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No Matter What Shape (Your Stomach's In)
"No Matter What Shape (Your Stomach's In)" is an instrumental composition recorded in 1965 by The T-Bones and released as a single the same year. Composer The record itself lists Granville Sascha Burland as the composer, but ASCAP says the composer is Lou Bideu aka Lew Bedell. History In 1965, Dave Pell wanted to record songs based on music from recent TV commercials and release them on 45 RPM singles to see if he could get radio airplay and maybe a hit record. Previously, Liberty Records had used "The T-Bones" as a group name for instrumentals recorded by Los Angeles session musicians The Wrecking Crew, and Liberty told Pell to use it again for his project. In 1965, Pell went into the studio with members of The Wrecking Crew and recorded "No Matter What Shape (Your Stomach's In)," a song based on music used in an Alka-Seltzer TV commercial. When the single became a hit, Liberty Records needed the T-Bones to go on the road to promote it, but the original session musicians were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The T-Bones
The T-Bones were an American, Liberty Records recording group, existing from 1963 to 1966. The studio recordings of all of their albums but the last were done by American session musicians, The Wrecking Crew. They should not be confused with Gary Farr's British mid-1960s band of the same name. In Britain, the name "U.S. T-Bones" was used for the Liberty Records group. The T-Bones (UK) ''AllMusic'' When the T-Bones had a hit in 1966 with the single "No Matter What Shape (Your Stomach's In)", Liberty Records quickly recorded an album of the same name using session musicians from The Wrecking Crew, but those musicians were not willing to go on tour to promote the album. They were making sufficient money doing sessions in Los Angeles. So Liberty created a different "public" T-Bones group to appear on record covers, TV, and in concert. The "public" T-Bones were Judd Hamilton, Dan Hamilton, Joe Frank Carollo, Tommy Reynolds, and Gene Pello. None of them played on the hit recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton, Joe Frank And Reynolds
Hamilton, Joe Frank & Reynolds were a 1970s soft rock trio from Los Angeles. The original members were Dan Hamilton (guitar/lead vocal), Joe Frank Carollo (bass/vocal), and Tommy Reynolds (multi-instrumentalist/vocal), all of whom had previously played in The T-Bones, a 1960s band noted for the instrumental hit "No Matter What Shape (Your Stomach's In)." The group first hit the charts in 1971 with "Don't Pull Your Love." Reynolds left the group in late 1972 and was replaced by keyboardist Alan Dennison, but the band kept the name 'Hamilton, Joe Frank & Reynolds' until 1976. This revised line-up performed the group's biggest hit, 1975's " Fallin' in Love." New line-up They hit the road in January 1966 to promote their first single "No Matter What Shape (Your Stomach's In)," an instrumental piece based upon a then-popular Alka-Seltzer TV commercial. Dee and Torres quickly decided to leave the band, and were replaced by Tommy Reynolds (who would, in 1969, be the lead singer for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyle Ritz
Lyle Joseph Ritz (January 10, 1930 – March 3, 2017) was an American musician, known for his work on ukulele and bass (both double bass and bass guitar). His early career in jazz as a ukulele player made him a key part of the Hawaii music scene in the 1950s. By the 1960s, he had begun working as a session musician, more often on double bass or electric bass guitar. His prominence in the Los Angeles session scene made him a part of the Wrecking Crew, an informal group of well-used Los Angeles-based musicians. Ritz contributed to many American pop hits from the mid 1960s to the early 1980s. Starting in the mid-1980s, a rediscovery of his earlier ukulele work led to him becoming a fixture in live festivals, and a revival of his interest in playing the ukulele. He was inducted to both the Ukulele Hall of Fame Museum and the Musicians Hall of Fame and Museum in 2007. Career Southern California Music Company & US Army Band Lyle Ritz began his music career as a college student w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol Kaye
Carol Kaye (née Smith, born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 50 years. Kaye began playing guitar in her early teens and after some time as a guitar teacher, began to perform regularly on the Los Angeles jazz and big band circuit. She started session work in 1957, and through a connection at Gold Star Studios began working for producers Phil Spector and Brian Wilson. After a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s, playing on numerous hits. She moved into playing on film soundtracks in the late 1960s, particularly for Quincy Jones and Lalo Schifrin, and began to release a series of tutoring books such as ''How To Play The Electric Bass''. Kaye became less active towards the end of the 1970s, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Clark
Buddy Clark (born Samuel Goldberg, July 26, 1912 – October 1, 1949) was an American popular singer of the Big Band era. He had some success in the 1930s, but his career truly blossomed in the late 1940s, after his return from service in World War II, and he became one of the nation's top crooners. He died in a plane crash in 1949. Life and career Clark was born to Jewish parents in Dorchester, Massachusetts, Tillie (Leibowitz), from Romania, and Nathan Goldberg, from Russia. He made his Big Band singing debut in 1932 as a tenor, with Gus Arnheim's orchestra, but was not successful. Singing baritone, he gained wider notice in 1934, with Benny Goodman on the '' Let's Dance'' radio program. In 1936 he began performing on the show ''Your Hit Parade'', and remained until 1938. In the mid-1930s he signed with Vocalion Records, having a top-20 hit with "Spring Is Here". He continued recording, appearing in movies, and dubbing other actors' voices until he entered the military, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ervan Coleman
