Now's The Time (film)
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Now's The Time (film)
''Now's the Time'' is a 1932 short musical comedy film starring Harry Barris with Mary Carlisle as his leading lady. Its title is taken from its theme song, the popular Eddie Cantor song "Now's the Time to Fall in Love." Its working title was ''Love Nuts''. Plot A summary from '' Motion Picture Herald'' reads: Cast * Edgar Kennedy *Harry Barris * Mary Carlisle Reception "This Harry Barris comedy contains more really funny gags than any of the previous things in which he has been featured," a critic wrote for ''Photoplay''. "It's fast and funny," a writer for ''The Film Daily ''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, informatio ...'' claimed, "and about the best short that Barris has appeared in." References External links * 1932 films American black-and-white films American mu ...
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Harry Edwards (director)
Harry Edwards (October 11, 1887 - May 26, 1952) was a Canadian-born American film director and actor. He worked in films from the 1910s to the 1950s. Biography He was born in Calgary on 11 October 1887. He once worked for the now largely forgotten L-KO Kompany during the silent era. In his later years at Columbia Pictures, Edwards established a reputation as the studio's worst director. Both Vera Vague and the Three Stooges requested they not work with him. He is best remembered for his long collaboration with comedian Harry Langdon. He worked with Langdon in the 1920s in some of his best short films, and directed one of Langdon's best known films, the feature ''Tramp, Tramp, Tramp'' (1926). Langdon later became swell-headed with success and later dispensed with Edwards and Frank Capra, who also directed some of Langdon's most successful films, deciding he could direct himself. Langdon's decision proved to be a costly one as his career declined, though he later reconciled with ...
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Eddie Cantor
Eddie Cantor (born Isidore Itzkowitz; January 31, 1892 – October 10, 1964) was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Familiar to Broadway, radio, movie, and early television audiences, this "Apostle of Pep" was regarded almost as a family member by millions because his top-rated radio shows revealed intimate stories and amusing anecdotes about his wife Ida and five daughters. Some of his hits include "Makin' Whoopee", "Ida (Sweet as Apple Cider)", " If You Knew Susie", "Ma! He's Making Eyes at Me", “ Mandy”, " My Baby Just Cares for Me”, "Margie", and " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" He also wrote a few songs, including " Merrily We Roll Along", the ''Merrie Melodies'' Warner Bros. cartoon theme. His eye-rolling song-and-dance routines eventually led to his nickname "Banjo Eyes". In 1933, artist Frederick J. Garner caricatured Cantor with large round eyes resembling the drum-l ...
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American Musical Comedy Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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American Black-and-white Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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1932 Films
The following is an overview of 1932 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1932 released films by box office gross in North America are as follows: Events The Film Daily Yearbook listed the following as the ten leading headline events of the year. * Sidney Kent leaves Paramount Pictures and joins Fox Film. * Merlin H Aylesworth succeeds Hiram S Brown as president of RKO. * Jesse L. Lasky leaves Paramount and becomes an independent producer for Fox. * Sam Katz leaves Paramount. * James R Grainger leaves Fox and is succeeded by John D Clark, formerly of Paramount. * Publix and Fox decentralization of cinemas. * New industry program, including standard exhibition contract along lines of 5-5-5, proposed by Motion Picture Theater Owners of America and Allied. * Joe Brandt retires from Columbia Pictures joins World-Wide and later resigns again. * Two Radio City theaters open, under dir ...
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Photoplay
''Photoplay'' was one of the first American film (another name for ''photoplay'') fan magazines. It was founded in 1911 in Chicago, the same year that J. Stuart Blackton founded '' Motion Picture Story,'' a magazine also directed at fans. For most of its run, ''Photoplay'' was published by Macfadden Publications. In 1921 ''Photoplay'' established what is considered the first significant annual movie award. The magazine ceased publication in 1980. History ''Photoplay'' began as a short fiction magazine concerned mostly with the plots and characters of films at the time and was used as a promotional tool for those films. In 1915, Julian Johnson and James R. Quirk became the editors (though Quirk had been vice president of the magazine since its inception), and together they created a format which would set a precedent for almost all celebrity magazines that followed. By 1918 the circulation exceeded 200,000, with the popularity of the magazine fueled by the public's increasing inte ...
