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New World Pygmies Vol. 2
''New World Pygmies vol. 2'' is a double album by American jazz saxophonist Jemeel Moondoc and bassist William Parker, which was recorded live in 2000 and released on the Eremite label. The first disc documents a duo performance from Madison, while the second includes guest drummer Hamid Drake from a Chicago set at the Velvet Lounge.''New World Pygmies vol. 2'' at Eremite Reception '''' states "An intermittently powerful document which, as with so much in a obsessively documented area, sometimes feels like too much has been taken down." In a review for One Final Note, Scott Hreha wrote: "by all accounts, th ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jemeel Moondoc
Jemeel Moondoc (August 5, 1946 – August 29, 2021) was a jazz saxophonist who played alto saxophone. He was a proponent of a highly improvisational style. He was born in Chicago, Illinois, United States, and studied clarinet and piano before settling on saxophone at sixteen. He became interested in jazz largely due to Cecil Taylor and at the University of Wisconsin–Madison, he was a student of Taylor's. After that he moved to New York City, where he founded "Ensemble Muntu" with William Parker, Roy Campbell, Jr., and Rashid Bakr. The group also had its own Muntu record label, but eventually faced financial difficulties. In 1984, he formed the Jus Grew Orchestra, which secured a residency at the Neither/Nor club in the Lower East Side. He worked with Parker again in 1998's album, '' New World Pygmies''. He died in August 2021, at the age of 75 from the effects of sickle cell anemia. Discography As leader * '' First Feeding'' (Muntu, 1977) * '' The Evening of the Blue M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gralla (instrument)
The gralla (), also known as grall de pastor, xaramita or xirimita, is a traditional Catalan double reed instrument in the shawm family classified in the group 422.112 in the Hornbostel-Sachs system. Like the dolçaina from Valencia – a very similar instrument that many experts consider a variety of the gralla –. The gralla comes from the ancient xeremia a medieval instrument largely used until the Baroque. Probably, the name of the instrument comes from its strident sound similar to the sound of a Jackdaw native to Catalonia and northern Spain and also called 'Gralla' in Catalan. This traditional instrument is used during the construction and dismantling of human towers or castells and other traditional festivities. it is usually played with the timbal The timbau or Brazilian timbal is a membranophone instrument derived from the caxambu drum, usually played with both hands. Slightly conical and of varying sizes, it is usually light in weight and made of lacquered wood or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bombard (music)
The bombard (, ) is a contemporary conical-bore double-reed instrument widely used to play traditional Breton music. The bombard is a woodwind instrument, and a member of the shawm family. Like most shawms, it has a broad and very powerful sound, vaguely resembling a trumpet. It is played as other shawms are played, with the double reed placed between the lips. The second octave is 'over-blown'; achieved via increased lip and air pressure or through the use of an octave key. It plays a diatonic scale of up to two octaves, although contemporary instruments frequently have added keywork permitting some degree of chromaticism. A bombard player is known as a ''talabarder'' after 'talabard', the older Breton name for the bombard. The tradition: Sonneurs de Couple Traditional Breton musicians are referred to as ''Sonerien'' (in Breton) or ''Sonneurs'' (in French). Musicians playing in pairs are also referred to as "sonneurs de couple". While 'Soner' originally referred only to the bomba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Sax
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Sax
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick L. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamid Drake
Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers. Drake also has performed world music; by the late 1970s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career. Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in many lineups) He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks, using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Parker (musician)
William Parker (born January 10, 1952) is an American free jazz double bassist. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. ''The Village Voice'' named him "the most consistently brilliant free jazz bassist of all time" and ''DownBeat'' has called him "one of the most adventurous and prolific bandleaders in jazz". Early life and career Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instrument was the trumpet, followed by the trombone and cello. Parker was not formally trained as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis, and Wilbur Ware in learning the tradition. While Parker has been active since the early 1970s, he first came to public attention playing with pianist Cecil Taylor in the 1980s. He has performed in many of Peter Brötzmann's groups, and played with saxophonist David S. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Glenn Miller Café Vol 1
''Live at Glenn Miller Café Vol 1'' is an album by American jazz saxophonist Jemeel Moondoc, which was recorded in Stockholm and released on Ayler Records, a Swedish label founded by Jan Ström and Åke Bjurhamn.''Live at Glenn Miller Café Vol 1'' at Ayler Records Moondoc leads a trio with bassist William Parker and drummer . The rhythm section had recorded the studio album ''...and William Danced'' a few hours earlier with local saxophonist Anders Gahnold. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
