Nouveau Réalisme
Nouveau réalisme (French: new realism) refers to an artistic movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Pierre Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real."Kerstin Stremmel, ''Realism'', Taschen, 2004, p. 13. 'Nouveau Réalisme nouvelles approches perceptives du réel''/ref> This joint declaration was signed on 27 October 1960, in Yves Klein's workshop, by nine people: Yves Klein, Arman, Martial Raysse, Pierre Restany, Daniel Spoerri, Jean Tinguely and the Ultra-Lettrists, Francois Dufrêne, Raymond Hains Raymond Hains (9 November 1926 – 28 October 2005) was a prominent French visual artist and a founder of the Nouveau réalisme movement. In 1960, he signed, along with Arman, François Dufrêne, Yves K ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Gérard Deschamps
Gérard Deschamps (born 1937) is a French contemporary artist associated with the Nouveau réalisme movement. Career Deschamps was born in Lyon, France. His first exhibition took place in 1955 at the Gallery Fachetti in Paris. At this time he abandoned traditional oil painting techniques, which he said lacked flexibility, and turned to making collages that incorporate pictures of items from Manufrance catalogs. In 1957, he exhibited at the Galerie du Haut Pave in Paris paintings made of rags and pleating and in November that year, he was sent to Algeria for 27 months of military service. Back in Paris, in 1960 he met Raymond Hains and Jacques Villeglé and officially joined the New Realist group in 1961 (a year after its official founding). That year he began using U.S. Army tarps with fluorescent colors in his work. He also worked with rags from Japanese and Belgian advertising, as well as sheets of plastic kitchenware patchwork. In the same period, he also used armor plates an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Petty-bourgeois
''Petite bourgeoisie'' (, literally 'small bourgeoisie'; also anglicised as petty bourgeoisie) is a French term that refers to a social class composed of semi-autonomous peasants and small-scale merchants whose politico-economic ideological stance in times of socioeconomic stability is determined by reflecting that of a ''haute bourgeoisie'' ('high' bourgeoisie) with which the ''petite bourgeoisie'' seeks to identify itself and whose bourgeois morality it strives to imitate. The term is politico-economic and references historical materialism. It originally denoted a sub-stratum of the middle classes in the 18th and early-19th centuries. In the mid-19th century, the German economist Karl Marx and other Marxist theorists used the term ''petite bourgeoisie'' to identify the socio-economic stratum of the bourgeoisie that consists of small shopkeepers and self-employed artisans. Definition The ''petite bourgeoisie'' is economically distinct from the proletariat and the ''Lumpenpr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Abstract Painting
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Appropriation (art)
Appropriation in art is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the Readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change. Definition Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate Gall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Sidney Janis
Sidney Janis (July 8, 1896 – November 23, 1989) was a wealthy clothing manufacturer and art collector who opened an art gallery in New York City, New York in 1948. His gallery quickly gained prominence, for he not only exhibited work by the Abstract Expressionists, but also European artists such as Pierre Bonnard, Paul Klee, Joan Miró, and Piet Mondrian. As the critic Clement Greenberg explained in a 1958 tribute to Janis, the dealer's exhibition practices had helped to establish the legitimacy of the Americans, for his policy "not only implied, it declared, that Jackson Pollock, Willem de Kooning, Franz Kline, Phillip Guston, Mark Rothko, and Robert Motherwell were to be judged by the same standards as Matisse and Picasso, without condescension, without making allowances." Greenberg observed that in the late 1940s "the real issue was whether ambitious artists could live in this country by what they did ambitiously. Sidney Janis helped as much as anyone to see that it was decide ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Nice, France
Nice ( , ; Niçard dialect, Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes departments of France, department in France. The Nice urban unit, agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas , Demographia.com, April 2016 on an area of . Located on the French Riviera, the southeastern coast of France on the Mediterranean Sea, at the foot of the French Alps, Nice is the second-largest French city on the Mediterranean coast and second-largest city in the Provence-Alpes-Côte d'Azur Regions of France, region after Marseille. Nice is approximately from the principality of Monaco and from the Fran ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Dadaist
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife (letter-opener) a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Niki De Saint-Phalle
Niki de Saint Phalle (; born Catherine Marie-Agnès Fal de Saint Phalle; 29 October 193021 May 2002) was a French-American sculptor, painter, filmmaker, and author of colorful hand-illustrated books. Widely noted as one of the few female monumental sculptors, Saint Phalle was also known for her social commitment and work. She had a difficult and traumatic childhood and a much-disrupted education, which she wrote about many decades later. After an early marriage and two children, she began creating art in a naïve, experimental style. She first received worldwide attention for angry, violent assemblages which had been shot by firearms. These evolved into ''Nanas'', light-hearted, whimsical, colorful, large-scale sculptures of animals, monsters, and female figures. Her most comprehensive work was the '' Tarot Garden'', a large sculpture garden containing numerous works ranging up to house-sized creations. Saint Phalle's idiosyncratic style has been called "outsider art"; she ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
French Riviera
The French Riviera (known in French as the ; oc, Còsta d'Azur ; literal translation " Azure Coast") is the Mediterranean coastline of the southeast corner of France. There is no official boundary, but it is usually considered to extend from Toulon, Le Lavandou or Saint-Tropez in the west to Menton at the France–Italy border in the east."Côte d'Azur, côte méditerranéenne française entre Cassis et Menton" ("Côte d'Azur, French Mediterranean coast between Cassis and Toulon") in ''Dictionnaire Hachette encyclopédique'' (2000), p. 448."Côte d'Azur, Partie orientale du littoral français, sur la Méditerranée, de Cassis à Menton" ("Côte d'Azur, Eastern part of the French coast, on the Mediterranean, from Cassis to Menton"), in ''Le Petit Larousse illustré'' (2005), p. 1297. The coast is entirely within the Provence-Alpes-Côte d'Azur region of France. The Principality of Monaco is a semi-enclave within the region, surrounded on three sides by France and fronting the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Nice (France)
Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas , Demographia.com, April 2016 on an area of . Located on the , the southeastern coast of France on the , at the foot of the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |