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Night Train To Nashville
A two disc compilation of R&B songs from 1945 to 1970 recorded in Nashville, Tennessee. The compilation was spawned by an exhibit at the Country Music Hall of Fame and Museum. It won a Grammy Award for producers Michael Gray and Daniel Cooper and audio engineers Joe Palmaccio and Alan Stoker in 2005. Track listing # Nashville Jumps # Buzzard Pie # Skip's Boogie # L & N Special # Sittin' Here Drinking # Just Walkin In The Rain # If You And I Could Be Sweethearts # Baby Let's Play House # Christene # It's Love Baby (24 Hours a Day) # Rollin' Stone # You Can Make It If You Try # Rockin' The Joint # Let's Trade A Little # Say You Really Care # Somebody, Somewhere # Pipe Dreams # WLAC commercial # White Rose Disc: 2 # WLAC Air Check/Monkey Doin' Woman # What'd I Say "What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can Make It If You Try
"You Can Make It If You Try" is a song written by Ted Jarrett and recorded by Gene Allison in 1957. In 1958, Allison's recording peaked at No. 3 on the U.S. R&B singles chart, and at No. 36 or at No. 37 (sources differ) on the U.S. pop singles chart in ''Billboard'' magazine. The song has been covered by other artists, including the Rolling Stones (on their 1964 self-titled debut album), Gene Vincent (on his 1971 album ''The Day the World Turned Blue'') and Buddy Guy (on his 1980 album ''Breaking Out ''). In 1969, Sly and the Family Stone included a funk version of the song with different lyrics on the album ''Stand!''. That version (which is credited to Sylvester "Sly Stone" Stewart) has been both covered and sampled Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small quantity of so ... by oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues Compilation Albums
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Compilation Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everlasting Love
"Everlasting Love" is a song written by Buzz Cason and Mac Gayden, originally a 1967 hit for Robert Knight and since remade numerous times, most successfully by Love Affair, as well as Town Criers, Carl Carlton, Sandra Cretu, and Gloria Estefan. The original version of "Everlasting Love" was recorded by Knight in Nashville, with Cason and Gayden aiming to produce it in a Motown style reminiscent of the Four Tops and the Temptations. When released as a single, the song reached No. 13 on the US chart in 1967. Subsequently, the song has reached the US Top 40 three times, most successfully as performed by Carl Carlton, peaking at No. 6 in 1974, with more moderate success by the duo Rex Smith and Rachel Sweet (No. 32 in 1981) and Gloria Estefan (No. 27 in 1995). In the UK, "Everlasting Love" was covered by the Love Affair: it achieved No. 1 status in January 1968, eclipsing the Robert Knight original. Also in 1968, a cover by the Australian group Town Criers reached No. 2 in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Since I Met You Baby (song)
"Since I Met You Baby" is an American rhythm and blues song written and recorded by pianist Ivory Joe Hunter. The song, which Hunter recorded in 1956, became an American standard, and saw renewed popularity in 1969 when country music artist Sonny James released his hit version. Song background Hunter had already tasted major success with popular and rhythm and blues audiences with songs such as "I Almost Lost My Mind". He moved to Atlantic Records by 1954, and around that time wrote "Since I Met You Baby." The song, a 12-bar blues, was described by AllMusic critic Steve Huey as "a masterpiece of smooth, bluesy elegance" and "decidedly removed from the tide of raucous rock & roll sweeping the country." In fact, compared to many of the other uptempo, rock-beat songs of the period, the song was "augmented by a wordless vocal choir (supervised by Ray Ellis who also did the orchestral arrangement) that's strongly reminiscent of traditional pop recordings of the period," wrote Hue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunny (Bobby Hebb Song)
"Sunny" is a soul jazz standard written by Bobby Hebb in 1963. It is one of the most performed and recorded popular songs, with hundreds of versions released. BMI rates "Sunny" No. 25 in its "Top 100 songs of the century". Background and composition Hebb's parents, William and Ovalla Hebb, were both blind musicians. Hebb and his older brother Harold performed as a song-and-dance duo in Nashville, beginning when Bobby was three and Harold was nine. Hebb performed on a TV show hosted by country music record producer Owen Bradley. Hebb wrote the song after his older brother, Harold, was stabbed to death outside a Nashville nightclub. Hebb was devastated by the event and many critics say it inspired the lyrics and tune. According to Hebb, he merely wrote the song as an expression of a preference for a ''"sunny"'' disposition over a ''"lousy"'' disposition following the murder of his brother. Events influenced Hebb's songwriting, but his melody, crossing over into R&B (#3 on U. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snap Your Fingers
"Snap Your Fingers" is a song written by Grady Martin and Alex Zanetis. It was originally recorded by gospel singer Joe Henderson in 1962, whose version peaked at No. 2 on the R&B charts, and at No. 8 on the Hot 100. "Snap Your Fingers" also peaked at No. 5 on the Adult Contemporary chart. Other versions Following Henderson's original version, two renditions charted on the Hot Country Songs charts in the 1970s. The first was by Dick Curless, who took a version to number 40 in 1971. Three years later, a rendition by Don Gibson Donald Eugene Gibson (April 3, 1928 – November 17, 2003) was an American songwriter and country musician. A Country Music Hall of Fame inductee, Gibson wrote such country standards as " Sweet Dreams" and "I Can't Stop Loving You", and enjoy ... peaked at number 12. Ronnie Milsap recording In 1987, Ronnie Milsap's version was his 32nd number one on the country chart as a solo artist. His rendition appears on his 1987 album '' Heart & Soul''. Ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What'd I Say
"What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it. After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded " I Got a Woman" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rollin' Stone (Muddy Waters Song)
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a variety of artists. Earlier songs In 1928, Jim Jackson recorded "Kansas City Blues Parts 3 and 4", a follow-up to his highly successful "Jim Jackson's Kansas City Blues Parts 1 and 2". Jackson's lyrics included: Several other early songs also explored variations on the catfish and/or fishing theme. In 1941, Tommy McClennan and his sometime partner Robert Petway each recorded versions of the song. Petway's was the first to be titled "Catfish Blues" and is sometimes cited as the basis for Muddy Waters' "Rollin' Stone". However, according to one biographer "They'd been singing "Catfish Blues" for years in the Delta, but it never sounded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm & Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Love Baby (24 Hours A Day)
"It's Love Baby (24 Hours a Day)" is a song written by Ted Jarrett. The song was a number two R&B hit for Louis Brooks and His Hi-Toppers, with vocals performed by Earl Gaines, a friend of Jarrett's. The song, which also charted in 1955 for Hank Ballard's group The Midnighters and Ruth Brown, launched Jarrett's songwriting career. It was released as a single in 1955 by Ruth Brown and reached number four on the US ''Billboard'' R&B chart The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 p .... On September 10, 1955, Brooks's version and The Midnighters' version were in the top 15 at the same time, and the following week, both Brooks's version and Brown's version were in the top 15. References {{Reflist Songs written by Ted Jarrett Ruth Brown songs Hank Ballard & the Midnighters song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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