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Nuts And Wine
''Nuts and Wine'' was a theatrical revue, with lyrics by C. H. Bovill and P. G. Wodehouse and music by Frank E. Tours, with additional numbers by Guy Jones and Melville Gideon, from a book by Bovill and Wodehouse. It was performed at the Empire Theatre, London, opening on 3 January 1914. The show closed on 28 March 1914, after a run of 12 weeks. Plot synopsis The revue did not have a coherent plot, its six scenes being linked only by a surreal vision of an England changed beyond recognition and by the appearance in each scene of the character of Mr Punch, as compère: Scene 1 – New Eton Scene 2 — ''New News'' Scene 3 – New ''Mayflower'' Scene 4 – New Ellis Island Scene 5 – New Little Theatre Scene 6 – New Empire Stores Two other scenes—the New Clown and the New Idol—seem to have been dropped before the show opened. Each scene provided a setting for a series of songs and dances, mostly satirising topics of the day, with frequent references to well-kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brinsley Sheridan
Richard Brinsley Butler Sheridan (30 October 17517 July 1816) was an Irish satirist, a politician, a playwright, poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as ''The Rivals'', ''The School for Scandal'', ''The Duenna'' and ''A Trip to Scarborough''. He was also a Whig MP for 32 years in the British House of Commons for Stafford (1780–1806), Westminster (1806–1807), and Ilchester (1807–1812). He is buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the canon and are regularly performed worldwide. Early life Sheridan was born in 1751 in Dublin, Ireland, where his family had a house on then fashionable Dorset Street. His mother, Frances Sheridan, was a playwright and novelist. She had two plays produced in London in the early 1760s, though she is best known for her novel ''The Memoirs of Miss Sidney Biddulph'' (1761). His father, Thomas Sheridan, was for a while an actor-manager at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayard Veiller
Bayard Veiller (January 2, 1869 – January 16, 1943) was an American playwright, screenwriter, producer and film director. He wrote for 32 films between 1915 and 1941. Biography He was born on January 2, 1869, in Brooklyn, New York to Philip Bayard Veiller. He was married to English actress Margaret Wycherly from 1901 to 1922; their son, Anthony Veiller, was also a screenwriter. Veiller first broke into Broadway theatre with ''The Primrose Path'', a play that he wrote and produced. It was a failure and left him broke, although it later served as the basis for the 1920 film, '' Burnt Wings''. His first success as a playwright was '' Within the Law'', a hit on Broadway in 1912-1913. It was later adapted as a movie five times. Veiller continued to write plays as he began screenwriting. His later Broadway hits included ''The Thirteenth Chair'' and ''The Trial of Mary Dugan'', which were adapted as films. The play ''The Thirteenth Chair'' had been licensed for production in Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Within The Law (play)
''Within the Law'' is a play written by Bayard Veiller. It is the story of Mary Turner, a sales clerk who is wrongly accused of stealing and sent to prison. Upon her release, Turner sets up a gang that engages in shady activities that are just "within the law". After the police try to entrap her, she is mistakenly accused again, this time for murder, but she is vindicated when the real killer confesses. Veiller used his experience as a crime reporter to develop the play, but he was initially unable to find a producer for it. He finally settled on selling the rights to the play, along with two others he had written, for a fixed fee. After an unsuccessful run in Chicago, it became a huge hit on Broadway in 1912–1913, running for 541 performances. It was subsequently performed by multiple road companies and adapted as a movie five times. Although it was one of the biggest hits of its era, Veiller got relatively little income from it due to his decision to sell it for a lump sum. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mrs Patrick Campbell
Beatrice Rose Stella Tanner (9 February 1865 – 9 April 1940), better known by her stage name Mrs Patrick Campbell or Mrs Pat, was an English stage actress, best known for appearing in plays by Shakespeare, Shaw and Barrie. She also toured the United States and appeared briefly in films. Early life Campbell was born Beatrice Rose Stella Tanner in Kensington, London, to John Tanner (1829–1895), son and heir of a wealthy British Army contractor to the British East India Company, and Maria Luigia Giovanna ("Louisa Joanna") née Romanini (1836–1908), daughter of Italian Count Angelo Romanini. Her father John Tanner (1829–1895), a descendant of Thomas Tanner, Bishop of St Asaph, was a Consul and merchant who "managed to get through two large fortunes", in part through losses in the Indian Mutiny. Her mother, Louisa Joanna Romanini, was one of the eight daughters of Angelo Romanini of Brescia and Rosa née Polinelli of Milan. Angelo had joined the Carbonari and, as a result ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilkie Bard
Wilkie Bard (born William August Smith) (19 March 1874 – 5 May 1944) was a popular British vaudeville and music hall entertainer and recording artist at the beginning of the 20th century. He is best known for his songs "I Want to Sing in Opera" and "The Night Watchman". Early life Bard was born in Chorlton-cum-Hardy, Manchester, Lancashire. He began as an amateur singer and comedian, aged 21, and his acts included the part of a coon singer"Song on Balcony", ''Sunderland Daily Echo and Shipping Gazette'', 8 August 1939, p. 6. and a character who had a bald head and who wore a black spot on each eyebrow. He also performed in female character roles, specifically with his hit song "I Want to Sing in Opera". Bard had a long career in pantomime and introduced tongue twisters such as "She sells seashells by the seashore", based on a song he performed in the show "Dick Whittington and His Cat" in Drury Lane in 1908. In 1919 he went to America where he performed in vaudeville, making h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Payne
