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Noh Masks Of The Konparu School
The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum. These masks span five centuries, from the Muromachi to the Edo period (15th to 19th century), and are designated Important Cultural Properties. The Konparu school was originally led by Konparu Zenchiku (1405 – ca. 1470) and his grandson Konparu Zenpō (1454 – ca. 1532). The troupe prospered during the Azuchi–Momoyama period (1573–1603), with a critical factor for their success being the patronage of the ''daimyō'' Toyotomi Hideyoshi (1537–1598), at a time when the leader of the Konparu school was Konparu Ansho (1549–1621), a retained actor of Toyotomi. During the late Edo period (1603–1868) the troupe faced difficulties and started to lose vitality, and during the Bakumatsu and the period of the Meiji Restoration in the late 19th century, many of the noh masks and other pro ...
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Tokyo National Museum
The or TNM is an art museum in Ueno Park in the Taitō ward of Tokyo, Japan. It is one of the four museums operated by the National Institutes for Cultural Heritage ( :ja:国立文化財機構), is considered the oldest national museum in Japan, is the largest art museum in Japan, and is one of the largest art museums in the world. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. The museum holds over 110,000 Cultural Properties, including 89 National Treasures of Japan, 319 Horyuji Treasures, and 644 Important Cultural Properties. As of 2022, there were 902 arts and crafts designated national treasures by the Japanese government, meaning the Tokyo National Museum has about 10% of the art and crafts designated national treasures of Japan. In addition, the museum houses over ...
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Azuchi–Momoyama Period
The was the final phase of the in Japanese history from 1568 to 1600. After the outbreak of the Ōnin War in 1467, the power of the Ashikaga Shogunate effectively collapsed, marking the start of the chaotic Sengoku period. In 1568, Oda Nobunaga entered Kyoto to install Ashikaga Yoshiaki as the 15th and ultimately final Ashikaga ''shōgun''. This entrance marked the start of the Azuchi-Momoyama period. Nobunaga overthrew Yoshiaki and dissolved the Ashikaga Shogunate in 1573, launching a war of conquest to politically unify Japan by force from his base in Azuchi. Nobunaga was forced to commit suicide in the Honnō-ji Incident in 1582. His successor Toyotomi Hideyoshi completed Nobunaga's campaign of unification and enacted reforms to consolidate his rule, marking the end of the Sengoku period. Hideyoshi launched the Japanese invasions of Korea in 1592, but the invasion's failure damaged his prestige, and his young son and successor Toyotomi Hideyori was challenged by Tokugawa ...
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Nara, Nara
is the capital city of Nara Prefecture, Japan. As of 2022, Nara has an estimated population of 367,353 according to World Population Review, making it the largest city in Nara Prefecture and sixth-largest in the Kansai region of Honshu. Nara is a core city located in the northern part of Nara Prefecture bordering the Kyoto Prefecture. Nara was the capital of Japan during the Nara period from 710 to 794 as the seat of the Emperor before the capital was moved to Kyoto. Nara is home to eight temples, shrines, and ruins, specifically Tōdai-ji, Saidai-ji, Kōfuku-ji, Kasuga Shrine, Gangō-ji, Yakushi-ji, Tōshōdai-ji, and the Heijō Palace, together with Kasugayama Primeval Forest, collectively form the Historic Monuments of Ancient Nara, a UNESCO World Heritage Site. Etymology By the Heian period, a variety of different characters had been used to represent the name Nara: , , , , , , , , , , , , , , , and . A number of theories for the origin of the name "Nara" have been pro ...
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Kasuga-taisha
is a Shinto shrine in Nara, Nara Prefecture, Japan. It is the shrine of the Fujiwara family, established in 768 CE and rebuilt several times over the centuries. The interior is famous for its many bronze lanterns, as well as the many stone lanterns that lead up the shrine. The architectural style '' Kasuga-zukuri'' takes its name from Kasuga Shrine's ''honden'' (sanctuary). The Torii at Kasuga-taisha is one of the oldest in Shinto and helped influence the style of Torii seen across much of Japan. Kasuga Shrine, and the Kasugayama Primeval Forest near it, are registered as a UNESCO World Heritage Site as part of the "Historic Monuments of Ancient Nara". The path to Kasuga Shrine passes through a deer park. In the park, deer are able to roam freely and are believed to be sacred messengers of the Shinto gods that inhabit the shrine and surrounding mountainous terrain. Kasuga Shrine and the deer have been featured in several paintings and works of art of the Nambokucho Period. O ...
