Number One (Racine Album)
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Number One (Racine Album)
''Number One'' is the first album released by indie rock band Racine. The band was fronted by Wendy James, who was notable for previously being the lead singer of the late 1980s pop/rock band Transvision Vamp. After the disbandment of Transvision Vamp in the early 1990s, Wendy James ventured into a short lived solo career, culminating in the release of her debut album ''Now Ain't the Time for Your Tears ''Now Ain't the Time for Your Tears'' is the debut solo album by English singer-songwriter and Transvision Vamp vocalist Wendy James, released on 8 March 1993 by MCA Records. Background The album was conceived after Wendy James had a chance ...'' in 1993. The album met with limited commercial success and James dropped out of the music scene until re-establishing herself as an independent artist with new band Racine. The band, fronted and nurtured by James, also consisted of Singh Birdsong on guitar and Ray Sullivan on drums. ''Number One'' was released in late September 2 ...
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Racine (band)
Wendy James (born 21 January 1966) is an English singer-songwriter most notable for her work with the pop band Transvision Vamp. Transvision Vamp Born in London to Norwegian parents, James was adopted soon after birth. She left home at the age of sixteen, moving to the East Sussex seaside resort town of Brighton.Wendy James Biography
. ilikemusic.com. Retrieved on 20 December 2008.
There she met Nick Christian Sayer, who became her boyfriend and musical collaborator. Sayer and James moved to London, where they teamed up with friends , Tex Axile and Pol Burton, with whom they formed the

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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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Minimalistic Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non- representational approach, and calls attention to the activity of listening by focu ...
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Wendy James
Wendy James (born 21 January 1966) is an English singer-songwriter most notable for her work with the pop band Transvision Vamp. Transvision Vamp Born in London to Norwegian parents, James was adopted soon after birth. She left home at the age of sixteen, moving to the East Sussex seaside resort town of Brighton.Wendy James Biography
. ilikemusic.com. Retrieved on 20 December 2008.
There she met Nick Christian Sayer, who became her boyfriend and musical collaborator. Sayer and James moved to London, where they teamed up with friends , Tex Axile and Pol Burton, with whom they formed the

Racine 2
''Racine 2'' (also known as ''Racine Volume 2'') is the second album by indie rock band Racine. Lead singer Wendy James wrote and produced the entirety of the album, as she had done with the band's first album ''Number One Number One most commonly refers to: * 1 (number) Number One, No. 1, or #1 may also refer to: Music Albums * ''Number 1'' (Big Bang album), and the title song * ''No. 1'' (BoA album), and the title song * ''No.1'' (EP), by CLC * ''n.1 ...''. The album was originally released in February 2007. In 2008, it was re-released in a special edition 2 disc set, the other disc being the demo versions of the band's first album ''Number One''.Racine 2 at discogs
Retrieved 4 October 2011


Track listing

# "Way" – 2:48 # "I'm Freaking Out" – 1:58 # "Racine" – 4:14 # "Bobby's Gone E ...
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Transvision Vamp
Transvision Vamp were an English pop rock band. Formed in 1986 by Nick Christian Sayer and Wendy James, the band enjoyed chart success in the late 1980s, particularly in 1989. James, the lead singer and focal-point of the group, attracted media attention with her sexually charged and rebellious image. They scored 10 UK chart hits and also enjoyed considerable success in Australia. Their top single was 1989's "Baby I Don't Care", which reached number three on the UK and Australian charts. Career The band's original line-up was James, Sayer, Dave Parsons (bass), Tex Axile (keyboards) and Pol Burton (drums). Parsons and Axile had both been in punk bands prior to joining the band; Parsons in The Partisans, and Axile in various bands, most notably The Moors Murderers and X-Ray Spex offshoot Agent Orange. The band were signed by MCA in December 1986 and released their first single, " Revolution Baby", the following year. It stalled at number 77 in the UK in September 1987. A c ...
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Now Ain't The Time For Your Tears
''Now Ain't the Time for Your Tears'' is the debut solo album by English singer-songwriter and Transvision Vamp vocalist Wendy James, released on 8 March 1993 by MCA Records. Background The album was conceived after Wendy James had a chance meeting with Pete Thomas, drummer for Elvis Costello and the Attractions, during Transvision Vamp's final tour. After asking Thomas if Costello might be able to help her with guidance or advice for a possible solo career, Thomas suggested she contact him. The album was then written in its entirety, in one weekend, by Costello, with several tracks co-written by his then-wife, Cait O'Riordan. James told ''Melody Maker'' in 1993, "I sketched a letter to Elvis, reasonably long and philosophical, and sent it off, thinking nothing would ever come of this, it's a ridiculous idea. I didn't hear anything for a while and then Elvis's publisher rang up and said, 'He's written you an entire album, and if you like it, it's yours'. I was astounded. It' ...
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