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Nigeria (Grant Green Album)
''Nigeria'' is an album by American jazz guitarist Grant Green featuring performances recorded for the Blue Note label on January 13, 1962 but not released until 1980.Grant Green discography
accessed September 16, 2010
Pianist Sonny Clark and bassist Sam Jones return from Green’s previous session, Gooden's Corner, and are joined by legendary drummer, Art Blakey. The tracks were also released in 1997 as part of ''
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Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ...
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It Ain't Necessarily So
"It Ain't Necessarily So" is a popular song with music by George Gershwin and lyrics by his brother Ira Gershwin. The song comes from the Gershwins' opera ''Porgy and Bess'' ( 1935) where it is sung by the character Sportin' Life, a drug dealer, who expresses his doubt about several statements in the Bible. The song's melody also functions as a theme for Sportin' Life's character. Controversy The song is controversial for casting doubt on the veracity of the Bible in its central lyrics: "It ain't necessarily so, It ain't necessarily so, The t'ings dat yo' li'ble, To read in de Bible, It ain't necessarily so." The song was criticized by the composer Hall Johnson for depicting African Americans as unfaithful. Influence of Jewish blessings The first and most direct example of influence occurs at the start of the song; the melody and phrasing is nearly identical to the blessing incanted before reading from the Torah. The words "It ain't necessarily so" stand in place of ''Bar'c ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Sonny Clark
Conrad Yeatis "Sonny" Clark (July 21, 1931 – January 13, 1963) was an American jazz pianist and composer who mainly worked in the hard bop idiom. Early life Clark was born and raised in Herminie, Pennsylvania, a coal mining town east of Pittsburgh.Stephenson, Sam (January 13, 2011"Notes from a Biographer: Sonny Clark" ''The Paris Review''. His parents were originally from Stone Mountain, Georgia. His miner father, Emery Clark, died of a lung disease two weeks after Sonny was born. Sonny was the youngest of eight children. At age 12, he moved to Pittsburgh. Later life and career While visiting an aunt in California at age 20, Clark decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, was working with clarinetist Buddy DeFranco in 1953. Clark toured the United States and Europe with DeFranco until January 1956, when he joined The Lighthouse All-Stars, led by bassist Howard Rumsey. Wishing ...
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Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ...
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The Song Is You (song)
"The Song Is You" is a popular song and jazz standard composed by Jerome Kern with lyrics by Oscar Hammerstein II. It was written for their musical ''Music in the Air'' (1932) and sung in that show by Tullio Carminati. In the subsequent 1934 film, the song was recorded and filmed but cut from the final release. An instrumental of the song can still be heard under the opening credits. An early hit in 1932 was by Jack Denny and his Waldorf–Astoria Orchestra (vocal by Paul Small). In later years the song became often associated with Frank Sinatra, becoming the last song he performed with Tommy Dorsey. Many other artists have recorded the song over the years. "The Song Is You" is the recurring musical theme of the 2003 Guy Maddin film '' The Saddest Music in the World''. Nine different versions of the song were arranged for the film by composer Christopher Dedrick, whose work received a Genie Award. Composer Alec Wilder writes that the song "attempts too dramatic a stateme ...
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Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ...
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Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ...
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The Things We Did Last Summer
"The Things We Did Last Summer" is a popular song about nostalgia from 1946. The words were written by Sammy Cahn, with the composition by Jule Styne. The most well known version is the 1946 Top ten hit by Jo Stafford. Versions by Frank Sinatra and by Vaughn Monroe also charted that year. Shelley Fabares had a hit cover in 1962 on the pop chart. Several recordings have been made, including versions by Frank Sinatra, Vaughn Monroe, and Dean Martin who recorded different versions for his 1959 and 1966 Christmas LPs. Jo Stafford version "The Things We Did Last Summer" was recorded by Jo Stafford, in a single released in 1946 on the Capitol Records label. Stafford's version of the song was a successful hit, peaking, at number 10 on the ''Billboard'' chart in the United States. Her recording of the song was conducted and arranged by Paul Weston and his Orchestra. Chart performance Shelley Fabares version Shelley Fabares recorded the song in a single released in August 1962 on th ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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