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Nietzsche Contra Wagner
''Nietzsche contra Wagner; Out of the Files of a Psychologist'' is a critical essay by Friedrich Nietzsche, that is made up of selections he chose from among his earlier works. The selections are assembled in this essay in order to focus on Nietzsche's thoughts about the composer Richard Wagner. As he says in the preface, when the selections are read "one after the other they will leave no doubt either about Richard Wagner or about myself: we are antipodes." He also describes it as "an essay for psychologists, but ''not'' for Germans". It was written in his last year of lucidity (1888–1889), and published by C. G. Naumann in Leipzig in 1889. Nietzsche describes in this short work why he parted ways with his one-time idol and friend, Richard Wagner. Nietzsche attacks Wagner's views, expressing disappointment and frustration in Wagner's life choices (such as Nietzsche's mistaken belief that Wagner had converted to Christianity, perceived as a sign of weakness). Nietzsche evaluates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Common
Thomas Common (1850–1919)David S. Thatcher, ''Nietzsche in England, 1890-1914'', University of Toronto Press, 1970. was a translator and critic, who translated several books by Friedrich Nietzsche into English. There is little information about him biographically, though indications are that he was a well-educated and literate scholar. He lived in the area of Corstorphine, Scotland which is now a suburb of Edinburgh. In the mid-1890s, he joined a project led by Alexander Tille to produce a complete English edition of Nietzsche's work. Common translated several of them, including a version of ''Thus Spoke Zarathustra'' published in 1909. In 1901 he published a book called ''Nietzsche as Critic, Philosopher, Poet and Prophet'' that was extremely enthusiastic about its subject, and was recommended to the publisher by George Bernard Shaw. The book did not circulate widely as the publisher, Grant Richards, went bankrupt soon after publication, but it was read by W. B. Yeats Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Heine
Christian Johann Heinrich Heine (; born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of '' Lieder'' (art songs) by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose are distinguished by their satirical wit and irony. He is considered a member of the Young Germany movement. His radical political views led to many of his works being banned by German authorities—which, however, only added to his fame. He spent the last 25 years of his life as an expatriate in Paris. Early life Childhood and youth Heine was born on 13 December 1797, in Düsseldorf, in what was then the Duchy of Berg, into a Jewish family. He was called "Harry" in childhood but became known as "Heinrich" after his conversion to Lutheranism in 1825. Heine's father, Samson Heine (1764–1828), was a textile merchant. His mother Peira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beyond Good And Evil
''Beyond Good and Evil: Prelude to a Philosophy of the Future'' (german: Jenseits von Gut und Böse: Vorspiel einer Philosophie der Zukunft) is a book by philosopher Friedrich Nietzsche that covers ideas in his previous work ''Thus Spoke Zarathustra'' but with a more polemical approach. It was first published in 1886 under the publishing house C. G. Naumann of Leipzig at the author's own expense and first translated into English by Helen Zimmern, who was two years younger than Nietzsche and knew the author. According to translator Walter Kaufman, the title refers to the need for moral philosophy to go beyond simplistic black and white moralizing, as contained in statements such as "X is good" or "X is evil". At the beginning of the book (§ 2), Nietzsche attacks the very idea of using strictly opposite terms such as "Good versus Evil". In ''Beyond Good and Evil'', Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosima Wagner
Francesca Gaetana Cosima Wagner ( née Liszt; 24 December 1837 – 1 April 1930) was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works; after his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly ''Parsifal''. In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bülow. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. They married in 1870; after Wagner's death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its reper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birth Of Tragedy
''The Birth of Tragedy Out of the Spirit of Music'' (german: Die Geburt der Tragödie aus dem Geiste der Musik) is a 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as ''The Birth of Tragedy, Or: Hellenism and Pessimism'' (german: Die Geburt der Tragödie, Oder: Griechentum und Pessimismus). The later edition contained a prefatory essay, " An Attempt at Self-Criticism", wherein Nietzsche commented on this earliest book. The book Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. The Greek spectators, by looking into the abyss of human suffering and affirming it, passionately and joyously affirmed the meaning of their own existence. They knew themselves to be infinitely more than petty individuals, finding self-affirmation not in another life, not in a world to come, but in the terror and ecstasy alike celebrated in the performance of tragedi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Schopenhauer
Arthur Schopenhauer ( , ; 22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work ''The World as Will and Representation'' (expanded in 1844), which characterizes the phenomenal world as the product of a blind noumenal will. Building on the transcendental idealism of Immanuel Kant (1724–1804), Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism. He was among the first thinkers in Western philosophy to share and affirm significant tenets of Indian philosophy, such as asceticism, denial of the self, and the notion of the world-as-appearance. His work has been described as an exemplary manifestation of philosophical pessimism. Though his work failed to garner substantial attention during his lifetime, Schopenhauer had a posthumous impact across various disciplines, including philosophy, literature, and science. His writing on aesthetics, morality, and psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human, All Too Human
''Human, All Too Human: A Book for Free Spirits'' (german: Menschliches, Allzumenschliches: Ein Buch für freie Geister) is a book by 19th-century philosopher Friedrich Nietzsche, originally published in 1878. A second part, ''Assorted Opinions and Maxims'' (german: Vermischte Meinungen und Sprüche, label=none), was published in 1879, and a third part, ''The Wanderer and his Shadow'' (german: Der Wanderer und sein Schatten, label=none), followed in 1880.Nietzsche, Friedrich. 8781908. Human, All Too Human: A Book for Free Spirits', translated by A. Harvey. Chicago: Charles H. Kerr & Co. . . HathiTrust001386232 Retrieved 20 August 2020. The book is Nietzsche's first in the aphoristic style that would come to dominate his writings, discussing a variety of concepts in short paragraphs or sayings. Reflecting an admiration of Voltaire as a free thinker, but also a break in his friendship with composer Richard Wagner two years earlier, Nietzsche dedicated the original 1878 edition of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Köselitz
Johann Heinrich Köselitz (10 January 1854 – 15 August 1918) was a German author and composer. He is known for his longtime friendship with Friedrich Nietzsche, who gave him the pseudonym Peter Gast. Life Köselitz was born in Annaberg, Saxony to Gustav Hermann Köselitz (1822–1910), the vice mayor (''Vizebürgermeister''), and his wife Caroline (1819–1900), a native of Vienna. His younger brother was the painter Rudolf Köselitz. From 1872, Köselitz studied music with Ernst Friedrich Richter at the University of Leipzig. He transferred in 1875 to the University of Basel, where he attended the lectures of Jacob Burckhardt, Franz Overbeck, and Friedrich Nietzsche. In 1877, Köselitz sharply criticized the Basel music instructor Selmar Bagge in a newspaper article, which led to a minor scandal. In Basel, a friendship developed between Köselitz and Nietzsche. Köselitz read for Nietzsche during the latter's intermittent spells of near blindness, and also took dictati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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