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Motion Picture Herald
The ''Motion Picture Herald'' was an American film industry trade paper published from 1931 to December 1972.Anthony Slide, ed. (1985)''International Film, Radio, and Television Journals'' Greenwood Press. p. 242. It was replaced by the ''QP Herald'', which only lasted until May 1973.Robert A. Osborone (1973)''Academy Awards Oscar Annual'' ESE California. p. 10. It was established as the ''Exhibitors Herald'' in 1915. History The paper's origins begin 1915 when a Chicago printing company launched a film publication as a regional trade paper for exhibitors in the Midwest and known as ''Exhibitors Herald''. Publisher Martin Quigley bought the paper and over the following two decades developed the ''Exhibitors Herald'' into a national trade paper for the US film industry. In 1917, Quigley acquired and merged another publication, ''Motography'', into his magazine. In 1927, he further acquired and merged the magazine ''The Moving Picture World'' and began publishing it as ''Exhibitor ...
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The Film Daily
''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, information on court cases and union difficulties, and equipment breakthroughs. Publication history The publication was originated by Wid Gunning in 1913 (though not as a daily) and was known as ''Wid's Film and Film Folk'' (1915–1916) and ''Wid's Independent Review of Feature Films'' (1916–1918). Gunning was previously film editor at the ''New York Evening Mail''. He also published ''Wid's Weekly'', and ''Wid's Year Book''. In 1918, Joseph ("Danny") Dannenberg and Jack Alicoate purchased an interest in ''Wid's Weekly''. On March 8, 1918 they released a daily publication, ''Wid's Daily''. In 1921, Dannenberg and Alicoate took control of Wid's Films & Film Folk Inc., with Dannenberg as president and editor, and the publication changed name, in 1 ...
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Now's The Time To Fall In Love
"Now's The Time To Fall In Love" is a 1931 song from the Depression era written by Tin Pan Alley tunesmiths Al Sherman and Al Lewis. The song was made popular by Eddie Cantor on his weekly radio show. The song takes a positive attitude toward the plummeting prices of storebought items in financially depressed America of the 1930s. The song was used in the popular 1953 motion picture about Eddie Cantor's life, '' The Eddie Cantor Story''. It is referenced in the 1962 Academy Award-nominated Disney animated short musical film ''A Symposium on Popular Songs'' during the song "Although I Dropped $100,000", written by Al Sherman's songwriter sons, Robert The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honou ... and Richard Sherman. Bibliography * Sherman, Robert B., '' Walt's Time: From ...
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Comedy Film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending (black comedy being an exception). Comedy is one of the oldest genres in film and it is derived from the classical comedy in theatre. Some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1930s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue. Comedy, compared with other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. In '' The Screenwriters Taxonomy'' (2017), Eric R. Williams contends that film genres are fundamentally based upon a film's atmosphere, character, and story. Therefore the labels "drama" and "comedy" are t ...
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Al Christie
Charles Herbert Christie (April 13, 1882 – October 1, 1955) and Alfred Ernest Christie (November 23, 1886 – April 14, 1951) were Canadian motion picture entrepreneurs. Early life Charles Herbert Christie was born between April 13, 1880 and April 13, 1882, and Alfred Ernest Christie was born between October 23, 1881 and November 23, 1886, both in London, Ontario. Their father managed the Opera House and their mother was its box-office manager and accountant. Charles graduated from school at age 14, and graduated from the four-year accountancy course in two years at age 16. Career Charles, at age 23, was offered a job as the stage manager for Liebler and Company and accepted it on the condition that his brother Al also be given a job. They worked for the organization for three years. Charles joined the film industry after being hired as an accountant for the Nestor Film Company. William Horsley stated that "I wonder if we would have survived as a viable industry had ...
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Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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