria is proclaimed '' Empress of India'' by the '' Royal Titles Act 1876'', introduced by Benjamin Disraeli, the Prime Minister of the United Kingdom . * January 8 – Great Sioux War of 1876 – Battle of Wolf Mountain: Crazy Horse and his warriors fight their last battle with the United States Cavalry in Montana. * January 20 – The Conference of Constantinople ends, with Ottoman Turkey rejecting proposals of internal reform and Balkan provisions. * January 29 – The Satsuma Rebellion, a revolt of disaffected samurai in Japan, breaks out against the new imperial government; it lasts until September, when it is crushed by a professionally led army of draftees. * February 17 – Major General Charles George Gordon of the British Army is appointed Governor-General of the Sudan. * March – '' The Nineteenth Century'' magazine is founded in London. * March 2 – Compromise ...
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The Singing Statesmen
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archai ...
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