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Noli Me Tangere (Bramantino)
''Noli me tangere'' is a fragment of a fresco of by Bramantino depicting Jesus and Mary Magdalene soon after the resurrection. It was originally in the church of Santa Maria del Giardino in Milan and since 1867 in the Pinacoteca del Castello Sforzesco in the same city, to which it was given by Prospero Moisè Loria. One of the painter's earliest surviving works, it shows the strong influence of Bramante, particularly his 1497 fresco paintings of armed men for the Casa Visconti-Panigarola. Around the same time as Bramantino's fresco, Santa Maria del Giardino underwent a major redecoration, headed by Vincenzo Foppa. The swelling and wrinkled draperies, the simplification of the figures' volumes and the cold and metallic light support a dating in the 1490s, close to the same artist's ''Philemon and Baucis'' (Wallraf–Richartz Museum, Cologne), '' The Adoration of the Kings'' (National Gallery, London) and ''Pietà'' (Pinacoteca Ambrosiana).AA.VV., ''La Pinacoteca del Castello Sfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Adoration Of The Kings (Bramantino)
''The Adoration of the Kings'' is a small oil painting on panel of by Bramantino in the National Gallery, London. In it the Holy Family and the Magi are, unusually, joined by an adult John the Baptist, whose Baptism of Jesus, Baptism of Christ was celebrated on the same day as Epiphany (holiday), Epiphany in the liturgical year, liturgical calendar. At 56.8 cm (22.4 in) × 55 cm (22 in), it was probably commissioned for private use by an individual rather than for placing in a church, but nothing is known about its early history. The panel entered the National Gallery in 1916 as part of the Layard Bequest. Bramantino was a painter in Milan, who is relatively little known outside northern Italy, where most of his paintings remain; this is the only known example in the United Kingdom. In a Milanese art scene dominated by Leonardo da Vinci, Bramantino instead belonged to a tradition of "the structured but immobile realism of the Quattrocento ... that was fundamen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Noli Me Tangere
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1500 Paintings
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Paintings By Bramantino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Ambrosiana
A pinacotheca (Latin borrowing from grc, πινακοθήκη, pinakothēkē = grc, πίναξ, pinax, (painted) board, tablet, label=none + grc, θήκη, thēkē, box, chest, label=none) was a picture gallery in either ancient Greece or ancient Rome. The name is specifically used for the building containing pictures which formed the left wing of the Propylaea on the Acropolis at Athens, Greece. The Pinacotheca was located next to the temple of Athena Nike. Though Pausanias speaks of the pictures "which time had not effaced",Pausanias, ''Description of Greece''book I, chapter xxii, page 31, section 6 translated by J. G. Frazer (1898) which seems to point to fresco painting, the fact that there is no trace of preparation for stucco on the walls implies that the paintings were easel pictures. The Romans adopted the term for the room in a private house containing pictures, statues, and other works of art. In the modern world the word is often used as a name for a public art g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà (Bramantino)
''Pietà'' or ''Lamentation over the Dead Christ'' is a fragment of a lunette fresco of by Bramantino, originally over the door of the church of San Sepolcro in Milan and now in the Pinacoteca Ambrosiana in the same city. The painting depicts the dead Christ held up by the Virgin Mary, with John the Evangelist and Mary Magdalene holding up his arms. To the left are Anthony the Great and another standing figure, whilst in the background is a perspective view suggestive of a basilica nave. References {{15C-painting-stub 1470s paintings 1500 paintings Paintings by Bramantino Paintings in the Pinacoteca Ambrosiana Paintings of the Pietà Paintings of Anthony the Great Paintings of John the Apostle Paintings of Mary Magdalene Fresco paintings in Milan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallraf–Richartz Museum
The Wallraf–Richartz Museum (full name in German: ') is one of the three major museums in Cologne, Germany. It houses an art gallery with a collection of fine art from the medieval period to the early twentieth century. History The museum dates back to the year 1824, when the comprehensive collection of medieval art from Franz Ferdinand Wallraf came to the city of Cologne by inheritance. The first building was donated by Johann Heinrich Richartz, and the museum was opened in 1861, just after his death. The collection was regularly expanded by donations, especially the Haubrich collection of contemporary art in 1946. In 1976, on the occasion of the donation of Mr. and Mrs. Ludwig, the collection was split. The new Museum Ludwig took over the exhibition of the 20th century art. The current building from 2001, near the Cologne City Hall, was designed by Oswald Mathias Ungers. Also in 2001, Swiss collector Gérard Corboud gave his impressionist and postimpressionist collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bramantino
Bartolomeo Suardi, best known as Bramantino ( – ), was an Italian painter and architect, mainly active in his native Milan. Biography He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of ''immobile realism'', and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Foppa
Vincenzo Foppa ( – ) was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years. Early life Very little is known about the early life and training of Foppa. He was born in Bagnolo Mella, a small commune near the city of Brescia. At the time, there were few esteemed painters in the region, and the art scene in Brescia was lacking. It is therefore likely that Foppa had to seek artistic training elsewhere. Some of his earliest exposures to art were likely frescoes painted by Gentile da Fabriano in the Broletto Chapel in Brescia and the woven ''Annunciation'' by Jacopo Bellini. The latter artist was one of the strongest influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bramante
Donato Bramante ( , , ; 1444 – 11 April 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo. His Tempietto (San Pietro in Montorio) marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred. Life Urbino Bramante was born under the name Donato d'Augnolo, Donato di Pascuccio d'Antonio, or Donato Pascuccio d'Antonio in Fermignano near Urbino. Here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltro's ducal palace. Bramante's architecture has eclipsed his painting skills: he knew the painters Melozzo da Forlì and Piero della Francesca well, who were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
