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Niccolò Dell'Arca
Niccolò dell’Arca (c. 1435-1440 – 2 March 1494) was an Italian Early Renaissance sculptor, who worked mostly in terracotta. He is also known under the names Niccolò da Ragusa, Niccolò da Bari and Niccolò d'Antonio d'Apulia. The surname “dell’Arca” refers to his contribution to the Arca di San Domenico. The place and the year of his birth are not certain. He was probably born in Apulia, perhaps in Bari, and then most likely lived for some time in Dalmatia. According to C. Gnudi (see ref.) he received training there by the Dalmatian sculptor Giorgio da Sebenico. The Burgundian elements in his sculpture are attributed by some art historians to his presumed participation in the triumphal arch of the Castel Nuovo in Naples during the 1450s (where he would have known the Catalan sculptor Guillem Sagrera and would be influenced by his style). Others, rejecting his training in Naples, contend instead that he travelled to France in the late 1460s. According to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and later inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putti
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candelabrum
A candelabra (plural candelabras) or candelabrum (plural candelabra or candelabrums) is a candle holder with multiple arms. Although electricity has relegated candleholders to decorative use, interior designers continue to model light fixtures and lighting accessories after candelabra and candlesticks. Accordingly, the term candelabra has entered common use to describe small-based light bulbs used in chandeliers and other lighting fixtures made for decoration as well as lighting. In Judaism and in the Philippine religion Iglesia ni Cristo, the menorah is a special kind of candelabrum. The Candelabra is also used in certain Eastern Catholic and Eastern Orthodox church architecture and liturgy by bishops as the Trikiridikiri. Singular and plural This word originally came from Latin, in which ''candelabrum'' is the singular form and ''candelabra'' is the plural. Over time, English usage changed so that ''candelabra'' as the singular and ''candelabras'' as the plural is now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guglielmo Agnelli
Fra Guglielmo Agnelli OP (c. 1238–1313) was an Italian sculptor and architect, born in Pisa. Biography Agnelli was a pupil of the well-known sculptor Nicola Pisano, who modeled on classical Greek and Roman ideas. Agnelli was born and there joined the Dominican Order in 1257, as a lay brother. He was soon engaged in work on the convent of the brethren at Pisa and built the campanile of the Badia a Settimo, near Florence. His best work is the series of marble reliefs executed, in collaboration with Pisano, for the famous tomb of St Dominic in the church of that Saint at Bologna. The figures on the funeral urn, in mezzo-rilievo, are about two feet high. Fra Guglielmo's work on the posterior face of the tomb deals with six Dominican legends: the Blessed Reginald smitten by a distemper; the Virgin Mary healing a sick man and selecting the habit for the Friars Preachers; the same man freed from a terrible temptation by holding St Dominic's hands; Pope Honorius III having his visio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnolfo Di Cambio
Arnolfo di Cambio (c. 1240 – 1300/1310) was an Italian architect and sculptor. He designed Florence Cathedral and the sixth city wall around Florence (1284–1333), while his most important surviving work as a sculptor is the tomb of Cardinal de Braye in S. Domenico, Orvieto. Biography Arnolfo was born in Colle Val d'Elsa, Tuscany. He was Nicola Pisano’s chief assistant on the marble Siena Cathedral Pulpit for the Duomo in Siena Cathedral (1265–1268), but he soon began to work independently on an important tomb sculpture. In 1266–1267 he worked in Rome for King Charles I of Anjou, portraying him in the famous statue housed in the Campidoglio. Around 1282 he finished the monument to Cardinal Guillaume de Braye in the church of San Domenico in Orvieto, including an enthroned Madonna (a ''Maestà'') for which he took as a model an ancient Roman statue of the goddess Abundantia; the Madonna's tiara and jewels reproduce antique models. In Rome Arnolfo had seen the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the emperor Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably by his hand. "The head of a young girl" (now displayed in the Museo del Palazzo Venez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Dominic
Saint Dominic ( es, Santo Domingo; 8 August 1170 – 6 August 1221), also known as Dominic de Guzmán (), was a Castilian Catholic priest, mystic, the founder of the Dominican Order and is the patron saint of astronomers and natural scientists. He is alternatively called Dominic of Osma, Dominic of Caleruega, and Domingo Félix de Guzmán. Life Birth and early life Dominic was born in Caleruega,"Saint Dominic", Lay Dominicans halfway between and in , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of later A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Paul II
Pope Paul II ( la, Paulus II; it, Paolo II; 23 February 1417 – 26 July 1471), born Pietro Barbo, was head of the Catholic Church and ruler of the Papal States from 30 August 1464 to his death in July 1471. When his maternal uncle Eugene IV became pope, Barbo switched from training to be a merchant to religious studies. His rise in the Church was relatively rapid. Elected pope in 1464, Paul amassed a great collection of art and antiquities. Early life Pietro Barbo was born in Venice, the son of Niccolo and Polixena Condulmer Barbo.Weber, Nicholas. "Pope Paul II." The Catholic Encyclopedia Vol. 11. New York: Robert Appleton Company, 1911. 15 May 2020. His mother was the sister of |
Santa Maria Della Vita
The Sanctuary of Santa Maria della Vita is a late-Baroque-style, Roman Catholic church in central Bologna, near the Piazza Maggiore. History The construction of the present Baroque church began in 1687-1690 under the designs of Giovanni Battista Bergonzoni, who built the elliptical plan with a dome designed by Giuseppe Tubertini, completed in 1787. The facade was not added till 1905. The sanctuary houses the sculptural group of ''Sorrow over Dead Christ'' (1463) by Niccolò dell'Arca. Oratorio dei Battuti In the adjacent oratory, built between 1604 and 1617 to designs by Floriano Ambrosini, is a ''Madonna with child and Saints'' (1550) by Nosadella and a ''Transit of the Madonna'' (bodily assumption), a group of 14 statues in terracotta (1522) by Alfonso Lombardi. On the niches of the walls are statues of ''St Proculus'' and ''St Petronius'' by the famed sculptor Alessandro Algardi, as well as by Giulio Cesare Conventi Alessandro Algardi (July 31, 1598 – June 10, 1654) was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctuary
A sanctuary, in its original meaning, is a sacred place, such as a shrine. By the use of such places as a haven, by extension the term has come to be used for any place of safety. This secondary use can be categorized into human sanctuary, a safe place for people, such as a political sanctuary; and non-human sanctuary, such as an animal or plant sanctuary. Religious sanctuary ''Sanctuary'' is a word derived from the Latin , which is, like most words ending in , a container for keeping something in—in this case holy things or perhaps cherished people (/). The meaning was extended to places of holiness or safety, in particular the whole demarcated area, often many acres, surrounding a Greek or Roman temple; the original terms for these are ''temenos'' in Greek and ''fanum'' in Latin, but both may be translated as "sanctuary". Similar usage may be sometimes found describing sacred areas in other religions. In Christian churches ''sanctuary'' has a specific meaning, covering p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
