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Nélée Et Myrthis
''Nélée et Myrthis'' (or ''Mirthis'') is a one-act opera by Jean-Philippe Rameau in the form of an '' acte de ballet''. Little is known about its background: the score may be incomplete and it was never staged in Rameau's lifetime. The first known performance took place at the Victoria State Opera, Melbourne, Australia on 22 November 1974. ''Nélée et Myrthis'' may have been intended to form part of a larger '' opéra-ballet'' to be called ''Les beaux jours de l'Amour''. The name of the librettist is unknown but it was probably Rameau's frequent collaborator Louis de Cahusac. Background The original title is now thought to have been ''Mirthis''; the designation ''Nélée et Myrthis'' came about from a misreading of the manuscript. The fact that the character of Mirthis dominates the opera lends credence to this idea. Musicologists now think that Rameau originally intended ''Mirthis'' to be part of a multi-act '' opéra-ballet'' called ''Les beaux jours de l'Amour''. There is so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Jean-Philippe Rameau - Joseph Aved
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuthbert Girdlestone
Cuthbert Morton Girdlestone (17 September 1895 – 10 December 1975) was a British musicology, musicologist and literary scholar. Born in Bovey Tracey, Devon, he was educated at University of Cambridge, Cambridge and the University of Paris, Sorbonne, and thereafter took up the chair in French in Armstrong College, Newcastle, Armstrong College, later to be King's College in Newcastle upon Tyne, Newcastle in 1926, a position he held until 1960. His most famous publications are his much-reprinted study of the Mozart Piano Concertos (1939, published originally in French) and his biography of Jean-Philippe Rameau (1957). Books *Girdlestone, Cuthbert. ''Mozart et ses concertos pour piano.'' Paris, Fischbacher. 1939. **Girdlestone, Cuthbert. ''Mozart and His Piano Concertos''. New York: Dover Publications, 1964. "An unabridged and corrected republication of the second (1958) edition of the work first published in 1948 by Cassell & Company, Ltd., London, under the title Mozart’s Piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Operas
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Philippe Rameau
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jérôme Correas
Jérôme Correas (born 3 August 1966) is a French conductor, harpsichordist and bass baritone. Life Born in Les Lilas, at the age of five Correas began studying the piano. In 1982, he met the great harpsichordist and musicologist Antoine Geoffroy-Dechaume with whom he began studying harpsichord and baroque style. After studying hypokhâgne and khâgne at the Lycée Malherbe in Caen, he obtained a degree in history and a degree in art history at the Sorbonne in 1986, and began singing in parallel with his studies. His meeting with William Christie in 1987 was decisive: he entered the Conservatoire de Paris in his Baroque music class and obtained the first prize, then continued his studies in Xavier Depraz' opera class. A member of the Arts Florissants from 1988 to 1993, he worked in 1991 with René Jacobs at the Studio-Versailles Opéra and was passionate about voice and operatic repertoire. On the advice and recommendation of Régine Crespin, he entered the École d' Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pigmalion (opera)
''Pigmalion'', more commonly today ''Pygmalion'', is an opera in the form of a one-act '' acte de ballet'' by Jean-Philippe Rameau first performed on 27 August 1748 at the Opéra in Paris. The libretto is by Ballot de Sauvot. This work has generally been regarded as the best of Rameau's one-act pieces. He was said to have composed the work in eight days. Roles Synopsis The story is based on the myth of Pygmalion as told in Ovid's ''Metamorphoses''. In Rameau and Ballot de Sauvot's version, the sculptor Pigmalion creates a beautiful statue to which he declares his love. His girlfriend, Céphise, begs for attention; Pigmalion spurns her and entreats the goddess Venus to bring his statue to life. Magically the statue enlivens, sings, and dances; Cupid arrives and praises Pigmalion for his artistry and faith in his powers. Much celebratory dancing and singing follows, attesting to the power of love. Cupid helpfully finds another lover for Céphise. Recordings * ''Pygmalion' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Argos
Argos (; el, Άργος ; grc, label=Ancient and Katharevousa, Ἄργος ) is a city in Argolis, Peloponnese, Greece and is one of the oldest continuously inhabited cities in the world, and the oldest in Europe. It is the largest city in Argolis and a major center for the area. Since the 2011 local government reform it has been part of the municipality of Argos-Mykines, of which it is a municipal unit. The municipal unit has an area of 138.138 km2. It is from Nafplion, which was its historic harbour. A settlement of great antiquity, Argos has been continuously inhabited as at least a substantial village for the past 7,000 years. A resident of the city of Argos is known as an Argive ( , ; grc-gre, Ἀργεῖος). However, this term is also used to refer to those ancient Greeks generally who assaulted the city of Troy during the Trojan War; the term is more widely applied by the Homeric bards. Numerous ancient monuments can be found in the city today. Agriculture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
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