Edmund James "Teddy" Payne (14 December 1863 – 15 July 1914), was an English actor, comedian and singer best known for creating comic roles in a series of extremely successful Edwardian musical comedies. He was often paired with the comic actor George Grossmith, Jr. After about a decade touring and in stock productions, Payne joined the company at the Gaiety Theatre in London, gaining notice for creating a comic character in the musical '' In Town'' (1892). He spent more than two decades at the Gaiety, using his diminutive stature, malleable features, distinctive lisp and comic dance ability to his advantage. His further successes in the 1890s included lovable comic roles in such long-running shows as ''The Shop Girl'' (1894), ''The Circus Girl'' (1896) and ''A Runaway Girl'' (1898). In the new century, he created memorable characters in such hits as ''The Messenger Boy'' (1900), ''The Toreador'' (1902), ''The Orchid'' (1903), ''The Spring Chicken'' (1905), ''The Girls of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Graves (actor)
George Windsor Graves (1 January 1876 – 2 April 1949) was an English comic actor. Although he could neither sing nor dance,"The Comedy Old Man and His Troubles" ''The New York Times'', 3 February 1907 he became a leading comedian in Edwardian musical comedy, musical comedies, adapting the French and Viennese ''opéra-bouffe'' style of light comic relief into a broader comedy popular with English audiences of the period. His comic portrayals did much to ensure the West End theatre, West End success of ''Véronique (operetta), Véronique'' (1904) ''The Little Michus'' (1905; for which he invented the Gazeka), and ''The Merry Widow'' (1907). In addition to musical comedy, operettas and revues, Graves specialised in pantomime and music hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Brotherton Meyer
Frederick Brotherton Meyer (8 April 1847 – 28 March 1929), a contemporary and friend of D. L. Moody and A. C. Dixon, was a Baptist pastor and evangelist in England involved in ministry and inner city mission work on both sides of the Atlantic. Author of numerous religious books and articles, many of which remain in print today, he was described in an obituary as ''The Archbishop of the Free Churches''. Introduction Frederick Meyer was born in London. He attended Brighton College and graduated from the University of London in 1869. He studied theology at Regent's Park College. Meyer was part of the Higher Life movement and preached often at the Keswick Convention. He was known as a crusader against immorality. He preached against drunkenness and prostitution. He is said to have brought about the closing of hundreds of saloons and brothels. While in York in the early 1870s F. B. Meyer met the American evangelist Dwight L. Moody, whom he introduced to other chapels, churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Johnson (boxer)
Jack Arthur Johnson (March 31, 1878 – June 10, 1946), nicknamed the "Galveston Giant", was an American boxer who, at the height of the Jim Crow era, became the first African-American world heavyweight boxing champion (1908–1915). He is widely regarded as one of the most influential boxers in history, and his 1910 fight against James J. Jeffries was dubbed the "fight of the century".John L. Sullivan, cited in: Christopher James Shelton, Historian for The Boxing Amusement ParkFight of the Century' Johnson vs. Jeffries, the 100th anniversary"/ref> According to filmmaker Ken Burns, "for more than thirteen years, Jack Johnson was the most famous and the most notorious African-American on Earth".Ken Burns, ''Unforgivable Blackness'' Transcending boxing, he became part of the culture and history of racism in the United States. In 1912, Johnson opened a successful and luxurious "black and tan" (desegregated) restaurant and nightclub, which in part was run by his wife, a white woma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box (theatre)
In a theatre, a box, loge, or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. Boxes are typically placed immediately to the front, side and above the level of the stage. They are separate rooms with an open viewing area which typically seat five people or fewer. Usually all the seats in a box are taken by members of a single group of people. A state box or royal box is sometimes provided for dignitaries. In theatres without box seating the loge can refer to a separate section at the front of the balcony. Sports venues such as stadiums and racetracks also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is limited to royal families or other distinguished personalities. In other countries, sports venues have luxury boxes aka skyboxes, where access is open to anyone who can afford tickets, sometimes bought by companies. Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Play Within A Play
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as Shakespeare's play ''Hamlet''; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration: novels, short stories, plays, television programs, films, poems, songs, video games, and philosophical essays. The inner stories are told either simply to add entertainment or more usually to act as an example to the other characters. In either case, the inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
