No P. Or D.
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No P. Or D.
''No P. or D.'' is the debut studio album by German indie electronic band Ms. John Soda. It was released on 7 October 2002 by Morr Music. Reception '' Pitchfork'' critic Eric Carr highlighted the "serene vocals" and "rich, deep melodies" present throughout ''No P. or D.'', describing the album as a "fantastically accessible" record that "can be enjoyed with as much or as little of the brain as desired." ''Tiny Mix Tapes'' reviewer Wolfman wrote that he "couldn't help but feel a deep sense of inner peace" while listening to the album. Jaime Vázquez of AllMusic cited Ms. John Soda's ability to create "mood" as their "greatest strength", adding: "They make recordings that can be left on as background, but the arrangements hold up to scrutiny and reveal new subtleties with each listen." In a less enthusiastic review, ''Stylus Magazine''s Kareem Estefan was critical of the band's "cautious approach" and deemed the album "good, but inessential." At the end of 2003, ''No P. or D.'' w ...
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Weilheim In Oberbayern
Weilheim in Oberbayern (English: 'Weilheim in Upper Bavaria') is a town in Germany, the capital of the district Weilheim-Schongau in the south of Bavaria. Weilheim has an old city-wall, historic houses and a museum. Local history Up to the 18th century The oldest traces of human settlement date back to the Bronze AgeBernhard Wöll (Stadtarchiv Weilheim i. OB): ''Jubiläums-Chronik'' der Stadt Weilheim, anlässlich der 1000-jährigen erstmaligen urkundlichen Erwähnung im Jahr 1010 von Weilheim und Polling, Herausgeber: Stadt Weilheim i. OB 2010. and there were grave finds from the Late Roman era. The name Weilheim is interpreted as a home to the Roman villas (land estates). There are, however, several other theories for the roots of the name. Upper Bavaria came in Roman hands through commander Drusus.Sonderbeilage des Weilheimer Tagblattes anlässlich der 1000-jährigen erstmaligen urkundlichen Erwähnung der Orte Polling und Weilheim 16 April 2010, page 4. The Romans built "V ...
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Indie Electronic
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U. V ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Electropop
Electropop is a hybrid music genre combining elements of electronic and pop genres. Writer Hollin Jones has described it as a variant of synth-pop with heavy emphasis on its electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. History Early 1980s During the early 1980s, British artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century Britney Spears' influential fifth studio album '' Blackout'' (2007) incorporated elements of the genre, catapulting electropop to mainstream significance. The media in 2009 ran articles proclaiming a new era of different electropop stars, and indeed the times saw a rise in popularity of several electropop artists. In the Sound of 2009 poll of 130 music experts conducted for the BBC, ten of the top fifteen artist ...
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Morr Music
Morr Music is an independent record label based in Berlin, Germany. It was founded in 1999 by Thomas Morr. Most artists on the label fall into the categories of intelligent dance music, electronica and dreampop, but all reflect Thomas Morr's personal taste. This results in a cohesive aesthetic observable in both the aural and visual elements of this label's releases. Style The label's style of music stems from the hybridization of electronica and indiePop and Jazz Guide: Morr Music Tour
'''', November 14, 2003. or

Notes And The Like
''Notes and the Like'' is the second studio album by German indie electronic band Ms. John Soda. It was released on 3 March 2006 by Morr Music. Reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Notes and the Like'' received an average score of 66 based on seven reviews, indicating "generally favorable reviews". Track listing Personnel Credits are adapted from the album's liner notes. Ms. John Soda * Micha Acher * Stefanie Böhm Additional musicians * Thomas Geltinger * Elias Giggenbach * Johanna Giggenbach * Carl Oesterhelt * Andreas Gerth – additional programming * Aqua Luminus III – Akai MPC The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modif ... * Mathis Mayr – cello * Wolfgang Schönwetter – horns * Ste ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Indie Electronic
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U. V ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Stylus Magazine
''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burns. It featured long-form music journalism, four daily music reviews, movie reviews, podcasts, an MP3 blog, and a text blog. Additionally, ''Stylus'' had daily features like "The Singles Jukebox", which looked at pop singles from around the globe, and "Soulseeking", a column focused on personal responses in listening. Even though they never reached the readership of other music magazines such as PopMatters or Pitchfork, they still had a very consistent and fired-up audience. In 2006, the site was chosen by the ''Observer Music Monthly'' as one of the Internet's 25 most essential music websites. ''Stylus'' closed as a business on 31 October 2007. The site remained online for several years, but did not publish any new content. On 4 January 2010, with the blessing of former editor Todd Burns, ''Stylus'' senior writer Nick Southall launched ''The Stylus Decade'', a web ...
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Tiny Mix Tapes
''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, as well as a podcast and its mixtape generator. History Originally called ''Tiny Mixtapes Gone to Heaven'' and hosted on GeoCities, the webzine moved to its current domain in 2001. ''Tiny Mix Tapes'' is a featured reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names (such as "Wolfman," "Mango Starr," "Chizzly St. Claw," and "Filmore Mescalito Holmes"). Some contributors, like Rebecca Armendariz and Alex Brown, go by their real names. Its cofounder and editor-in-chief is Minneapolis-resident Marvin Lin (who writes as "Mr. P"). The music reviews, features, news, film, comics, and the "DeLorean", "Cerberus", and "Automatic Mix Tapes" columns are edited by "Jay," "Gumshoe," "Dan Smart," Benjamin Pearson, ...
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Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ...
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