Ervan F. "Bud" Coleman (July 7, 1921 – May 26, 1967) was an American guitar and mandolin player, member of Baja Marimba Band, worked with Herb Alpert & The Tijuana Brass, and who wrote the hit track, "Tijuana Taxi". On the liner notes of Herb Alpert's "Definitive Hits" for the song "Tijuana Taxi" Herb Alpert wrote: "(Tijuana Taxi) was written by Bud Coleman who also played guitar and mandolin on many Tijuana Brass recordings until his untimely death. Bud wrote some great songs for us, but this one had a fabulous visual image of a Tijuana Taxi moving off a road and taking short cuts through the fields of Tijuana, Mexico." "Tijuana Taxi" was originally released on the hit album, '' Going Places'' (1965). Death He died in 1967 from surgical complications.''Time'' magazine; November 2, 1970 The song "Bud" is a tribute song for Coleman. It was released on Herb Alpert And The Tijuana Brass 1967 album, ''Herb Alpert's Ninth''. Coleman's widow, Eleanor, was given co-writing credits for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Wechter
Julius Wechter (May 10, 1935 – February 1, 1999) was an American musician and composer who played the marimba and vibraphone. He also played various percussion instruments. He composed the song "Spanish Flea" for Herb Alpert and was leader of The Baja Marimba Band. Biography Born in Chicago, Wechter played vibraphone (vibes) and percussion for the Martin Denny group in the 1950s. In the early 1960s, he moved on to movie soundtracks and television, as well as session work for the likes of the Beach Boys, the Monkees, Sonny & Cher, and various Phil Spector productions. His Beach Boys contributions include the climactic timpani during the choruses of "Do You Wanna Dance?" and prominent vibraphone on "Let's Go Away for Awhile." He began his long and successful association with Herb Alpert and his Tijuana Brass when he played percussion on the Tijuana Brass's first hit, "The Lonely Bull", in 1962. He later composed "Spanish Flea". Playing marimba and vibes on many of the songs on Alpe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Blaine
Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and began playing jazz and big band music before taking up rock and roll session work. He became one of the regulars in Phil Spector's de facto house band, which Blaine nicknamed " the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds. Blaine's workload declined in the 1980s as recording and musical practices changed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Feldman
Victor Stanley Feldman (7 April 1934 – 12 May 1987) was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers. Early life Feldman was born in Edgware on 7 April 1934. He caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons. Feldman performed from a young age: "from 1941 to 1947 he played drums in a trio with his brothers; when he was nine he took up piano and when he was 14 started playing vibraphone". He featured in the films ''King Arthur Was a Gentleman'' (1942) and '' Theatre Royal'' (1943). In 1944, he was featured at a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Tedesco
Thomas Joseph Tedesco (July 3, 1930 – November 10, 1997) was an American guitarist and studio musician in Los Angeles and Hollywood. He was part of the loose collective of the area's leading session musicians later popularly known as The Wrecking Crew, who played on thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits. Tedesco's playing credits include the theme from television's ''Bonanza'', ''The Twilight Zone'', Vic Mizzy's theme from ''Green Acres'', ''M*A*S*H'', ''Batman'', and ''Elvis Presley's '68 Comeback Special''. Tedesco was shown on-camera in a number of game and comedy shows, and played ex-con guitarist Tommy Marinucci, a member of Happy Kyne's Mirth-Makers, in the 1977-78 talk-show spoof ''Fernwood 2 Night'' and ''America 2 Night''. Career Born in Niagara Falls, New York, Tedesco moved to the West Coast where he became one of the most-sought-after studio musicians between the 1960s and 1980s. Although he was primarily a gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Botkin, Jr
Perry, also known as pear cider, is an alcoholic beverage made from fermented pears, traditionally the perry pear. It has been common for centuries in England, particularly in Gloucestershire, Herefordshire, and Worcestershire. It is also made in parts of South Wales and France, especially Normandy and Anjou, and in Commonwealth countries such as Canada, Australia, and New Zealand. Production Fruit Perry pears are thought to be descended from wild hybrids, known as ''wildings'', between the cultivated pear ''Pyrus communis'' subsp. ''communis'' and the now-rare wild pear ''Pyrus communis'' subsp. ''pyraster''. The cultivated pear ''P. communis'' was brought to northern Europe by the Romans. In the fourth century CE Saint Jerome referred to perry as ''piracium''. Wild pear hybrids were, over time, selected locally for desirable qualities and by the 1800s, many regional varieties had been identified. The majority of perry pear varieties in the UK originate from the counties o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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