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Meiji Restoration
The , referred to at the time as the , and also known as the Meiji Renovation, Revolution, Regeneration, Reform, or Renewal, was a political event that restored practical imperial rule to Japan in 1868 under Emperor Meiji. Although there were ruling emperors before the Meiji Restoration, the events restored practical abilities and consolidated the political system under the Emperor of Japan. The goals of the restored government were expressed by the new emperor in the Charter Oath. The Restoration led to enormous changes in Japan's political and social structure and spanned both the late Edo period (often called the Bakumatsu) and the beginning of the Meiji era, during which time Japan rapidly Industrialisation, industrialized and adopted Western culture, Western ideas and production methods. Foreign influence The Japanese knew they were behind the Western powers when US Commodore (United States), Commodore Matthew C. Perry came to Japan in 1853 in Black Ships, large warshi ...
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Bakumatsu
was the final years of the Edo period when the Tokugawa shogunate ended. Between 1853 and 1867, Japan ended its isolationist foreign policy known as and changed from a feudal Tokugawa shogunate to the modern empire of the Meiji government. The major ideological-political divide during this period was between the pro-imperial nationalists called and the shogunate forces, which included the elite swordsmen. Although these two groups were the most visible powers, many other factions attempted to use the chaos of to seize personal power.Hillsborough, ''page # needed'' Furthermore, there were two other main driving forces for dissent: first, growing resentment on the part of the (or outside lords), and second, growing anti-Western sentiment following the arrival of Matthew C. Perry. The first related to those lords whose predecessors had fought against Tokugawa forces at the Battle of Sekigahara in 1600, after which they had been permanently excluded from all powerful pos ...
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Toyotomi Hideyoshi
, otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: Military Innovations that Changed the Course of History, Viking Press 1988. p. 68. Hideyoshi rose from a peasant background as a Affinity (medieval), retainer of the prominent lord Oda Nobunaga to become one of the most powerful men in Japan. Hideyoshi succeeded Nobunaga after the Honnō-ji Incident in 1582 and continued Nobunaga's campaign to unite Japan that led to the closing of the Sengoku period. Hideyoshi became the ''de facto'' leader of Japan and acquired the prestigious positions of Daijō-daijin, Chancellor of the Realm and Sesshō and Kampaku, Imperial Regent by the mid-1580s. Hideyoshi launched the Japanese invasions of Korea (1592–1598), Japanese invasions of Korea in 1592 to initial success, but eventual military stalemate damaged his prestige before his death in 1 ...
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Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ...
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Konparu Zenpō
was a Japanese Noh actor and playwright of the Konparu school. He was the grandson of Konparu Zenchiku. Zenpō's plays were more popular and dramatic, novel and crowd-pleasing with large casts and more elaborate effects and sets, than the plays of his grandfather's, or his great-grandfather Zeami's, although he did have an appreciation of yugen and wabi (Zenpō was a pupil of Shuko and quoted him as saying "The moon not glimpsed through rifts in clouds holds no interest"). Plays *''Arashiyama'' (嵐山) *''Hatsuyuki'' ("Virgin Snow" or "First Snow"; 初雪; written in the ''yugen'' Zenchiku style) *''Ikarikazuki'' ("The Anchor Draping"; 碇潜) *''Ikkaku sennin'' ("One-Horned Wizard"; 一角仙人; this Noh inspired the kabuki play ''Narukami'') *''Ikuta Atsumori'' (生田敦盛) *''Kamo'' (賀茂) *''Tōbōsaku'' (東方朔) Treatises *''Mōtanshichinshō'' (1455)
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Important Cultural Properties Of Japan
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ...
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Konparu Zenchiku
was a skilled Japanese Noh actor, troupe leader, and playwright. His plays are particularly characterized by an intricate, allusive, and subtle style inherited from Zeami which convolved yūgen with influences from Zen Buddhism (his Zen master was Ikkyū) and Kegon. Actors should strive for unconscious performance, in which they enters the "circle of emptiness"; such a state of being is the highest level of artistic or religious achievement. He lived, worked, and died in the Nara area of Japan. He was trained by Zeami and his son, Motomasa (died 1432), eventually marrying a daughter of Zeami. At some point he took the artistic name Komparu Ujinobu and then finally Komparu Zenchiku. In 1443, he became the leader of the Kanze acting troupe and thus the second successor to Zeami Motokiyo. Zeami passed on his secret teachings to Zenchiku, apparently prompting Zeami's exiling; this refusal to transmit to his blood descendants also prompted a split between the Komparu school and the K ...
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Important Cultural Property (Japan)
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ...
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