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Now That's What I Call Motown
''Now That's What I Call Motown'' is a special edition compilation album from the (U.S.) ''Now That's What I Call Music!'' series and was released on January 13, 2009. Released by Universal Motown Records to coincide with the 50th anniversary of Motown Records, the album is made up of songs exclusively from the original Motown label. Track listing Charts 2009 compilation albums Motown Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''moto ... Motown compilation albums {{2000s-compilation-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Guy
"My Guy" is a 1964 hit single by Mary Wells for the Motown label. Written and produced by Smokey Robinson of The Miracles, the song is a woman's rejection of a sexual advance and affirmation of her fidelity to her boyfriend, who is her ideal and with whom she is happy, despite his ordinary physique and looks. Mary Wells version At the session for the "My Guy" backing track, the studio musicians were having issues completing the intro: with the musicians having been playing all day and a half-hour scheduled studio time left, trombonist George Bohanon said to keyboardist Earl Van Dyke that the opening measure of "Canadian Sunset" could be perfectly juxtaposed on the intro's chord changes, and Van Dyke, the session bandleader, expediently constructed an intro incorporating the opening of "Canadian Sunset" and also the "left hand notes" from "Canadian Sunset" composer Eddie Heywood's rendition of "Begin the Beguine". Van Dyke would recall: "We were doing anything to get the hell out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Heard It Through The Grapevine
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the ''Billboard'' R&B Singles chart and number two on the ''Billboard'' Pop Singles chart and shortly became the biggest selling Motown single up to that time. The Miracles were the first to record the song in 1966, but their version wasn't released until August 1968 when it was included on their album '' Special Occasion''. The Marvin Gaye version was the second to be recorded, in the beginning of 1967, but the third to be released. It was placed on his 1968 album '' In the Groove'', a year and a half later, where it gained the attention of radio disc jockeys, and Motown founder Berry Gordy finally agreed to its release as a single in October 1968, when it went to the top of the ''Billb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tammi Terrell
Tammi Terrell (born Thomasina Winifred Montgomery; April 29, 1945 – March 16, 1970) was an American singer-songwriter, widely known as a star singer for Motown Records during the 1960s, notably for a series of duets with singer Marvin Gaye. Terrell's career began as a teenager, first recording for Scepter/Wand Records, before spending nearly nine months as a member of James Brown's Revue, recording for Brown's Try Me label. After a period attending college, Terrell recorded briefly for Checker Records, before signing with Motown in 1965. With Gaye, Terrell scored seven Top 40 singles on the ''Billboard'' Hot 100, including "Ain't No Mountain High Enough", which was inducted into the Grammy Hall of Fame in 1999, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". Terrell's career was interrupted when she collapsed into Gaye's arms as the two performed at a concert at Hampden–Sydney College on October 14, 1967, with Terrell later being diagnosed with a bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't Nothing Like The Real Thing
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's ''United'' LP. The first release off the duo's second album: ''You're All I Need'', the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the ''Billboard'' Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34. ''Cash Box'' called it "a potent ballad," saying that "Detroit backing puts a beat into the session" and praising the "splendid vocals." "Ain't Nothing Like the Real Thing" is ranked as the 57th biggest US hit of 1968. Chart performance Weekly charts Year-end charts Personnel * All lead vocals by Marvin Gaye and Tammi Terrell * B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Keep Me Hangin' On
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown girl group the Supremes, reaching number one on the ''Billboard'' Hot 100. American rock band Vanilla Fudge released a cover version in June of the following year, which reached number six on the ''Billboard'' Hot 100. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, reaching number one on the ''Billboard'' Hot 100 in June 1987. In the first 32 years of the ''Billboard'' Hot 100 rock era, "You Keep Me Hangin' On" became one of six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US ''Billboard'' Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all-time UK downloads and streams. The Supremes original version Background "You Keep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Tops
The Four Tops are an American vocal quartet from Detroit who helped to define the city's Motown sound of the 1960s. The group's repertoire has included soul music, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Founded as the Four Aims, lead singer Levi Stubbs, Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together for over four decades, performing from 1953 until 1997 without a change in personnel. The Four Tops were among a number of groups, including the Miracles, the Marvelettes, Martha and the Vandellas, the Temptations, and the Supremes, who established the Motown Sound heard around the world during the 1960s. They were notable for having Stubbs, a baritone, as their lead singer, whereas most other male and mixed vocal groups of the time were fronted by tenors. The group was the main male vocal group for the highly successful songwriting and production team of Holland–Dozier–Holland, who crafted a stream of hit singles fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Help Myself (Sugar Pie Honey Bunch)
"I Can't Help Myself (Sugar Pie Honey Bunch)" is a 1965 hit song recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "I Can't Help Myself" is one of the most well-known Motown recordings of the 1960s and among the decade's biggest hits. The single topped the ''Billboards R&B chart for nine weeks (being named the biggest R&B single of the year by ''Billboard'') and also peaked at number one on the Hot 100 for two non-consecutive weeks, from June 12 to June 19 and from June 26 to July 3 in 1965. It replaced "Back in My Arms Again" by labelmates The Supremes. It was first unseated at number one by "Mr. Tambourine Man" by The Byrds, then regained the top spot before being replaced by the Rolling Stones blockbuster "(I Can't Get No) Satisfaction". ''Billboard'' ranked the record as the second biggest single of 1965. "I Can't Help Myself" was the Four Tops' first Top 40 single in the UK, peaking at 23 in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shotgun (Junior Walker & The All Stars Song)
__NOTOC__ "Shotgun" is a song written by Junior Walker and recorded with his group the All Stars. Called a "dance tune", it was produced by Berry Gordy Jr. and Lawrence Horn. Gordy's Soul Records, a Motown Records subsidiary, issued it as a single in 1965. It reached number 1 on the U.S. R&B Singles chart for four non-consecutive weeks and peaked at number 4 on the ''Billboard'' Hot 100. In Canada, the song reached number 26. Recording "Shotgun" was Walker's debut as a vocalistwhen the singer who was hired to perform at the recording session did not show up, Walker stood in. Rather than re-record the vocal at a later date, producer Gordy decided to keep Walker's take, much to the latter's surprise. The song opens with the sound of a shotgun blast and a drum roll, with the verses alternating between Walker's vocals and tenor saxophone fills. It does not employ the typical progression, but remains on one chord throughout. Personnel * Junior Walker – tenor saxophone, lead vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop! In The Name Of Love
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Stop! In the Name of Love" held the #1 position on the ''Billboard'' pop singles chart in the United States from March 27, 1965, through April 3, 1965, and reached the #2 position on the soul chart. ''Billboard'' named the song #38 on their list of 100 Greatest Girl Group Songs of All Time. The BBC ranked "Stop! In the Name of Love" at #56 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all time UK downloads and streams. In 2021, it was listed at No. 254 on Rolling Stone's "Top 500 Greatest Songs of All Time". History The song was written by Eddie Holland, Lamont Dozier, and Brian Holland. Dozier said that he got the idea after he got cheated on by his girlfriend. In the heat of the argument, he said, "Baby, please stop. In the name of love- before you break my heart." The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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